Sentences with phrase «towards future exhibitions»

The donated works will be affordable and accessible, helping to raise funds for a year - long program in 2016/17 and help towards future exhibitions and events.

Not exact matches

Noguchi's solo exhibition «Light Reaching the Future» held at the IZU PHOTO MUSEUM in 2011, in which she juxtaposed such photographic works with silkscreen works had served to further deepen her consideration both towards light and to photography (the film camera), by means of methodically deconstructing and inspecting the compositional elements of the photograph.
Geng Xue: «Ways of clay: Perspectives towards the future,» 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Jakarta, Indonesia (group exhibition)
His new show, the artist's first solo exhibition in New York, showcases thirteen vibrant acrylic - and - gel pieces, each with its own nods towards the past, present, and future of abstraction... read more
The resulting exhibition is one of Shanghai Project's major components, as it looks towards the future through the eyes of China's new generation of innovators from various disciplinary backgrounds.
Recent and forthcoming exhibitions include; The Space Between, Parasol Unit (2016) Into boundless space I leap, Maxwell Centre, UK (2016); 11th Gwangju Biennale, Korea (2016); Solo Show, Galerie Christian Lethert, Cologne, Germany (2016); New Visions, Tensta Konsthall, Sweden (2015); Towards an Infinite Geometry, Jhaveri Contemporary, Mumbai, India (2015); Future Light, Vienna Biennale 2015: Ideas for Change; Solo Show, Galeri Mana, Istanbul, Turkey (2014); Solo Project, Dhaka Art Summit, Dhaka, Bangladesh (2014); No. 10, The Third Line, Dubai, UAE (2013); Manifold, Galerie Christian Lethert, Cologne, Germany (2013); The Folded Page, Jhaveri Contemporary, Mumbai, India (2011); New Works, Delfina Foundation, London, UK (2010); and Fractured Symmetry, Bischoff / Weiss, London, UK (2010).
Using the rear windshield of a Polski Fiat 126, a legendary car manufactured in Communist Poland, Weeping Window sets the tone for the exhibition with an anti-modernist trope, facing backwards to history, but moving forward towards the future, a recurring idea in Slavs and Tatars» practice.
The winner of the public vote received GB # 5,000 of production costs towards their work, project or exhibition in order to support their future artistic endeavours.
The winner of the separate public vote received GB # 5,000 for production costs towards their work, project or exhibition in order to support their future artistic endeavours.
Despite the material differences in their work, that exhibition delivered on its promise to look at «two artists who are working towards a bodied future from a disembodied present» with a stunningly dystopian, tight show.
The multi-sensory exhibition explores space and time through a choir of 108 billion voices, immersing us in an installation that embarks on a journey back to the origins of life and towards the vision of a human-less future.
But between Massimiliano Gioni's rather historical, «research - driven» Fifty - Fifth International Art Exhibition, Il Palazzo Enciclopedico (The Encyclopedic Palace), and the reconstruction of Harald Szeemann's 1969 landmark survey of conceptual art, When Attitudes Become Form, this floating city is drifting towards the past rather than future.
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