Before you hurt yourself wrapping your head around that comparison, it's important to note the greater sense of direction here via a compass system that forever points players
towards objects of interest.
Not exact matches
Galileo saw a swinging pendulum as an
object with inertia, which almost repeats its oscillating motion; his predecessors, inheriting the Aristotelian
interest in progress
towards — final ends, had seen a pendulum as a constrained falling
object, which slowly attains its final state
of rest.
I was more
interested in your personal story
of what triggered your move
towards atheism from contemplating the worshipping
of objects.
You may notice that your baby is suddenly very
interested in trying to pick up small items, such as pieces
of carpet fuzz or Cheerios, and that she does this by attempting to «rake» the
object towards her palm with all the fingers except for her thumb.
During the late 1960s and early 1970s, Downey (b. Chile, 1940, d. New York, 1993), like many
of his peers, became
interested in the expanded field
of art and architecture, including the dematerialization
of the
object and the turn
towards investigations
of invisible energies.
It was in this context that Piet Mondrian, Wassily Kandinsky, Hilma af Klint and other artists working
towards an «objectless state» became
interested in the occult as a way
of creating an «inner»
object.
Prompting a deeper level
of thought from viewers, Harrison «s work reflects her
interest in the act
of experiencing an art
object and the path that one takes
towards comprehension.
Within Boyce's body
of work is an
interest in landscape, the psychology
of interiors,
of architecture and furniture — in how, through the collecting
of design
objects, the mantra
of form and function transfers its weight
towards form and value.
For me it was like taking the Conceptual Art motto
of Douglas Huebler, «The world is full
of objects, more or less
interesting, I do not wish to add any more», and using it
towards a different end - like a Pop artist gone Conceptual.
I'm
interested in how these CGI
objects of women might be able to form different and speculative ideas
towards our own bodies and create new relationships to labour, particularly female forms
of labour and how we might perform as workers.
Interested in the fine ambiguity between the
object and the art
object — he takes up a critical and humorous position
towards the contemporary world and investigates the different aspects
of the visible and the nature
of materials, combining solidity and fragility, forms, motifs and colours to create geometric progressions containing emotional and musical qualities, intuitive and spontaneous, approaching, in form,
towards the principles
of neo-concretism.
It would be
interesting to see what kind
of opportunities for astronomical discoveries are awaiting for us, what happens when we point the microscope
towards objects in space.