Sentences with phrase «toward homosexuality as»

Because of traditional Christian attitudes toward homosexuality as inherently sinful, there has been little help for the LGBT movement from the black community.

Not exact matches

The official publication of the Christian Booksellers» Association recently carried an article on trends in religious publishing which predicted more books on homosexuality «down the road (maybe five years or so)» and noted that just as there has been evidence of more compassion toward divorced persons, «Christians in the future will be saying homosexuality is still wrong but God loves homosexuals and values them as persons» (Bookstore Journal, January 1976).

The court's opinion contains grim, disapproving hints that Coloradans have been guilty of «animus» or «animosity» toward homosexuality, as though that has been established as un-American.

At the most negative pole for Nelson are those holding to a «rejecting - punitive» approach - one which «unconditionally rejects homosexuality as legitimate and bears a punitive attitude toward homosexual persons.»

While debate over the understanding of Biblical interpretation lies at the heart of current evangelical discussions concerning women, differences in theological tradition lie at the center of discussions over social ethics, and disagreement over one's approach toward the wider secular culture is surfacing as the focus of controversy regarding homosexuality.

This means that, so far as we know, Jesus never spoke about homosexuality, and we simply have no way of determining what his attitude toward it might have been.

Unlike some people I love, I am not inclined toward homosexuality, but if I were I would hate it as much as I do my gluttony or my inappropriate heterosexual lusts or arrogance etc..

Section 102 of Educational Guidance discusses possible causes, or the «factors which drive toward homosexuality,» as the document calls them.

August 22, 2014 • As attitudes toward homosexuality shift in the U.S., many gay men say that's created not just more legal freedoms but also greater freedom to express their gender identities.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.