Sentences with phrase «tone than his previous films»

Not exact matches

The film's director Matt Bilen said the movie will have a much edgier tone than previous adaptations.

With this cast the film had the potential to get a little raunchier than the previous one with the Vegas atmosphere but instead decides to tone back and the quality is greatly affected.

What follows is a stylishly decadent voyeur's delight: As if paying retribution for the understated tone of his previous films, director John McNaughton (Henry: Portrait Of A Serial Killer, Normal Life) fills Wild Things with group sex, gratuitous nudity, graphic violence, an abundance of authentically sweaty Florida atmosphere, and more plot twists than a season's worth of Melrose Place.

It's not only a proper sequel to Captain America The Winter Soldier, and if anything improves on the spy thriller tone within it, but it's also a proper follow up to Age of Ultron, with an even bigger cast of heroes than in any previous team up films in the series, and it introduces both Black Panther and Peter Parker's Spider - Man to the MCU, all within a reasonable run - time.

While a much smaller film than his previous one, Sightseers is still extremely well made that switches from different tones at a speed that you almost never see from directors.

The overall tone of this trailer is different than the «fun» feeling of the previous one, but that may simply be attributed to the inclusion of Steppenwolf and the laying of groundwork for the film's plot.

Less comic than his previous films (although what is left is wonderfully dark), Three Billboards feels like a return to the tone of McDonagh's early plays, particularly the tragedy within Beauty Queen of Leenane.

Like so many of Rumley's previous films including Red, White & Blue, The Living and the Dead (2006) and his donations to the horror anthologies Little Deaths (2011) and The ABCs of Death (2012), Fashionista's punch stems from the intensity of its moods and tones more than anything else.

The film is played noticeably straighter in tone and humour than Anderson's previous deadpan efforts to the point of settling into an overtly laconic rut that struggles to extract even a titter, let alone a wry chuckle.