2017 Past Skin, MoMA PS1, The Museum
of Modern Art, New York, NY Invisible Cities, The Wallach Art Gallery at Columbia University, NY Mundos Alternos: Art and Science Fiction in the Americas, «Pacific Standard Time», UCR / California Museum
of Photography, Riverside, CA COMM ALT SHIFT, Aljira A Center for Contemporary Art, Newark, NJ Biennale
of Moving Images, Faena Bazaar and Faena Hotel, Miami Beach, FL Biennale
of Moving Images, Faena Art Center Buenos Aires, Argentina Digital Bodies, Eli and Edythe Broad Art Museum, East Lansing, MI Vision All
Together, Durango Arts Center, Durango, COSouth Florida Consortium Exhibition, Museum
of Contemporary Art, North Miami, FL South Florida Consortium Exhibition, Museum
of Contemporary Art, North Miami, FL Prospect 4: The Lotus in Spite
of the Swamp, New Orleans Biennial, New Orleans, LA No burden
as heavy, David Castillo Gallery, Miami Beach, FL
Change Agents, Art and Culture Center
of Hollywood, Hollywood, FL
Figure 1 reproduces Figure 1a
of Marvel et al., which shows the relationship in GISS - E2 - R between
changes ΔT in simulated GMST and ΔF in forcing, for six individual forcing
agents as they are estimated to have evolved since 1850 and for the Historical simulations (all - forcings
together, 6 runs).