Lisa Oppenheim Calendar, 1819 - 1874, 2013 Silver gelatin black and white photographs exposed and solarized by firelight,
toned photograms 50.5 x 57.7 inches (128.5 x 146.5 cm) Unique in a series
The frames, lined along one wall of the gallery, are positioned to show either the matte surface of the aluminum or the highly reflective silver - and - copper -
toned photograms.
Not exact matches
Silver -
toned gelatin silver
photograms mounted on metal.
The photographic process of both the gold -
toned printing - out - paper
photograms as well as the «Type R» prints comprises several steps.
A solid - white
photogram by Deschenes shifts in
tone as it's exposed to light throughout the duration of the show: another comment on how art changes in a museum setting.
Introducing the aspect of time, Andro's Book is a photograph of a worn Edvard Munch catalogue positioned in a blue -
toned studio setting that mimics the blue markings left on the book's cover from partial sun - exposure; Alexi - Meskhishvili describes the catalogue as a «found
photogram.»
Ron Saunders, from San Francisco, uses sepia
toned silver print
photograms to combine fragmented human portraits and nature.
In a smaller suite of work, Kelton combines chemogram and
photogram techniques; the shift marked with a cracked, folded horizon line separating swirling
tones from smooth, matte black.
Installation view of Tilt / Swing (360º field of vision, version 1), 2009, six unique silver -
toned black and white
photograms of various dimensions, overall dimensions: 136 × 192 × 58».