My siblings also had a knack for finding these giant slugs, literally almost as big as their heads, no lie, whose slime was so thick and gooey,
it took paint thinner to remove it from their sticky hands.
Not exact matches
So they
took a coat of white
paint to the place, with a layer just
thin enough so that the texture of the brick peeks through.
Not fearless enough to nose the camera in the dramatic mire, like a soldier to the cause in a personal guerrilla war, Diego Luna «s film beckons a
paint - by - numbers summary of the man's greatest achievements, the spark notes of a six - plus year period that glosses all with
thin coats, rarely
taking the opportunity to remain in the moment and settle in with the hard - won emotional beats of the characters.
A high,
thin whisper of impending doom slowly
took over at the base of my skull,
painting lurid scenes of our bleached bones being strewn across the arid expanses of West Texas, New Mexico, and Arizona by coyotes.
Take, for example, using
paint thinner to clear a protective seal of
paint, or wire cutters to cut wire and open up a gate.
The walls of Regina Rex have been
taken over by four large, brightly - colored
paintings, with luscious layers of thick and
thin paint and most with elements of pure black.
For the first step, Yuri Masnjy
painted a black abstract form that
took up most of the white canvas; Joanne Greenbaum then added multicolored pencil - drawn lines midway through the process; and Kate Shepherd
painted black details with a
thin paintbrush.
On the Greenberg side, Frank Stella — whose 1959
painting Marriage of Reason and Squalor, a stark black canvas broken by his characteristic
thin white strips of unpainted canvas is included in «Action / Abstraction» —
took Greenberg's formal purity to the extreme.
What the Washington artists were so
taken with was Frankenthaler's technique, that of applying oil
paint that had been
thinned down to the consistency of watercolor to unprimed canvas.
A key moment in Frankenthaler's career
took place when she began
thinning her
paints with turpentine so that they would be absorbed into the fabric of the canvas.
Robert Ryman, one of the most revered artists of his generation,
takes painting to places where the air is
thin and the view can be vertiginous.
My favorite piece was Chrystie 31, a more challenging oil on paper that returns to Johns and Motherwell, with a substantial corner of a blue rectangle balancing a sweeping light figure in
thin paint, wash upon wash that
takes the tone down to near the paper's white.
MR. CLOSE: I thought it was interesting advice for somebody who was now making
paintings that
took months and months just putting
thinned down, watery black
paint on canvases and slowly building this imagery in a sort of odd, somewhat mechanical way.
However, for Hofmann, the possibilities of
painting always encompassed divergent approaches; the geometric and the curvilinear, the thickly impasted and the
thinned surface were all concurrently viable throughout his career, although there were periods when one set of problems seemed to
take precedence over another, such as in his 1941 - 1943 landscape studies.
A hodgepodge of modernist sources lurks in the background: in one piece, a bulls - eye shape is reminiscent of Kenneth Noland or Jasper Johns; in another, gauzy layers of
thinned paint form a black veil — an unexpected
take on stain
painting.
The
paintings can
take months to complete, the artist beginning with
thin coats of oil or tempera before the topmost layer is applied in a thick impasto.
In his 1986 book, «Working Space,» Stella speculated about what it would
take to guarantee abstract
painting a viable future, given that its ancestry is so
thin and recent.
Mitchell recently abandoned that moniker, and her work has
taken a material turn, incorporating
painting, installation, found objects, and assemblage that nonetheless retain the participatory, voyeuristic quality of her performance work — most likely owing to her use of tactile, unsettlingly inviting materials such as large,
thin, powdery sheets of rubber.
In the 1970's, the decade of his death, Lewis's work seems to
take on new vigor, especially in
paintings like the spare, Minimalist «No. 2» of 1973, an all - black abstraction randomly scored with
thin, vertical lines of white, and «Blue and Boogie» of 1974, a knockout of a
painting in which a dynamic whir of bright blue patches — like a Coney Island Cyclone ride — animates an all - black field.
From the outset of her career, Mason understood the advantages of her interstitial space: she could
take refuge from Abstract Expressionism's subjectivity as well as
take advantage of the transcendent possibilities of color offered by Color Field (achieved by pouring
thin layers of
paint onto canvas).
In the test described below, I
took some 6 inch square samples of
thin aluminum and
painted them with flat and gloss
paint.
Seriously, it
took more time to open the
paint, mix a batch of chalk
paint (
thinned a bit... the instructions show just how much), and walk out to the garage than it did to
paint my nightstand.
To make it look more substantial, we also
took a piece of
thin plywood and
painted it to match.