By bringing
together historical works the gallery has exhibited and placed in private and public collections alike since opening its doors in 1970, this show presents an important selection of significant examples from the 20th and 21st Century movements in modernism, ranging from Abstract Expressionism, Pop, and Bay Area Figurative and is represented by paintings, drawings and sculpture.
The exhibition includes
together historical works by Lee Bontecou and Joseph Beuys; minimalist and conceptual works by Donald Judd and Hanne Darboven; detailed narrative drawings by Elizabeth Peyton and John Currin; collages by Amelie von Wulffen, Mona Hatoum, Lucy McKenzie and Paulina Olowska; and large - scale installations by Nate Lowman and Ján Mancuska.
Not exact matches
The very arrangement of the biblical books in the Hebrew canon of scripture presupposes this definition of prophetism.1 Between the first division of the Law and the third division of the Writings, the central category of the Prophets embraces not only the books of the prophets Isaiah, Jeremiah, Ezekiel, and the twelve prophets from Hosea to Malachi (all
together termed «Latter Prophets») but also the
historical writings of Joshua, Judges, and the books of Samuel and Kings («Former Prophets») In this way the Hebrew Bible formally and appropriately acknowledges that prophetism is more than the prophet and his
work, that it is also a way of looking at, understanding, and interpreting history.
Like many exegetical
works, Wolfgang Schrage's The Ethics of the New Testament (1988) relies on a reconstructed
historical Jesus to pull his review of European scholarship
together.
The first two sections in themselves offer a useful
historical overview of the developments in biblical criticism and the third section offers numerous insights into the theology of St John and the life of the primitive Church while the whole
work together could help usher in some long - awaited commonsense in New Testament studies.
There is no local tradition or
historical evidence connecting Thomas with the Parthian empire proper; but it is very probable that Thomas
worked in Basra and its neighbourhood on his way to India and the first contact of the Indian church was with the church in Basra (Fais), the name of Thomas linking them
together.
From the
historical significance of a dish to the scientific properties that make it
work, we will dig in
together to make new discoveries about the food we eat through classes, workshops, and community events.
Archaeologists and physicists
worked together to uncover
historical information on an ancient wine vessel.
«In my ideal world as a program officer, what you would get is either individuals or groups of people who bring incredible strength in the
historical depth and theoretical framework of social psychology
together with what we know about how neurobiological systems and circuits
work,» she says.
Collaborating for the second time after first
working together on Munich (2005), director Steven Spielberg and writer Tony Kushner have made a decent film that nevertheless feels overly burdened by the responsibility of depicting
historical detail.
It has meant narrowing
historical differences between people, cultures, races, civilizations, histories, technologies, politics and lifestyles in order to create bridges where people and organizations with a common good can see the need to
work together and that hopeless people can also dream and
work hard to leave their vulnerabilities which in many instances is not their making.
Imagine, for example, a world - history core: One publisher might produce a series of
historical novellas by a writer and a historian
working together to go with various places and periods in history.
Such a record of student
work becomes a
historical family keepsake or scrapbook, verifying all of the committed effort, hard
work, and fun that both parents and students invested
together into the learning process.
Working carefully researched events and other
historical figures
together with richly nuanced creative details and fictional elements, Leveen weaves a wonderfully engaging tapestry that honors her subject and treats difficult material with sensitivity and honesty.
There are common elements, such as strong female characters and
historical settings, that tie my
works together, but my great hope is to not be boxed in as an author.
The premise follows a ragtag group of teenagers who stumble throughout an artifact that permits them to
work together with specters all through
historical past.
The artist's seemingly distinct activities — the severe black abstractions, the prolific and caustic social and political graphic
work, and the color slides of
historical monuments, temples, and buildings that showed his equally prolific world travels and keen sense of photographic record keeping — were received in coexistence by jubilant viewers, especially young artists and art students (during the artist's lifetime it would have been career suicide to show all simultaneously practiced sides
together).
Bringing
together the dynamism of Picasso (particularly the captivating polemic tableau Guernica), Robert Colescott's acerbic
historical reimaginings, and an incisive distillation of pop cultural and socio - political content, Abney's
work presents the figure in stunning and curious detail.
According to MoMA, «Among the first tasks he will undertake is an analysis of the Museum's collection of
works in this area, as well as the publication of a critical reader bringing
together key texts documenting black artists»
work and its
historical reception.»
These glass cabinets offer a mode of presentation where artworks and
historical documentation come
together, offering an insight into the
working methods, influences, collaborators and supporting institutions, and the significance of women artists in the broader cultural field, such as Patrick who co-founded the Glasgow Women's Library over two decades ago, of which photographs from the 1990s are also on display.
Under the rubric of Reimagining Modernism, the museum has combined artworks from both sides of the Atlantic in thematic groupings that bring art
historical heavy - hitters
together with lesser - known
works from the collection.
Simões de Assis Galeria de Arte will bring
together eight
historical works by the Brazilian modernist Cícero Dias (b. 1907, d. 2003), which represent the height of his abstract creations and were produced following his move to Paris, where he became associated with other prominent artists at the time including Alexander Calder, Fernand Léger, Joan Miró and Pablo Picasso.
Since then, he's become an indispensable fixture in the museum's design department, having organized innovative group shows, like 2012's «Field Conditions,» which brought
together creatives, such as Tauba Auerbach and Rafael Lozano - Hemmer, who
work at the cusp of art and architecture, and authoritative retrospectives, like 2013's «Lebbeus Woods: Architect,» which firmly placed the inventive, influential Woods within the art -
historical canon.
His show at the Jewish Museum, itself built originally as a family home in 1908, will bring
together artworks, interiors, textile, furniture and wallpaper designs and feature his seminal 1978
work Here and There... as a
historical lens through which to read the various materials this exhibition gathers.
Brought
together, these disparate
works, ranging from 1971 to 2002, form connections between the
works that are current and intuitive, rather than married to an art
historical canon.
Byrne is precise in his research and analysis of the relationship between time, documentation and an identifiable visual language, and while each of his distinct bodies of
work is conceived independently, they resonate
together as being made in relation to a specific, but malleable
historical referent.
Art of Communication brings
together works from the Dallas Museum of Art's decorative arts and design, American, contemporary, European, and Latin American art collections to introduce some of the ways visual art provides
historical or personal insights.
Thematic essays come
together with a select number of object entries to place individual
works of art within a larger
historical context, and the whole is lavishly illustrated with one hundred images from the exhibition itself.
Alongside the exhibition of the finalists, this year's edition will also present two sections by invitation; the «foreign presences» will bring
together the
works of Greg Colson, Kim Dorland, Franklin Evans, Jason Tues - tin, Eric Mistretta and Katy Moran, while «Appearances Italian» will break off in a solo show of Gabriele Arruzzo and a memorial hall dedicated to Anselmo Bucci, a leading exponent of the
historical group twentieth century.
Together, the
work of these two artists will demonstrate how the absence of certain figures and communities in art has preempted their recognition in national history, and, in the process, will reclaim a space for them in the art
historical context.»
In this exhibition we present a selection of these
works,
together with
works from other Norwegian collections, in an exhibition that reviews Kitaj's contribution as a
historical artist, but also as one whose
works still resonate with those of younger generations of artists.
Bringing
together a selection of
works by contemporary and
historical artists, this exhibition spotlights conceptions of a life of simplicity...
Together, these
historical and contemporary objects depict a visual narrative of the Northwest while providing insight to significant
works by artists such as Northwest School members Carl Morris, Morris Graves, and Mark Tobey, legendary Oregon artist C.S. Price, and the acclaimed Jacob Lawrence, who is best known for depicting important moments in African - American history.
At the Whitney he brings
together his own
works, alongside
historical photographs, sculptures, paintings, drawings, film and video from the Whitney's holdings and those of other public and private collections — all presented within a layered exhibition design by Mauss that allows for the
works to be seen in a new light.
Thanks to our new expanded home, the show also marks the first time in our history that ICA Miami will have the space to bring
together historical and recent
works to address key forces in contemporary artistic practice, and contemporary life and society,» said Alex Gartenfeld, Deputy Director and Chief Curator.
Fred Wilson: Afro Kismet @ Pace London
Historical works are brought
together in this museum-esque exhibition that brings
together linkages between African and Ottoman societies, a link we rarely ever hear about.
MK Gallery's summer exhibition, Cadences (27 June — 7 September 2014), brings
together a selection of 40
historical and modern
works on loan from one of Holland's most illustrious collections - the Museum Boijmans Van Beuningen, Rotterdam - alongside a contemporary film, Flight by Catherine Yass, a British artist who was shortlisted for the Turner Prize in 2002.
Image: © the artist Courtesy White Cube 3 September — 2 October 2010 White Cube Mason's Yard Known for
works that meditate on notions of time, landscape and travel, as well as political and
historical memory, Almond brings these themes
together in two bodies of
work: a series of time - lapse photographs taken in the Faroe Islands, -LSB-...]
Featuring iconic words, numbers or dates - One, Utopia, Riot, 1968, 1980 - these
works reclaim the commercial landscape of signage in order to underscore the cultural potency of language and image condensed
together into singular phases and shared
historical moments.
The exhibition brought
together a selection of Kilimnik's new and
historical works from the past three decades, evoking the history of painting through the construction of fantastical narratives which drew on a rich pastiche and personal flights of fancy.
The latter brought
together surrealist
works by 50 female artists — from
historical figures such as Louise Bourgeois, Leonora Carrington and Dorothea Tanning to their contemporary successors including Julie Curtiss, Tomoko Kashiki and Julia Phillips.
In bringing
together our two distinct but congenial sensibilities, and our respective expertise, George and I look forward to redefining the role of the gallery as a dynamic venue for the presentation of contemporary and
historical works of art.»
Sotheby's France organized a photography auction on May 15 that brought
together 113 lots, ranging from
historical photographs, fashion
work, modern and contemporary photography.
The show brings
together a selection of contemporary and more
historical artists whose
works exist on the cusp of visibility, in the space between object and idea.
The playful nature and the intuitive approach of his
works,
together with the geographical and
historical references to Latin America, indicate an uncertain terrain, very close to the rhythm of music, entering a silent relationship with the residual domestic traces of the Middle Gallery.
The event brings
together a wealth of innovative output, from
historical masterpieces to experimental
works by emerging practitioners.
Curated by Andy Fabo, this exhibition brings
together these diverse
works under the art
historical term «discordia concors».
Peopled with subjects from both past and contemporary history, the
work weaves
together historical documents of slavery with more recent racial issues.
The exhibition brings
together a private selection of
works from contemporary artists as well as significant local,
historical and ethnographic
works.
Curated by esteemed curator Djon Mundine, this exhibition will bring
together historical and spiritual objects from the collection of Robert Bleakley, and place them in context against contemporary screen based
works alluding to ideas of transformation.