Keeping Record brings
together fragmented memories and the emotional detritus of coming to terms with the notion of self.
The sections where you have to piece
together fragmented memories can become a little tedious.
The sections where you have to piece
together fragmented memories can become a little tedious.
Not exact matches
The
memory of this autonomous machine stores many individual
fragments of experience, which are networked
together.
The story begins when Thomas (Dylan O'Brien) wakes up trapped in a massive maze with a group of other boys, he has no
memory of the outside world other than strange dreams about a mysterious organization known as W.C.K.D. Only by piecing
together fragments of his past with clues he discovers in the maze can Thomas hope to uncover his true purpose and a way to escape.
Here is the synopsis: When Thomas (O'Brien) wakes up trapped in a massive maze with a group of other boys, he has no
memory of the outside world other than strange dreams about a mysterious organization known as W.C.K.D. Only by piecing
together fragments of his past with clues he discovers in the maze can Thomas hope to uncover his true purpose and a way to escape.
Ys:
Memories of Celceta: So, the premise of this game (in a franchise that sorted as a top - down dungeon crawler in the 80s) is that the main character is a mostly mute, amnesiac swordsman who runs around a very, very large overworld piecing
together the backstory by collecting
fragments of his own
memories.
This is done by piecing
together memory fragments in the correct order and doing this solves the mystery of how each character died, which in turn allows players to progress on with the main objective of hunting down Ethan Carter.
It is up to players to piece
together the
fragmented story by finding and listening to the
memories of the missing people who once inhabited the lonely landscapes.
In it, players take the role of a one - armed girl who wields a living sword and must knit
together her story from disconnected
memory fragments as she progresses.
Each work is an instance of a ripped frescoes, a technique developed by the artist in the 1980s which brings
together two key moments in his paintings: a construction, based on a site, as a process for the formation of a support; and a reluctant walk (of a fake restauration) in the
memory and the material history of the painting, of deconstruction, subtraction, a kind of intimate and forged archaeology, where a re-emergence of an unexpected
fragment in the shape of clay, mosaics or shred (of colour or material) can become the focal point of the whole painting.
Sworn creates films and installations deeply rooted in research, weaving
together history with
memories and
fragments of true and imagined stories.
By weaving
together fragments of the living with this murky, shadowed past, Ashcom's reality provides a prompt to mythicize one's own
memories through the lens of Hoys Fork.
United by material manifestations of how
fragmented memory and the personal archive can materialize as abstraction, Back to the Old House draws
together a selection of works spanning over thirty years.
Fragments of
memories, knitted
together, in these unfolded, dollhouse - like, unpopulated rooms, reveal a dynamic 3 - D dimension within their static presentation, not dissimilar to a Mandala.