Sentences with phrase «too focused on story»

The film gets too focused on story, rather than characters or horror.

Not exact matches

[24:40] Most entrepreneurs attempt too many businesses in the beginning [24:50] Find your flagship, that you will commit everything to [25:20] Business is also about your own psychology [25:30] Master one thing at a time [26:30] Massive focus and big risks [27:00] The 3 beliefs you must have when starting a business [28:00] Learning how to maximize [28:20] The business you're in and the business you're becoming [28:50] The 80 % of what I do [30:00] The business you are in and the business you are becoming [30:20] Intertwining your personal and professional brands [31:30] The importance of intent [33:20] Tony's take on social media [34:00] Why Tony prefers audio over text [36:40] The value of Facebook Live [37:20] Tony's social media director weighs in on Instagram Stories [38:00] Success without fulfillment is the ultimate failure [39:00] Learning how to master the mind [39:40] What's a magnificent life for you?

Actually we focus too much on these amok - stories.

According to Lewis, modern man lives in a tiny windowless universe, his boundaries narrowed to too small a focus.75 Through such play experiences as the reading of stories - when one could experience life «in a sense «for fun,» and with [his] feet on the fender» - Lewis believed that modern man could perhaps recapture a sense of his distant horizons, much as he once had.76 For Lewis, a story was the embodiment of, or mediation of, the «more.»

Actually we focus too much on this amok - stories.

You read his story about how he gets his motivation and you might think he focuses too much on his critics.

Focusing on successful models is an attractive approach for a narrative journalist, too, because people generally prefer reading emotionally resonant stories about individuals in pursuit of a worthy goal to slogging through lots of dry research and statistics.

The problem, argues Bauman, is that too many media stories focus on professional athletes, CTE, and poor outcomes of prolonged concussion (or sports exposure to repetitive head trauma), and [there are] too few stories about athletes who make full recoveries and improve (even after years of concussion symptoms).

I will be focusing on those two stories during the day, although I will cover other political developments too.

There is too much time spent trying to setup characters that don't need it, which leaves little time to focus on an exciting and thrilling story.

The controls were perfect - not too intuitive to make getting an item seem too easy when a zombie is gnawing its way towards you nor too complicated allowing the player to focus on the story and the primary game play - decision making.

The controls were perfect - not too intuitive to make getting an item seem too easy when a zombie is gnawing its way towards you nor too complicated allowing the player to focus on the story and the primary game

Too many critics talk about the cinematography of the film, who cares about the skylines, odd view points, etc let us just focus on the story and the message of the movie.

I won't go into details of the story and gameplay too much, since most of you already know this game by heart after playing through it so many times on N64, so I'll just be focusing on the improvements that were made, and how it compares to the original.

I also feel they focused too much on just Tara and the other characters lacked the developing story they deserved, like Kate for example, I literally do not know what is going on with her.

Writer Zak Penn revealed to THR that this wasn't always the plan, and the sequel was originally going to focus on Grey's transformation; during his time on the movie, Penn managed to convince director Bryan Singer it was too soon to tackle that story:

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

WHY: The fourth season of «The Walking Dead» may be plagued by many of the same problems as previous years, but while its tendency to let plotlines drag on for too long causes the show to grind to a halt at times, the renewed focus on keeping the story moving even when its characters aren't plays a huge part in its success.

WHY: Director Jeff Nichols has a predilection for telling simple stories that focus heavily on character, but «Midnight Special» is almost too simple in execution, lacking the required substance to sustain its 112 - minute runtime.

They tried to cram way too much in this film and focused too much on the ghosts» back story that they became no longer a treat.

While the film focuses a tad too heavily on religion for my liking, I can't help but admit that the interesting story along with the jaw - dropping CGI and 3D special effects made this a visual cinematic treat.

Far too many stories about teenagers — particularly about teenage girls — focus on their apparently insatiable need to be validated by a romantic relationship.

Without giving too much of the story away, I can say that there is less focus on the Lambert's children in this film, which is a relief to the parents in the audience.

Too be far the main story mode which is always the main focus on a Batman Game is coming complete.

I told this story to a group of two dozen or so of my fellow ed reformers last week at an American Enterprise Institute convening on «race, social justice, and school reform» because I wanted to make two simple (some will say simplistic) points: our expensive and aggressive ed reform efforts still focus far too little on what kids do in school all day; and we don't all have the same ideas about what it means to serve the cause of social justice — or whether it is even appropriate to place social justice issues at the heart of our efforts to improve outcomes for kids.

But inspectors at a Westminster Education Forum event in London on Tuesday said that high - profile newspaper stories have too often focused on issues like gender equality.

As a writer, I'm often overly self - conscious as I read — I focus too much on how the author is putting together the story or constructing the voice, and I forget to enjoy myself.

In my not - so - humble opinion, many male authors go all «testosteroney» and miss out on the subtleties in the characters and their relationships, while many female authors focus too much on the internal dialog of the characters to the detriment of their stories» tension.

Nonfiction authors who get distracted into focusing on the «story» aspects of their writing produce writing that is far too broad in purpose to be ideal for any audience, and such nebulous focus can even make it fall apart.

I think my biggest problem was simply that Worth focused too much on the «colorful» characters she lived with, when I would have preferred to have heard more of the actual birth stories!

Music and sound effects can be added, but be careful with having too many sounds added, you want to make sure the story is what the listener is focusing on, not the sound effects and music.

Your initial story focuses too much on female writers not doing well financially in romance novels and erotica.

While we don't know too much abut the game's story yet, the producer Yosuke Futami has previously spoke why it will take place in the alternate ALfheim online and about how it will focus less on the death game aspect and more abut Kirito and friends having fun in the world, for a change.

A lot of authors focus too much on fancy sentences but can't write a well paced story that holds attention.

Don't talk about how your original book was full of mistakes or too long - winded — instead, focus on the fact that you've added a bonus sneak peek, included a reading group guide, or made the story more fast - paced and action - packed (aka tightened the plot).

Sometimes the cover design process focuses too much on what looks good and feels right — this is especially true for indie authors who want to represent their story with accuracy.

While the market is focusing on Immunoglobulin, and the potential supply growth from competitors, the story is much bigger than this and we should avoid getting too caught - up in the short - term.

No idea but the DLC isnt too long if you focus on just the main story for it.

The primary focus of Get Even is its story, which I can't give too many details on as most of the fun with the story comes from experiencing it blind.

Story is kept minimal in Mordheim, probably because you're far too focused on keeping your motley warband of misfits alive and those Wyrdstone shipments going out.

With the main focus being on the events that are set a few years after Season Two, there is a fair amount of backstory added in there too in the form of flashback scenes and the game throws you in to one of these straight away where our new protagonist is introduced at the very start of the outbreak, which sets the tone of the main story in present day seamlessly.

This ends up harming the story, however, as there is too much focus on the exposition rather than where the plot is going.

It's definitely a story driven game, with a lot of characters and depth, but it has a focus on gameplay too, with a lot of content and secrets to find.

Some missions also do not let you choose your favorite characters even if they do nt have any role in the mission story besides a few lines that you arent going to see anyways because you are too focused on fighting high level enemies with a character you arent good with.

In an industry seemingly obsessed with moody, brownish settings where story often takes a back seat and game length is getting shorter and shorter, here's a genre that consistently delivers colourful titles that usually have a bit more focus on plot and a bucket load of content too.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

With Netherrealm actually focusing on the story aspects of the title, something too few fighting games do, it will be nice to see Laura flex her voice acting prowess in the DC Universe.

Clichéd «saving the world» stories don't usually turn out too well, which is why it's pleasing that Resistance 3 has taken a more personal direction with its tale, focusing on the trials and tribulations of father Joseph Capelli.

It also has a slightly different flavour than Bleed 2's content — the main game is all about bosses and set - pieces, but Endless Mode is more Bleed 1 - style, focusing on «traditional» levels with lots of smaller baddies and environmental hazards (there are boss fights in Endless Mode too, of course — 16 of them from Story Mode will appear!)

If I focus on one story, it makes sense, but they through too much at our face at once during missions.