Sentences with phrase «touching character moments»

It's also a bit linear, with very little backtracking, and presents some surprising and touching character moments throughout.

«Jackass Presents Bad Grandpa» has an unexpected amount of heart as Knoxville and Nicoll improvise through some touching character moments.

Not exact matches

The movie does offer a slight gesture toward the Holy when, in moments of great awe, characters touch their foreheads as if they were about to make the sign of the cross.

In its best moments, where only small gestures tell us so much about the characters, that's touching and heart - warming, but of course little spectacular and sometimes a little slow.

Rauch makes Hope a love to hate character with some actual funny and touching moments in there.

There were also some touching moments between the characters.

Though this shift prevents the film from becoming truly touching in the character department, few people are likely to care as the laughs and shocking moments keep coming.

There is strong character work in here, one or two genuinely touching moments, and some good laughs too.

In the end Touchy Feely is perhaps a little unf ocused and incidental, without a really strong central hook to grab onto, but there is strong character work in here, one or two genuinely touching moments, and some good laughs too.

Along the way, we're privy to countless funny and touching moments with the characters who populate their world, from a closeted taxi driver to an aging Cherokee who doesn't like his name to an outraged Armenian mother - in - law.

There was a nice moment where Mystique is disguised as Wolverine, so Hugh Jackman adds the faintest touch of Mystique sass to the character, which comes across really well.

However, Pitt's character is the most intriguing, capable of moving from outright savagery in the opening scene to moments of surprising tenderness, never more so than in a touching and quite long sequence when he and Norman regain touch with their humanity by having a meal with two German women after a town has surrendered.

The movie also goes on too long, has implausible moments where characters should die and don't, and features superficial touches that leave the audience yearning for more (like story details and the underdeveloped characters).

As previously stated, the casting is pitch perfect and all characters are well rounded and given adequate room to breathe, Aksel Hennie demonstrates a considerable range of emotion in the films quieter and touching moments, displaying a man who has truly lost everything.

We've got much more piss your pants one liners and forth wall breaking tomfoolery from Wade, it's sweet sensitive and extremely emotional in parts (not since the finale of T2 have I sobbed so much), the OTT action and gore makes a hatchet fight in a Butcher shop look clean in comparison with moments to make hardcore Gore - Geeks give a huge hooray, the cringe worthy «oh no he didn't» moments are rife, there's a touching subplot about what it really means to be Family and also we are treated to an array of colorful supporting characters including an excellent turn from Josh Brolin as futuristic super soldier «Cable», a wonderful performance from upcoming young talented star Julian Dennison (hunt for the wilder people), the obligatory Hugh Jackman cameo and a mega hard Super Villain who makes his previous onscreen incarnation seem like Vinny Jones in a giant penis suit... Oh wait!

It's that ability to subsume himself in a character despite matinee idol looks that will serve him well in future, as will a surprisingly light comic touch, given full vent in one of the film's standout scenes — Lizewski's delusional De Niro moment in front of his bedroom mirror.

The scenes where McAdams and Tatum are struggling together vaguely works (Tatum is surprisingly touching here), but the moment McAdams family is drawn into the matter, the rom - com stock characters come pouring out of the woodwork.

Most fittingly of all, Bale puts in his best - ever Batman / Bruce Wayne, infusing the character with a kind of melancholic aloneness that makes that final moment with Alfred and the Fernet Branca feel even more touching, and surprisingly well - earned.

While there are many gripping moments in the subtle black - and - white comedy, the most touching comes just before the credits roll as Dern's character takes one last joy ride through his hometown and catches the eye of a former flame that burnt out a long, long time ago.

Outside of a few stylish visual touches by director Wan, some solid cinematography by John R. Leonetti (The Perfect Man, Honey), and an apt score from Charlie Clouser (Death Sentence, Resident Evil: Extinction), Dead Silence doesn't have much to offer to viewers who aren't weirded out by such things as sinister looking dolls and «jack - in - the - box» moments in which characters must slowly reach out to reveal what's hidden under blankets in order to see what scary thing lies underneath.

What doesn't: There are moments when the apes» movement feels just a touch off, and it could have done without the overly contrived crowbarring - in of a callback to James Franco's character from «Rise.»

Very good performances by Ng, Wong, and Yam keeps the energy level up, while To shows mastery of setting up the action with excellent use of «little touches» that provide moments of interest as well as subtle character development to make them truly exciting.

There's a scene in Mom and Dad where Nicolas Cage's character Brent tells his young son Joshua that he'll kill him if he touches his car again, a moment immediately followed by another showing a deranged Cage trying to kill his terrified child with a saw.

Still, it's good to be reminded that songs like the Breeders» «Drivin» on 9» exist, and there are enough laughs and touching moments to get you to the end unscathed along with the characters.

In one of the more touching moments of the film, Affleck's character approaches Rosemarie DeWitt's Maggie, and apologies for «letting his wife down.»

I thought I'd start on New Year's Eve, especially since I recently discovered a fantastic website for fantasy and SF writers called Mythcreants, from which came three of the articles below touching on creating memorable character moments and riveting fight scenes as well as unrealistic tropes to avoid.

All of this successfully covers up the genuinely good pieces of the plot such as funny one - liners, and ruins moments where characters have interesting moments that give them a touch more depth.

The writing is weak, the plot is poor and there's a lack of decent characters or acting, but the scenarios themselves are pretty good and the inclusion of set piece moments feels like a nice touch.

At many moments this game is particularly noteworthy for its humor especially when it looks at the world through our protagonists eyes, the game references politics, evil corporations, and even touches something you should not go near the death of a loved one, it even makes jokes on abandonment with a character shouting «I'm free» at the unfortunate news.