Sentences with word «tomatometer»

Rotten Tomatoes requires a steady Tomatometer score of 75 percent before a film can be awarded the «Certified Fresh» accolade.

As of writing this, the film has a measly 13 % Tomatometer rating, but is netting a positive 63 % favorable audience score.

Movies and TV shows are Certified Fresh with a steady Tomatometer of 75 % or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for TV shows), including 5 reviews from Top Critics.

From its vehement dismissal by all but a single Tomatometer critic (with shockingly low average scores of 1.6 to 2.1 out of 10) to its inability to catch on with Christian moviegoers (a demographic courted with more regularity than usual in 2014) to its utter inability to bring anything resembling rejuvenation to Cage's moribund theatrical career, Left Behind struck out in every regard.

Movies and TV shows are Certified Fresh with a steady Tomatometer of 75 % or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for TV shows), including 5 reviews from Top Critics.

This a score out of 100 that takes into account a movie's IMDb rating, Rotten Tomatoes Tomatometer and Audience Score, Gracenote rating, Metacritic Metascore and the inflation - adjusted U.S. box office gross.

On Rotten Tomatoes, the film is getting all the love critics have with 93 % score at Tomatometer, but only 56 % of audiences like it.

«A Quiet Place» had an unofficial premiere at SXSW festival this weekend where 18 critics were able to review the film, leaving it with an amazing 100 % Fresh Tomatometer score ahead of its UK release on May 4.

Tomatometer rankings of the top 100 best movies of 2017 and all time.

Critics, most of whom I'll assume have greater interest in, a better understanding of, and a firmer position on Israel - Palestine than me, gave it low marks, with nineteen «top» and sixty overall reviewers both yielding a measly 16 % on Rotten Tomatoes» oft - cited Tomatometer, a score largely unheard of for independent art house fare such as this French - Israeli - Italian - Indian co-production.

The consensus of Tomatometer reads, «Black Panther elevates superhero cinema to thrilling new heights while telling one of the MCU's most absorbing stories — and introducing some of its most fully realized characters.»

Most stayed in the red and were met with green Tomatometer scores.

The dreaded Tomatometer, which assigns each movie with an average percentage score based on how many positive and negative reviews a movie gets, is increasingly being seen by studios as a make - or - break threat to their financial bottom line.

They were actually more divided down the middle, resulting in a seemingly decent Tomatometer score masking a slightly below - average rating.

That hearty across - the - pond embrace, its blossoming early critical support (especially when compared to the recent Rambo «s still - too - generous 32 % on Rotten Tomatoes aggregate Tomatometer), and my sincere admiration for director Garth Jennings» work on 2005's adaptation of The Hitchhiker's Guide to the Galaxy, may yet persuade me to check it out, assignment be damned.

ADDITIONAL LINKS Tomatometer Profile Metacritic Profile Twitter Handle: @shadowsrich Facebook Page

I suppose the other 291 positive tomatometer critics and $ 712 million in box office are wrong.

But recently the site has become a more fractious battleground, where the professional critical consensus — a film's final Tomatometer score is determined by assessing reviews from a pool of vetted critics — meets public opinion in the form of crowdsourced audience reactions.

More recently, clever marketers have worked out ways to weave an impressive Tomatometer showing seamlessly into a marketing campaign.

Since being drawn toward the magnetic Tomatometer to give «Lady Bird» a better grade than this flawed film deserved I've been watching and discussing French Films («Le Samorai,» «My Golden Days,» «Murmur of the Heart,» «Rendez - Vous,» and «Les Valseuses») with my podcast partner Mike Lacy on our series LA GRANDE BOUFFE (THE BIG FEAST).

This year, I thought Miss You Already and Jem and the Holograms got a raw deal from the largely male Tomatometer, which brushed them aside as women's stuff.

There have been waves of horn blowing from across the pond too with the U.S. critics lauding it as the best Marvel movie yet, and then there's been the various groups of web - vandals who were hell - bent on sabotaging the film's rating on the Rotten Tomatoes Tomatometer, a collection of user ratings that is apparently hugely important to a film sinking or storming the box - office in today's movie - going market.

The comparison may come with merit, as it stacks up well next to the Tomatometer of a few of Pixar's best films:

Critics have not been kind; it clocked in at only 28 percent on Rotten Tomatoes» «tomatometer.»

The plot-less sequel (seriously, nothing happens for the entire movie) faces some fierce competition though: Will Smith's sci - fi flop After Earth, Disney's misfire The Lone Ranger, Tyler Perry's A Madea Christmas and Movie 43, a film that has garnered a 4 % rating on the Tomatometer are all also up for the grand prize.

Just looked up the «tomatometer» site.

In other words a string of «B» movies, i.e. flops, and a green asterisk on the tomatometer.

Billy Grifter's reviews do not count toward the Tomatometer.

Jen Darr's reviews do not count toward the Tomatometer.

Fred Burriel's reviews do not count toward the Tomatometer.

Jim Geraghty's reviews do not count toward the Tomatometer.

Loren Halek's reviews do not count toward the Tomatometer.

Critical Consensus: «Music» Is Catchy; «Bridge» Is Sturdy; «Girls» Is So - So; «Breach» Is Tense; Guess «Ghost Rider» Tomatometer

Katherine Reed's reviews do not count toward the Tomatometer.

At the time of this post the tomatometer critic score was 30 % to the audience's 80 %.

The 95 % rating on the Tomatometer is too high for me and I give this a 70 %.

Mike Long's reviews do not count toward the Tomatometer.

The Tomatometer rating — based on the published opinions of hundreds of film and television critics — is a trusted measurement of movie and TV programming quality for millions of moviegoers.

Brian R. Boisvert's reviews do not count toward the Tomatometer.

This is not a Tomatometer - approved critic, and this critic's reviews are not published on a Tomatometer - approved publication.

Rob Morlino's reviews do not count toward the Tomatometer.

Critical Consensus: «Fire» Blazes; «Scissors» Isn't Sharp Enough; «Saw III» Not Screened: Guess The Tomatometer!

The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans.

Ben Lee's reviews do not count toward the Tomatometer.

Tiffany D'Emidio's reviews do not count toward the Tomatometer.

Jeannine DeLombard's reviews do not count toward the Tomatometer.