Sentences with phrase «together in a gallery setting»

This is the first time a selection of his flyposting works have been brought together in a gallery setting.

Not exact matches

If you want something quiet, the Galleries at the Memorial and also the Hal Marcus Gallery in El Paso offer settings to walk, talk, and view artwork together.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailein Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical traileIn, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Collected together in this book and in our gallery for the first time was the best of that on - set photography, with iconic, rare, and previously unseen images.

The exhibition brings together Tolle's iconic public work, Eureka, on view for the first time in the United States and in a gallery setting, paired with his Levittown sculptures.

Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).

Called Made to be Destroyed, Marclay pieces together high octane clips of art in movies; Clive Owen battles through a frenetic shoot out in the Guggenheim, Christian Bale sets fire to the Mona Lisa and Jack Nicholson's Joker gleefully dances through a Gotham City gallery, defacing and destroying artworks as he goes.

The work has gone on public display for the first time at the Saatchi Gallery in London, part of an exhibition bringing together 16 chess sets made over the past decade by contemporary artists, including Tracey Emin, Gavin Turk and Rachel Whiteread.

Why, exactly, are they set together in one relatively small gallery — and how are we to understand the baffling title of the show, Naked at the Edge?

For us, START is an integral part of the Prudential Eye Programme, bringing together some fantastic art scenes from around the world in the magnificent setting of the Saatchi Gallery.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basementIn particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basementin otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basementin 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

The students will be offered the possibility of a gallery training and of setting up together - with one of our tutors, their exhibition in Venice, as a final project of the course.

The closing reception on June 2nd was an exciting event where Saturday Studio students, their friends and families, as well as, JMF & CUE staff came together to honor all of the incredible art projects on display in a gallery setting.

For Happy Together: Collaborators Collaborating, his latest commission at London's Chisenhale Gallery, Öğüt brought together a host of these former colleagues from various professions and nationalities and staged a public discussion in a This Morning - style chatshow, the programme's set replicated in the Together: Collaborators Collaborating, his latest commission at London's Chisenhale Gallery, Öğüt brought together a host of these former colleagues from various professions and nationalities and staged a public discussion in a This Morning - style chatshow, the programme's set replicated in the gGallery, Öğüt brought together a host of these former colleagues from various professions and nationalities and staged a public discussion in a This Morning - style chatshow, the programme's set replicated in the together a host of these former colleagues from various professions and nationalities and staged a public discussion in a This Morning - style chatshow, the programme's set replicated in the gallerygallery.

2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review of show at Gladstone Gallery, NYC), March ArtForum (Review of show at Galerie Susanna Kulli), April Thomas Hirschhorn to Present his First Ever Solo Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado of the International Art World Set to Open in Switzerland, Art Daily Online, June Art Basel Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy, New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol, New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.

The current exhibition of recent work at Goodman Gallery Cape, the first in Cape Town for five years, sets elements from these projects together with new work made especially for the exhibition — allowing the gallery to be the space where different bodies of work collide and make new conneGallery Cape, the first in Cape Town for five years, sets elements from these projects together with new work made especially for the exhibition — allowing the gallery to be the space where different bodies of work collide and make new connegallery to be the space where different bodies of work collide and make new connections.

GILBERT & GEORGE: DRINKING PIECES & VIDEO SCULPTURES, 1972 - 1973: This exhibition set in the ground floor Ely Gallery brings together a group of «Drinking Pieces» and «Video Sculpture» dating from the early 1970s.

Her first major solo exhibition in London since 2010, the neck might be the oblique entry point, but it's the mouth of the body which is the destination, with smooth organic forms in white marble plaster held together with denture - like metalwork: the gallery as a set of jaws.

For Serralves, Daniel Steegmann Mangrané has conceived a living landscape for the Museum's central gallery in which a glass pavilion housing a garden and mimetic creatures, a set of free standing sculptures, a wall drawing, a hologram and windows that alter the experience of viewing are brought together to create a living ecosystem of transfigurations and metamorphosis, both real and symbolic.»

A day of special events on Thursday 12 November 2009 will pay homage to the Sculpture Remixed gallery and bring together art, design and music: Local DJs launch their new playlists for the gallery space in a marathon set and Wayne Hemingway shares his ambitious ideas for art from the Tate Collection.