About her work, Stern says, «I work like a handyman cobbling
together drawings and sculptures from elements found, borrowed, and imagined.
Not exact matches
This focused exhibition brings
together sculptures and drawings from private collections
and the museum's holdings to explore the artist's creative process
and his narrative skill.
By physically
and metaphorically cutting
and bringing
together disparate items
and ideas in her paintings,
drawings,
and sculptures, Gueorguieva's works can be seen as assemblages of chaos
and order, personal concerns
and global issues.
It features new
and rarely seen multimedia works,
together with film, painting,
sculpture, photography
and drawing by over 70 artists.
This exhibition
draws together photographs
and sculptures with a minimalist aesthetic which relate to structures, form, space
and colour beyond the landscape.
Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications
and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008
Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008
Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch
Drawing Prize 2011, Rabley
Drawing Centre, Marlborough 2010 The Jerwood
Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary
Drawing Centre, London 2008 The Jerwood
Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize
Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood
Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open
Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show
and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol
It features new
and rarely seen multimedia works,
together with film, painting,
sculpture, photography
and drawing by over 70 artists, including works by Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, James Bridle, Douglas Coupland, Constant Dullaart, Lynn Hershman Leeson, Vera Molnar, Albert Oehlen, Trevor Paglen, Nam June Paik, Jon Rafman, Hito Steyerl, Ryan Trecartin, Amalia Ulman
and Ulla Wiggen.
The Belgian artist brings
together sculpture,
drawing, photography,
and works on paper that examine themes of morbidity, beauty, destruction
and time.
The exhibition featured approximately 70 prints,
drawings and related
sculptures from throughout Puryear's nearly 40 - year career, including many works never shown before outside the artist's studio.1
Together with its substantial catalogue, it illuminated the complex
and intimate relationship between Puryear's two -
and three - dimensional thinking,
and the persistence with which he continually revisits
and reworks forms, in some cases, over the course of decades.2
Presented on the third
and fourth floors of the Museum, this comprehensive survey will bring
together over 115 works, including paintings,
sculptures,
drawings, wallpapers
and prints, early computer - based art, videos,
and 16 mm films.
Jorge Pinheiro: D'après Fibonacci
and the world out there, through January 7, 2018 «D'après Fibonacci
and the world out there brings
together paintings,
drawings and sculptures by the influential Portuguese artist Jorge Pinheiro (Coimbra, 1931).
This comprehensive survey will bring
together over 115 works, including paintings,
sculptures,
drawings, wallpapers
and prints, early computer - based art, videos,
and films.
With creation dates ranging from 1960 - 1981, the humorous aspect of the
sculptures, in combination with the ready - made aspect — hotch - potched
together from familiar objects
and rusty scraps —
draw comparisons with Marcel Duchamp's ready - mades,
and it is clear to see the anti-aesthetic influence of the «noisy alarm» of Dada in the work of Swiss - born Tinguely.
Family working
together to make a soft
sculpture inspired by the exhibition, Claes Oldenburg: Early Sculpture, Drawings, and Happenings Fil
sculpture inspired by the exhibition, Claes Oldenburg: Early
Sculpture, Drawings, and Happenings Fil
Sculpture,
Drawings,
and Happenings Films, 2009.
«
Drawing together various art forms (video,
sculpture, painting,
and live performance) across the lines of race, multiple generations
and interdisciplinary canons, Blues for Smoke places the idioms of blues,
and other distinctly African - American traditions, at the center of the American tableau of creativity.»
First major survey of work by British artist Anna Barriball, bringing
together drawing, video, photography
and sculpture made over the last decade.
The exhibition comprises a total of 12 large - format paintings, 24
drawings and two
sculptures that the artist has produced
together with artisans
and artists from the city of Seville.
Night Vision: Nocturnes in American Art explores the critical importance of nocturnal imagery in the development of modern art by bringing
together 90 works in a range of media — including paintings, prints,
drawings, photographs,
and sculptures — created by such leading American artists as Ansel Adams, Charles Burchfield, Winslow Homer, Lee Krasner, Georgia O'Keeffe, Albert Ryder, John Sloan, Edward Steichen,
and Andrew Wyeth, among others.
With over 100 paintings,
sculptures, prints
and drawings, this definitive survey brings
together the work of American artists like Joseph Cornell, Peter Blume, Kay Sage, Isamu Noguchi, Arshile Gorky,
and Jackson Pollock — with that of Europeans in exile during World War II, including Salvador Dalí, Yves Tanguy, André Masson
and Max Ernst.
The Structure of Things is a group exhibition by London - based artists Gary Colclough, Alan Magee,
and Andy Wicks, bringing
together sculpture, video,
and drawing.
The show premiered at the San Francisco Museum of Modern Art in the fall, but its installation at the Whitney is slightly larger, bringing
together over 150 paintings,
sculptures, photographs,
and drawings by the artist.
He moved seamlessly between the mediums of painting,
drawing, printmaking, photography,
sculpture, installation
and performance,
and often wove these methods
together, blurring the lines between conventional artistic categories
and developing a practice that defies simplifications
and categorizations.
Bringing
together almost two decades of
sculpture, film,
drawings, large - scale installations
and photography, Emily Jacir: Europa focuses on Jacir's dialogue with Europe, Italy
and the Mediterranean in particular.
This major exhibition will bring
together sculpture,
drawings, prints
and rare photographs of the artist.
The exhibition brings
draws together approximately 20 of Nevelson's iconic black
and white painted wood
sculptures, wall reliefs,
and installations from the late 1950s through the late 1980s.
Alongside these
sculptures and drawings, Clottey presents a video installation, «The Displaced», enacting the trade
and migration story of the Clottey family;
together with his performance collective GoLokal, Clottey embarks on a symbolic journey of remembrance on Labadi Beach, Accra.
Richard Deacon's first major UK exhibition since his Whitechapel show a decade ago brings
together a selection of
sculpture,
drawings,
and mixed - media works realized in the past ten years.
For Barney,
sculpture is an emanation of places, performances, films, photos,
drawings and ephemera that
together create complex, open - ended
and symbolically charged stories, characterised by an innovative artistic idiom, aesthetics
and narrative structures.
This exhibition highlights the artist's diverse range of art making since relocating from Milan to the United States in 2009, bringing
together 40 recent graphite
drawings and a selection of works on paper
and ceramic
sculptures.
The exhibition was the first major survey of work by Anna Barriball, which brought
together drawing, video, photography
and sculpture made over the last decade / Read more
News from Nowhere features
sculpture,
drawing, print, photography
and film from the early twentieth century to present day, bringing newly commissioned work
together with loans from national
and international collections to highlight the impact of developments in modern science
and technology on the artistic imagination.
Equally
drawn to the history of figurative
sculpture as to a wide range of craft
and artisan traditions around the world — from ceramic techniques to glass blowing, enameling to welding — Upritchard pushes these practices in new directions, bringing them
together to create a striking
and original visual language of her own.
On view September 18, 2013 — January 19, 2014, Matisse's Marguerite: Model Daughter brings
together more than 40 prints,
drawings, paintings,
and sculptures from the BMA
and other public
and private collections to show Marguerite over the course of 45 years
and provide a fascinating glimpse of the artist's relationship with his only daughter.
Organized by Fairfax Dorn
and drawn from the collection of the Linda Pace Foundation, Localized Histories brings
together work by Leonardo Drew, Tony Feher, Isa Genzken, Trenton Doyle Hancock, Thomas Hirschhorn, Christian Marclay
and Linda Pace to explore «the relationships between the static, found objects
and their temporal nature to create something which extends beyond painting
and sculpture.»
This, her first survey exhibition, brings
together drawing, video, photography
and sculpture made over the last decade.
Bringing
together for the first time all of Johns» light bulb
sculptures and related
drawings and prints — including several
drawings and modified prints from the artist's own collection — this volume offers an unparalleled opportunity to examine Johns» practice through a single image
and reveals significant relationships between his two -
and three - dimensional work.
This comprehensive survey will bring
together over 115 works, including paintings,
sculptures,
drawings, wallpapers
and prints, early computer - based art, videos,
and 16 mm films.
The focus of this show, however, is on a group of photographs,
drawings and small - scale
sculptures which
together reveal the formal sensibility that clearly informs Fleischner's larger works.
The various
sculptures and drawings in the exhibition joins
together successfully, linking the artist's love of poetry, nature, heritage
and life.
Yet the artist never addressed this diverse range of interests directly, instead they are filtered
and reflected back
and froth through the wide - ranging media she employs, not least performance,
drawing, film, video,
sculpture and sound, often
together in a single cacophonous installation.
Featuring works by Donatello, El Greco, Auguste Rodin,
and Jeff Koons, among others, the exhibition
draws together idealized
sculpture, wax effigies, reliquaries, mannequins,
and even anatomical models.
Major exhibitions include: Claes Oldenburg
and Coosje van Bruggen: A History of
Sculpture, Museo d'Arte Contemporanea, Castello di Rivoli, Turin, Italy (October 2006 - February 2007); Notebook Pages: A Dialogue, Chinati Foundation, Marfa, Texas (2003); Claes Oldenberg with Coosje van Bruggen:
Drawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (sculptures, models and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italy
Drawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (
sculptures, models
and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italy
drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italy (1985).
Its multidisciplinary nature brings
together all artistic fields: painting,
sculpture, decorative art, objets d'art, architecture,
drawing,
and photography.
That's Michael David, who curated the show, which brings
together sixteen of Dial's early work on paper
and sculpture with paintings,
drawings and sculpture by Katherine Bradford, Farrell Brickhouse, James Castle, Chris Martin, Joan Snyder
and Fred Valentine.
The show will explore the eternal compulsion to produce
and to collect works of art, displaying «objects» ranging from a 2nd century BCE Egyptian
sculpture to works created for the last Venice Biennale,
drawn together from Turin's most prominent collections of art
and antiquities.
Featuring comprehensive displays of recent paintings
and drawings for which she is arguably best known, the exhibition also includes collage,
sculpture, textiles
and film, all
drawn together by the artist's exuberant
and psychedelic aesthetic.
This new exhibition brings
together both existing
and new works including
drawings, installation
and sculpture.
Sophia Vari: Recent Works August 17 - September 20, 1998 As part of the celebration of the dedication of Wichita State University's Plaza of Heroines, the Ulrich Museum has brought
together an exhibition of maquettes, or small models,
and drawings by Sophia Vari, the artist whose
sculpture, Danseuse Espagnole, is the centerpiece of the plaza.
In this exhibition David Batchelor will show over one hundred
drawings together with photographs, some new animations
and a group of
sculptures made during his visit to Melbourne.
Often crumpled in an industrial crusher
and spray - painted in bright colours before being welded
together into their final shape, his abstract
sculptures are now being placed within the gallery
and gardens of Inverleith House, the outdoor location
drawing out an unexpected organic quality in the artist's heavy metal works.