Sentences with phrase «together numerous artists»

Not exact matches

Jeremy Deller (b. 1966, United Kingdom), an artist known for organizing numerous parades, processions, and other collective actions that bring together contrasting swathes of English culture, presents English Magic (2013), the hypnotic video he created as an integral part of his installation for the British Pavilion at the Venice Biennale in 2013.

Each of these artists has already made a name on their own through winning numerous awards and participating in various group and solo shows, however for this exhibition they sought to come together as a collective -LSB-...]

It is therefore fitting that «Mira Schendel In Conversation» brings together work by numerous artists whose work championed similar beliefs.

«As an artist and gallerist,» Cesarine concludes, «I felt it was the right timing for an exhibition that embraced inspiration as a tool for change with numerous artists coming together to highlight inspirational women and their achievements.»

From the 1930s, Avery spent numerous summers in the company of these younger artists and, during the summers of 1957 to 1961, when Avery, Rothko and Gottlieb vacationed together in the popular artists» colony of Provincetown, on Cape Cod, there was a significant coda to their reciprocal artistic dialogue, with Avery pushing his images towards the very edges of abstraction.

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).

Bringing together rarely exhibited works by several artists who have not been seen in the US for decades, the realization of this exhibition has drawn upon the close, generous collaboration of numerous Cobra artists, estates, families, and private collections.

Gathering together extensive documentation and rare archive material on the numerous exhibitions they organized together from 1995 on, the book is introduced by art theorist and friend of the artist Max Wechsler, who followed West's work closely for many years, and whose illuminating foreword begins: «Without doubt, he was an odd bird, a gifted idler, a Vienna man sui generis and eccentric par excellence.»

's former Wooster Street space brought together artists, squatters rights groups, an organization of homeless people called Homeward Bound and numerous additional activists.

Drawn from the Museum's collection together with loans from other institutions and private lenders, artists include Albert Bierstadt, William Henry Jackson, Robert Henri, Elizabeth Dolan, Aaron Douglas, Aaron Pyle, William Ellsworth Artis, Donald Ruleaux, Carol Haerer, Sheila Hicks, Robert Weaver, Robert Adams, Barbara Takenaga, and Kent Bellows, among numerous others.

With numerous emerging voices, a thread tying the works together is the guidance of artist and Kingston member Julie S Graham.

A rich range of materials surrounds the featured works, including newly commissioned essays, numerous images, interview footage, artist's statements, conservation reports, and archival materials, which together provide new insights into the artist's work.

Together with Mildred Friedman, curator of design and architecture, he created the Minneapolis Sculpture Garden, a highly acclaimed joint effort with the City of Minneapolis, and the site of numerous works by leading American and international artists.

Numerous artists have cobbled together materials before and since Rauschenberg's early career, but only he made «combines.»

It features the artists in discussion together with numerous works and sequences captured at key exhibitions and installations.

Working together since 2001, Goldschmied & Chiari are the recipients of numerous prizes and accolades, including the Castello di Rivoli AWARD for young Italian artists, and the Arte in cantiere, art prize awarded by the Museion, Bolzano.

Klosterman has also been involved with an ongoing collaboration with Venice based Light and Space artist, Laddie John Dill and together they have realized numerous monumental sculpture commissions all over the United States.

Of these artists, grouped together in numerous exhibitions under the term «Arte Povera», Luciano Fabro (Turin, 1936 - Milan, 2007) was the one with a more emphatic connection to the emergence of a new and revised approach located in the tradition.

Through revisiting the contested histories of how Egyptian collections have been amassed by numerous museums from the 19th century onwards, it brings together antiquities, modernist works, archives, and 26 international contemporary artists and artist collectives to explore the mechanisms by which artworks come to acquire a range of meanings and functions that can embody a number of diverse, and at times conflicting narratives.

Bringing together more than 30 works from numerous international collections spanning almost two decades of genre - defying production, this volume presents an overview of the artist's striking and often humorous work from the late 1990s to the present.

Together, their works introduce numerous critical, political, aesthetic, and material threads that run throughout the exhibition, in works such as Stan Douglas» compelling six - hour meander into an Afrobeat jam session in Luanda - Kinsasha (2013), the late Kwakwaka» wakw artist, activist and hereditary Chief Beau Dick's celebrated performative masks, Nick Cave's enchanting Sound Suit (2015), borne from the horrors of racialized violence, to Latifa Echakhch's sculptures and paintings that reconcile personal narratives against broader cultural or nationalistic norms and expectations.

In 2012, the monograph, Larry Sultan and Mike Mandel was published to examine in depth the thirty plus year collaboration between these artists as they tackled numerous conceptual projects together that includes Billboards, How to Read Music In One Evening, Newsroom, and the seminal photography book Evidence, a collection of found institutional photographs, first published in 1977.

Following their historic lead, there's truth to the old adage that birds of a feather flock together, as there are numerous women in contemporary society that continue to effect change globally in the way art is perceived, understood and collected, among them Agnes Gund, the current President Emerita of MoMA; Sheikha Al Mayassa Al Thani, who at 31 is the Director of the Qatar Museum Authority with an unlimited acquisition budget; Emily Fisher Landau, famed art collector and philanthropist, who founded the Fisher Landau Center for Art and is a trustee and generous donor for the Whitney Museum of American Art; Rosa de la Cruz, who with her husband Carlos, founded the de la Cruz Collection Contemporary Art Space (Miami), which provides education and awareness in the visual arts; Dasha Zhukova, the formidable founder of the most significant private art foundation in Russia, the Garage Museum of Contemporary Art; and Miuccia Prada, CEO of Prada fashion and co-founder of Fondazione Prada, which promotes contemporary art and other arts - related interests; all of these remarkable women share the passion that Beth has developed for the arts and artists.

Through revisiting the contested histories of how Egyptian collections have been amassed by numerous museums from the 19th century onwards, this exhibition brings together antiquities, modernist works, archives and 26 international contemporary artists and artist collectives.