Sentences with phrase «together drawings and sculptures»

About her work, Stern says, «I work like a handyman cobbling together drawings and sculptures from elements found, borrowed, and imagined.

Not exact matches

This focused exhibition brings together sculptures and drawings from private collections and the museum's holdings to explore the artist's creative process and his narrative skill.
By physically and metaphorically cutting and bringing together disparate items and ideas in her paintings, drawings, and sculptures, Gueorguieva's works can be seen as assemblages of chaos and order, personal concerns and global issues.
It features new and rarely seen multimedia works, together with film, painting, sculpture, photography and drawing by over 70 artists.
This exhibition draws together photographs and sculptures with a minimalist aesthetic which relate to structures, form, space and colour beyond the landscape.
Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol
It features new and rarely seen multimedia works, together with film, painting, sculpture, photography and drawing by over 70 artists, including works by Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, James Bridle, Douglas Coupland, Constant Dullaart, Lynn Hershman Leeson, Vera Molnar, Albert Oehlen, Trevor Paglen, Nam June Paik, Jon Rafman, Hito Steyerl, Ryan Trecartin, Amalia Ulman and Ulla Wiggen.
The Belgian artist brings together sculpture, drawing, photography, and works on paper that examine themes of morbidity, beauty, destruction and time.
The exhibition featured approximately 70 prints, drawings and related sculptures from throughout Puryear's nearly 40 - year career, including many works never shown before outside the artist's studio.1 Together with its substantial catalogue, it illuminated the complex and intimate relationship between Puryear's two - and three - dimensional thinking, and the persistence with which he continually revisits and reworks forms, in some cases, over the course of decades.2
Presented on the third and fourth floors of the Museum, this comprehensive survey will bring together over 115 works, including paintings, sculptures, drawings, wallpapers and prints, early computer - based art, videos, and 16 mm films.
Jorge Pinheiro: D'après Fibonacci and the world out there, through January 7, 2018 «D'après Fibonacci and the world out there brings together paintings, drawings and sculptures by the influential Portuguese artist Jorge Pinheiro (Coimbra, 1931).
This comprehensive survey will bring together over 115 works, including paintings, sculptures, drawings, wallpapers and prints, early computer - based art, videos, and films.
With creation dates ranging from 1960 - 1981, the humorous aspect of the sculptures, in combination with the ready - made aspect — hotch - potched together from familiar objects and rusty scraps — draw comparisons with Marcel Duchamp's ready - mades, and it is clear to see the anti-aesthetic influence of the «noisy alarm» of Dada in the work of Swiss - born Tinguely.
Family working together to make a soft sculpture inspired by the exhibition, Claes Oldenburg: Early Sculpture, Drawings, and Happenings Filsculpture inspired by the exhibition, Claes Oldenburg: Early Sculpture, Drawings, and Happenings FilSculpture, Drawings, and Happenings Films, 2009.
«Drawing together various art forms (video, sculpture, painting, and live performance) across the lines of race, multiple generations and interdisciplinary canons, Blues for Smoke places the idioms of blues, and other distinctly African - American traditions, at the center of the American tableau of creativity.»
First major survey of work by British artist Anna Barriball, bringing together drawing, video, photography and sculpture made over the last decade.
The exhibition comprises a total of 12 large - format paintings, 24 drawings and two sculptures that the artist has produced together with artisans and artists from the city of Seville.
Night Vision: Nocturnes in American Art explores the critical importance of nocturnal imagery in the development of modern art by bringing together 90 works in a range of media — including paintings, prints, drawings, photographs, and sculptures — created by such leading American artists as Ansel Adams, Charles Burchfield, Winslow Homer, Lee Krasner, Georgia O'Keeffe, Albert Ryder, John Sloan, Edward Steichen, and Andrew Wyeth, among others.
With over 100 paintings, sculptures, prints and drawings, this definitive survey brings together the work of American artists like Joseph Cornell, Peter Blume, Kay Sage, Isamu Noguchi, Arshile Gorky, and Jackson Pollock — with that of Europeans in exile during World War II, including Salvador Dalí, Yves Tanguy, André Masson and Max Ernst.
The Structure of Things is a group exhibition by London - based artists Gary Colclough, Alan Magee, and Andy Wicks, bringing together sculpture, video, and drawing.
The show premiered at the San Francisco Museum of Modern Art in the fall, but its installation at the Whitney is slightly larger, bringing together over 150 paintings, sculptures, photographs, and drawings by the artist.
He moved seamlessly between the mediums of painting, drawing, printmaking, photography, sculpture, installation and performance, and often wove these methods together, blurring the lines between conventional artistic categories and developing a practice that defies simplifications and categorizations.
Bringing together almost two decades of sculpture, film, drawings, large - scale installations and photography, Emily Jacir: Europa focuses on Jacir's dialogue with Europe, Italy and the Mediterranean in particular.
This major exhibition will bring together sculpture, drawings, prints and rare photographs of the artist.
The exhibition brings draws together approximately 20 of Nevelson's iconic black and white painted wood sculptures, wall reliefs, and installations from the late 1950s through the late 1980s.
Alongside these sculptures and drawings, Clottey presents a video installation, «The Displaced», enacting the trade and migration story of the Clottey family; together with his performance collective GoLokal, Clottey embarks on a symbolic journey of remembrance on Labadi Beach, Accra.
Richard Deacon's first major UK exhibition since his Whitechapel show a decade ago brings together a selection of sculpture, drawings, and mixed - media works realized in the past ten years.
For Barney, sculpture is an emanation of places, performances, films, photos, drawings and ephemera that together create complex, open - ended and symbolically charged stories, characterised by an innovative artistic idiom, aesthetics and narrative structures.
This exhibition highlights the artist's diverse range of art making since relocating from Milan to the United States in 2009, bringing together 40 recent graphite drawings and a selection of works on paper and ceramic sculptures.
The exhibition was the first major survey of work by Anna Barriball, which brought together drawing, video, photography and sculpture made over the last decade / Read more
News from Nowhere features sculpture, drawing, print, photography and film from the early twentieth century to present day, bringing newly commissioned work together with loans from national and international collections to highlight the impact of developments in modern science and technology on the artistic imagination.
Equally drawn to the history of figurative sculpture as to a wide range of craft and artisan traditions around the world — from ceramic techniques to glass blowing, enameling to welding — Upritchard pushes these practices in new directions, bringing them together to create a striking and original visual language of her own.
On view September 18, 2013 — January 19, 2014, Matisse's Marguerite: Model Daughter brings together more than 40 prints, drawings, paintings, and sculptures from the BMA and other public and private collections to show Marguerite over the course of 45 years and provide a fascinating glimpse of the artist's relationship with his only daughter.
Organized by Fairfax Dorn and drawn from the collection of the Linda Pace Foundation, Localized Histories brings together work by Leonardo Drew, Tony Feher, Isa Genzken, Trenton Doyle Hancock, Thomas Hirschhorn, Christian Marclay and Linda Pace to explore «the relationships between the static, found objects and their temporal nature to create something which extends beyond painting and sculpture
This, her first survey exhibition, brings together drawing, video, photography and sculpture made over the last decade.
Bringing together for the first time all of Johns» light bulb sculptures and related drawings and prints — including several drawings and modified prints from the artist's own collection — this volume offers an unparalleled opportunity to examine Johns» practice through a single image and reveals significant relationships between his two - and three - dimensional work.
This comprehensive survey will bring together over 115 works, including paintings, sculptures, drawings, wallpapers and prints, early computer - based art, videos, and 16 mm films.
The focus of this show, however, is on a group of photographs, drawings and small - scale sculptures which together reveal the formal sensibility that clearly informs Fleischner's larger works.
The various sculptures and drawings in the exhibition joins together successfully, linking the artist's love of poetry, nature, heritage and life.
Yet the artist never addressed this diverse range of interests directly, instead they are filtered and reflected back and froth through the wide - ranging media she employs, not least performance, drawing, film, video, sculpture and sound, often together in a single cacophonous installation.
Featuring works by Donatello, El Greco, Auguste Rodin, and Jeff Koons, among others, the exhibition draws together idealized sculpture, wax effigies, reliquaries, mannequins, and even anatomical models.
Major exhibitions include: Claes Oldenburg and Coosje van Bruggen: A History of Sculpture, Museo d'Arte Contemporanea, Castello di Rivoli, Turin, Italy (October 2006 - February 2007); Notebook Pages: A Dialogue, Chinati Foundation, Marfa, Texas (2003); Claes Oldenberg with Coosje van Bruggen: Drawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (sculptures, models and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, ItalyDrawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (sculptures, models and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italydrawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italy (1985).
Its multidisciplinary nature brings together all artistic fields: painting, sculpture, decorative art, objets d'art, architecture, drawing, and photography.
That's Michael David, who curated the show, which brings together sixteen of Dial's early work on paper and sculpture with paintings, drawings and sculpture by Katherine Bradford, Farrell Brickhouse, James Castle, Chris Martin, Joan Snyder and Fred Valentine.
The show will explore the eternal compulsion to produce and to collect works of art, displaying «objects» ranging from a 2nd century BCE Egyptian sculpture to works created for the last Venice Biennale, drawn together from Turin's most prominent collections of art and antiquities.
Featuring comprehensive displays of recent paintings and drawings for which she is arguably best known, the exhibition also includes collage, sculpture, textiles and film, all drawn together by the artist's exuberant and psychedelic aesthetic.
This new exhibition brings together both existing and new works including drawings, installation and sculpture.
Sophia Vari: Recent Works August 17 - September 20, 1998 As part of the celebration of the dedication of Wichita State University's Plaza of Heroines, the Ulrich Museum has brought together an exhibition of maquettes, or small models, and drawings by Sophia Vari, the artist whose sculpture, Danseuse Espagnole, is the centerpiece of the plaza.
In this exhibition David Batchelor will show over one hundred drawings together with photographs, some new animations and a group of sculptures made during his visit to Melbourne.
Often crumpled in an industrial crusher and spray - painted in bright colours before being welded together into their final shape, his abstract sculptures are now being placed within the gallery and gardens of Inverleith House, the outdoor location drawing out an unexpected organic quality in the artist's heavy metal works.
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