Not exact matches
The images, lucid and confrontational, exude an almost
gestural quality as they cut from interior and exterior spaces, with Yorke waltzing in a sleep - like torpor
toward a hole — or spacious studio igloo?
He studied briefly with the artist Clyford Still, who encouraged him
toward a loose,
gestural style.
Many artists began moving away from geometric, hard - edge, and minimal styles,
toward more lyrical, sensuous, romantic abstractions worked in a loose
gestural style.
While the «Road» and «Trees» paintings veer
toward his signature graphic style, Katz's «Grass» compositions are freely
gestural, offering an engulfing sense of space.
In the period covered by the exhibition (1960 - 1975), Tworkov began to move away from his interest in the purely
gestural composition and
toward a -LSB-...]
With an eye
toward the history of black paintings and the
gestural quality of Abstract Expressionism, Jones invites viewers to go beyond the associations of black with mourning and ill intent, to encompass ideas of richness, mystery, and warmth.
The artist's Nocturnes is said to have marked the beginning of art's movement
toward abstraction, which would culminate in the
gestural action paintings of Abstract Expressionists Jackson Pollock and Mark Rothko.
Toward the end of the 1950s, Hartigan experimented with a freer
gestural technique.
An pioneer of first generation Abstract Expressionism, Philip Guston broke ranks with his peers
toward the end of the 1960s when he transitioned to applying his rich
gestural brushstrokes and jittery lines to figurative subjects, often derived from the gritty urban visions that came to the artist during insomniac nights of coffee drinking and cigarette smoking.
While Noland began with concentric rings of color before turning
toward a «hard - edge» style of painting in 1963, Bush held steadfast to the
gestural mark.
From Greenberg's perspective, the history of Western art in the 20th century could be seen as an almost positivistic march — from Paul Cézanne's experiments with flatness and colour at the beginning of the century through the Abstract Expressionists»
gestural canvases —
toward abstract art.
For the
toward, as with other BOOMERANG works, lives with intricacy and the challenge of trusting in a world where as much care and import is manifested in small
gestural communication as it is in large swatches of risk - taking motion.
By 1957 Soto had moved
toward a more
gestural abstraction, but by 1965 he had returned definitively to a geometric idiom.