Not exact matches
This exhibition brings
together four artists who, in a variety of ways, display an interest in subverted or
obsolete modernity, referencing
technology, architecture and design that offer up optimistic promises of a utopian future.
The Transience exhibition by Michael Craig - Martin (b. Dublin, 1941) at the Serpentine Gallery brings
together works from 1981 to 2015, including his era - defining representations of once familiar yet
obsolete technology; laptops, games consoles, black - and - white televisions and incandescent lightbulbs that highlight the increasing transience of technological innovation.
This exhibition by Michael Craig - Martin (b. Dublin, 1941) brought
together works from 1981 to 2015, including his era - defining representations of once familiar yet
obsolete technology; laptops, games consoles, black - and - white televisions and incandescent lightbulbs that highlighted the increasing transience of technological innovation.
This is the first solo show of the artist's work in a London public institution since 1989 and brings
together works from 1981 to 2015, including representations of
obsolete technology; laptops, games consoles, black - and - white televisions and incandescent lightbulbs that highlight the increasing transience of innovation.
Together the panelists discuss how
technology is changing the procurement process and legal purchases, the need for legal business models to adapt to current economic standards, and whether artificial intelligence will render lawyers
obsolete in the future.