Sentences with phrase «together as an exhibition»

Not exact matches

Australia's leading textile and leather suppliers play an important role as they join forces to start the year's exhibition calendar with the latest in designs and colours bringing together the best in world furnishing trends.
To meet the requirements of hand producers and medium - sized pro-cessors, the exhibition stand will also be featuring the compact R 085 thermoforming packaging machine and R 105 machine, as well as the T 300 traysealer together with the C 500 and C 200 chamber machines.
The new MEATUP exhibition at Stoneleigh Park in Warwickshire has been a resounding success, as the # 24 billion UK meat industry showcased and networked together, obtaining new business and fresh ideas.
Organised by the PPMA Group of Associations, the UK's leading trade association comprising the Processing and Packaging Machinery Association (PPMA), British Automation & Robot Association (BARA) and UK Industrial Vision Association (UKIVA), the exhibition is expected to welcome more than 8,000 attendees who will come together to see the latest machinery in action, find inspiration and new suppliers, as well as learn about the latest industry trends at the Learning Hub and enjoy light entertainment with RoboKeeper — the «World's Best Goalie» — and Titan the Robot.
Durant should receive a much warmer welcome when Team USA and China get together again in Tuesday's exhibition rematch, as the pro-Warriors crowd will surely be excited to see its new star attraction.
The local emerging artists brought together in this exhibition explore travel as both a process and a subject.
«These exhibitions will give New Yorkers in towns, villages, and cities all across the state a gathering place to once again stand as one community to make sure we never forget those who lost their lives on September 11th and to embrace the spirit of unity that brought us together on that day of devastating tragedy.»
As part of the programme of the AAAS annual meeting 2016 the German Embassy additionally hosted the «Meet with Nobel Laureates» event together with the Lindau Nobel Laureate Meetings and the Heidelberg Laureate Forum and presented the photo exhibitions «NOBELS» and «Masters of Abstraction», two portrait series by German photographer Peter Badge.
An actual mullet (as opposed to a mullet hemline) would have been more fitting considering the exhibition, but we didn't truly expect the to forgo feminine all together.
This exhibition of around 1,000 books brings together examples of the Guest of Honour's literature in translation, as well as books about the country.
As reported by Archinect, the project — a collaboration for a Los Angeles exhibition called Architects for Animals: Giving Shelter — was put together by designers at Formation Association, Arktura, and BuroHappold Engineering.
Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.
As well as being one of the city's popular tourist attractions, the Grand Palais is the home to a fascinating exhibition hall, together with a superb museum and is a sight certainly not to be missed whilst visiting this wonderful citAs well as being one of the city's popular tourist attractions, the Grand Palais is the home to a fascinating exhibition hall, together with a superb museum and is a sight certainly not to be missed whilst visiting this wonderful citas being one of the city's popular tourist attractions, the Grand Palais is the home to a fascinating exhibition hall, together with a superb museum and is a sight certainly not to be missed whilst visiting this wonderful city.
Reed Travel Exhibitions director World Travel Market, Simon Press, said: «The emerging economies of Brazil, Russia, India, China and South Africa are often group together with their potential discussed as a collective whole, despite there being different advantages and challenges in each market.
EVO brings together the best of the best from around the world in a dazzling exhibition of skill and fun, as players and fans gather to honor the competitive spirit in an open format and determine a champion.
As part of the exhibition, which will be held in a space adjacent to the Close show's galleries, PAFA will put together a timeline related to sexual misconduct and gender equity.
Reviewing a 2010 exhibition, Lance Esplund wrote that in Chaet's paintings, «light sparkles through porous forms, which wrap and twist together as if earth, ocean and sky were a single organism.»
Juxtaposing well - known masterpieces with surprising and little - seen works, the exhibition brings together sculptures by artists from Donatello, El Greco, Jean - Léon Gérôme, Antonio Canova, Auguste Rodin, and Edgar Degas to Louise Bourgeois, Meret Oppenheim, Isa Genzken, Charles Ray, Fred Wilson, Robert Gober, Bharti Kher, Duane Hanson, Jeff Koons, and Yinka Shonibare MBE, as well as wax effigies, reliquaries, mannequins, and anatomical models.
The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.
Each of these artists has already made a name on their own through winning numerous awards and participating in various group and solo shows, however for this exhibition they sought to come together as a collective -LSB-...]
The exhibition concludes with artefacts from the formation of Experiments in Art and Technology (E.A.T) in New York in 1966 which saw performances over nine evenings from artists such as Robert Rauschenberg, John Cage and Yvonne Rainer working together with engineers from American engineering company Bell Laboratories in one of the first major collaborations between the industrial technology sector and the arts.
With the majority of work having been made between 1964 and 2014, the exhibition brings together a group of thirty - five intergenerational American artists who share an interest in the U.S. South as a location both real and imagined.
Taking this intergenerational artistic milieu as its point of departure, this exhibition brings together works by artists whose output subverts a rigorous formalism through references to subjectivity, narrative, and process.
Alongside numerous group exhibitions such as «Niveaualarm», (Innsbruck, 2007) and «The professor Winkler scholarship Berlin», (2005), Ulrich Wulff runs the Berlin based publishing house Heckler und Koch, and the virtual gallery, European Fine Art, together with his collaborators and friends, Thomas Winkler and André Butzer.
The exhibition brings together works from institutions such as the Museum of Modern Art in New York, the Centre Pompidou in Paris, and the Joan Mitchell Foundation as well as works from private collections which have never or only seldom been shown in public.
His latest group exhibition at The El Paso Museum of Art titled Text as Art: From the 1960's Onward brought together prints, photographs and sculpture that combine writing and images.
Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).
This exhibition will bring together a large body of Ulay's early Polaroid works from the 1970s, the iconic video works made in collaboration with Marina Abramović in the late 1970s and 1980s, as well as his more recent projects.
(Not So) Still Life Wave Hill's spring exhibition, (Not So) Still Life, brings together 14 contemporary artists whose multimedia work encourages a rethinking of still life as a genre.
Anna McNay: Your exhibition here at Marlborough Fine Art brings together recent paintings, sculptures and works on paper that will give visitors an overview of your visual language as a whole.
This exhibition in London also brings together important archival material, such as rare propaganda posters from the original pavilion and a replica of Miró's infamous work El Segador (The Reaper) which disappeared when the pavilion was dismantled in 1937.
Conceived of as a single exhibition, «The Complete Spot Paintings 1986 - 2011» fulfilled Hirst's longstanding ambition to show the works together.
As the title of the exhibition suggests, lapses in Thinking By the person I Am, one is confronted with not only typographical fragmentation, but also disconcertion for placing the work together with the train in some kind of logical context; by using the story of her body and objects that she interacts with, Pryde literally derails the misconceived notion that we are what we own.
1 Brought together under the title «CAST» — as the final exhibition at Cristea's two Cork Street locations before the gallery relocates to Pall Mall in the autumn — the prints exerted a powerful confrontational presence, reinforced by their often dramatic scale.
As well, she was involved with the Little Paris Studio where artists met and worked together, improving their skills, exchanging critiques, and holding exhibitions.
The exhibition brings together a broad spectrum of leading artists, prompting thematic conversations across generations, between those who rose to prominence during the closing decades of the last century and younger artists who have found their voice in today's world, a place of incalculably more images, where distinct movements have given way to heterogeneity and the availability of and reliance on technology is taken as given.
Their activities have taken many forms, including an exhibition space in Düsseldorf, Germany, various publishing projects, sustained collaborations with other artists, as well as exhibitions, realized both individually and together with a loose network of artists and cultural producers.
In an essay about the Quogue Gallery exhibition, Charles A. Riley II notes that the show «calls for an aesthetic that traverses the boundaries of artistic categories» and suggests that an understanding of the «tectonic» weaving together of materials as described by architecture professor Kenneth Frampton can be useful in enhancing the appreciation of beauty in different media.
The Brooklyn - based artist curated «Encounters and Collisions,» an exhibition that brings together work by 45 major artists with whom he has an intellectual and aesthetic connection, the catalog for which he refers to as an anthology.
«For this reason, and as we ask the public to actively participate by casting their vote, we chose, together with the Organizing Committee, not to charge an admission fee for the exhibition, nor the concert.»
This exhibition charts Höch's career beginning with early works influenced by her time working in the fashion industry to key photomontages from her Dada period, such as Hochfinanz (High Finance)(1923), which sees notable figures collaged together with emblems of industry in a critique of the relationship between financiers and the military at the height of an economic crisis in Europe.
The paintings on exhibition are marked by an action of making so patently visible as marks, daubs and strokes of colour on the surface that the making and seeing of the scene are brought together in the painting.
Image credit: Copyright Alex Katz; Courtesy Timothy Taylor Gallery, London 4 November — 13 December 2009 Jerwood Space, 171 Union Street, London, SE1 0LN Passing Thoughts and Making Plans is an exhibition that brings together artists who use photography as part of their thought process; as a tool for working out, following and shaping ideas that will develop into a finished work.
The exhibition takes landscape as its focus, bringing together Katz's extraordinarily productive output of recent years alongside select works from the past two decades.
The exhibition brings together more than 90 images representing Lieberman's body of work as a photojournalist with the Associated Press and numerous publications, encompassing a broad spectrum of subject matter including celebrity portraits, sporting events, nature tableaus and aerial photography.
On view October 20, 2015 — March 26, 2016, the exhibition features works by masters of the German Expressionist movement, among them Ernst Ludwig Kirchner, Emil Nolde, and Karl Schmidt - Rottluff, together with such Weimar period innovators as Max Beckmann, Otto Dix, George Grosz, Wassily Kandinsky, and Paul Klee.
Curated by Manu Park, the solo exhibition (22 February - 30 April 2017) includes PLAYTIME (Seven Screen Installation), 2014, which explores the dramatic and nuanced subject of capital, Kapital, 2013, a two - screen documentary, which includes the artist in conversation with leading academics such as David Harvey and Stuart Hall, and The Leopard, 2007, which brings together baroque pageantry and metaphor in a work that, referring to journeys made across the Mediterranean by Asians and Africans trying to enter Europe by sea, experiments with notions of cultural entanglement and the dissent between aesthetics and politics.
The exhibition will add an important development to an already rich history of exhibitions that over the years have shown Corse, Irwin, McCracken, Valentine, and Kauffman together, as well as with some of their peers.
In the first part of the day, together with curator Rose Lejeune and independent academic Dr Rebecca Gordon, we will discuss issues that arise when setting new ephemeral and process - based artworks in dialog with historical artefacts, as is the case in the New Perspectives exhibition.
Dr. Tsai, the curator of the exhibition, will discuss the selection and presentation of nearly 60 works, including sculpture, stained - glass panels and oil paintings which together, as a whole, alter the narrative of art history.
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