Sentences with phrase «tone of the film»

Black levels are intense and appropriate for the overall tone of the film.

I find it hard to understand their point of view, given the completely playful tone of the film when it cracks politically - incorrect gags.

Despite the dark tone of the film, the characters are never boring, and the film has a lot to say.

But, given the serious tone of the film, this is a surprisingly loose and not so serious commentary.

But, it took a skilled hand to balance the mystery with the highly emotional tone of the film.

The film has some nice bright funny spots that help keep things in perspective when dealing with the darker, more dramatic tones of the film.

This not only makes it feel like it is from the 40's, but it adds to the dark and grim tone of the film.

The overall feel and tone of the film seems to be in constant flux, often making it feel as though you are watching several different movies all at the same time.

He, more than anyone else in the film, manages to effortlessly capture the silent in nature tone of the film.

I was thankful for the occasional funny line that provided some comic relief from the heavy tone of the film.

It's terrible and breaks the visual tone of the film every time there's an establishing shot of the city.

The quiet slow tone of the film is what made it so incredible, as each and every time a character moment passes, it feels like no time has passed by at all.

The same goes for the overall tone of the film.

The comedy in this one scene is hardly indicative of tone of the film as a whole, as it leans further on slapstick than the natural give and take charm of its actors.

His subtle performance is typical of his work; excellent yet restrained, and it fits the dark tone of the film perfectly.

So the rah - rah, Americans - are - the - only - ones - who - count tone of this film really rubbed me the wrong way.

Unfortunately, the muddled tone of the film doesn't allow for this to be fully successful.

This film was deemed to be a Comedy horror film; the comedic tone of the film is flat and virtually nonexistent and the film's material has a much darker tone in retrospect.

As for Hank Azaria as Kahmunrah, he has the sense to play for nonsense (a British accent with a lisp, of all things), knowing not to sully this film with the semblance of heaviness for fear the entire tone of the film will shatter like the wafer - thin construction that it is.

This technique was used to both reveal specific story elements on screen and also to visually express the claustrophobic and unsettling tone of the film.

The trio of Turner, Douglas and DeVito (Goin» South) makes the film watchable, and amazingly director Zemeckis (Back to the Future, Who Framed Roger Rabbit) is able to hold together the light tone of the film despite the murders and violence that surrounds the heroes.

By now most of you will know of this film's troubled production history, how the whole tone of the film was changed in mid-production, how Joss Whedon was brought in to rewrite and redirect some things after Batman v Superman and Suicide Squad both bombed critically, and how original director Zack Snyder had to leave Justice League following the tragic death of his daughter.

the most disturbing thing to me is the light hearted tone of the film as it unravels the tale of two so obviously sick and desperately codependent individuals.

Frankly, the mild tone of the film is disarming, with Bezucha crafting a cordial travelogue, backed by golden cinematography from Jonathan Brown and wonderful cocktail - hour scoring from Michael Giacchino.

Just odd enough to skate by; you remember the singular tone of the film long after the gags have faded.

I did think that most of the supporting performances fit the different tones of the film, especially the work by Waltz, DiCaprio, and even Johnson.

It's hard to imagine after all his war and gladitorial carnage that the playful tone of this film belongs to director Ridley Scott.

The humanistic tone of this film gives it qualities of weighty dramatic films, by tackling racial and social parallels to the ones that actually take place between the whites and blacks in South Africa.

Shane is directly referenced in one scene and the elegiac tone of the film recalls Clint Eastwood's Oscar - winning Unforgiven.

I think this is a vast improvement over the teaser trailer, because you get a much better understanding of the comedic / dramtic tone of the film.

There's a beautiful Terrence Malick quality of well - poised shots of nature and wilderness, which makes a stirring mix with the precariously sadistic tone of the film.

Most likely sticking with an adult oriented tone of the film, with its foul language and violence and sex, Kingsman: The Secret Service will indeed be a spy movie lightheartedly taking elements from the spy genre while adding Vaughn's typical blend of herbs and spices.

It's a great looking film, with cinematography by John Alonzo who even makes the California hills look like they cam from another era, and the disc preserves the period colors and tone of the film along with the crisp image.

Changing the look and tone of the film entirely, the finale is either optimistic or ironic — a typical Hollywood ending or a jab at the typical Hollywood ending.

His unrelenting anger sets the whole bleak tone of the film.

The animation is wonderful with strange shapes and exaggerations of different elements of the human body that reflect the oddball tone of the film.

Scherfig gives Nighy plenty of opportunities to set the quaintly wry tone of the film, which he seizes with relish.

Some of the banter between them is even reminiscent of a romantic comedy, though screenwriter Nick Hornby thankfully never treads too far into this territory with his dialogue, knowing that it wouldn't fit the mostly pensive tone of the film.

Similar to his previous films, the Greek director puts emphasize on the characters» reduced emotions and their monotonous and mechanic communication skills, which adds to the mysterious and odd but brilliant and suspenseful tone of the film.

This is a very fine transfer, appropriately reproducing both the rich tones and the gloomy tones of the film's murky environment.

Never, and indeed many might be surprised, offended even by the fuzzy, somewhat platitudinous tone of the film's closing stages.

The three films in his Batman trilogy have aroused a wide range of responses, spanning such topics as the director's aesthetic approach, the self - consciously realistic tone of the films, and even their political underpinnings.

This emotional journey also defines the warm, good humoured and compassionate tone of the film.

It's a shame this one wasn't a little better, Harrelson was great in his role but the uneven tone of the film is just a little to awkward and doesn't ad up to a cohesive whole.

That darker tone of the film bleeds in all the way through, and the ways in which the MCU is shaken up by the end of the film will surely leave fans of the MCU shaken, as well.

Javier Navarette's score is fun, in a kind of 80s horror flick sense, and this perhaps adds to the clunky tone of the film.

Working again with cinematographer Yorick Le Saux, the visuals are stunning, but there are a few more of those really obvious shots — you don't have to know La Piscine to get that the pool is Bad News, given the way it looms in the frame, like it's stalking victims — and the jittery pacing of some of the editing is at odds with the languorous and sumptuous tone of the film.

On the other side of that equation is Teller, whose effortless arrogance as Peter is a tonic to the earnest tone of the film, as is Octavia Spencer's idealism unsullied by naiveté as the leader of the Amity faction.

An early air - raid sequence is terrifically handled, cleverly presenting the open air and sunshine of the French countryside as a source of terror, while brief glimpses of executions and interrogations stand out starkly against the curiously cosy tone of the film.