I felt a bit like Goldilocks - one thriller was too macho, another was too gory - only The Fallen was just right, combining well drawn characters with a solidly
told police procedural (by which I mean that there are no great leaps of coincidence that lead to the solving of the crime, just sound, time - consuming police - work, following leads up blind allies, and back down again until the right path is explored).
I felt like Goldilocks - one thriller was too macho, another was too gory - only The Fallen was just right, combining well drawn characters with a solidly
told police procedural.
Not exact matches
I'm just so annoyed with both Scott and Crowe for talking shit about the original script's premise for a film
told from the Sheriff of Nottingham's perspective, and how this wouldn't work because it played like a medieval
police procedural.
Well, you can't
tell from «Alex Cross,» a shockingly incompetent major studio release that strands Perry in a poorly written and poorly executed
police procedural.
T - Men — This fairly early Anthony Mann film is more of a
police procedural, than a noir, as it
tells the story of the Treasury Department's anti-counterfeiting detectives in a pseudo-documentary style.
On just about every
police procedural, you can
tell who the main guy is without watching the show, because the casting is a spoiler: just take a look at who is being featured as the «guest» star for that episode.
This wouldn't be a problem if the developers were capable of
telling a light - hearted, fun
police procedural instead, but they can't quite do that either.