me, the exhibition, featuring work by Bunny Rogers, Jill Magid, Jasper Spicero and Emma Talbot, continues the conversation around new forms of presentation by exploring «the relation between narrative and affect, as
traced between objects and through various media».
Not exact matches
This Kindergarten Literacy and Math Bundle Kindergarten Morning Work includes: - reading comprehension worksheets - traceable sight words - sight word activities / worksheets -125 word sorts: beginning consonant, cvc word family, cvcc word family, beginning digraphs, beginning blends, ending blends, and short vowels - alphabet card order - ordinals - uppercase letter
trace - lowercase letter
trace - journal writing with picture template - adding
objects and things up to 6 - adding dots up to 10 - addition of doubles - addition matching - differentiate
between heavy and light
objects - size - long and short - size - tall and short - counting tally marks up to 20 - counting tally marks up to 30 - telling time - holiday fun writing - All About Me Booklet activities - Act it out!
In this fugue state, the relationship
between subject and
object is particularly unstable: here, possession and possessor leave
traces of themselves on one another, rendering their edges uncertain, shifting like the weather.
The exhibition (10 March - 11 June 2017) examines how
objects can function as physical
traces and intangible links
between the visible and invisible.
«Invisible Man»
traces the artistic collaborations
between photographer Gordon Parks and novelist Ralph Ellison (an avid recreational photographer who utilized photographic metaphors in his writing) via forty - five photographs; numerous related
objects, including archival manuscripts; and an insightful catalogue.
The exhibition, «Edward Hines National Forest,» introduces a site - specific installation that
traces the material processing of trees, from plant to lumber and cellulose, to produce hybrid forms that expose the complex relationship
between people, human - made
objects and the natural ecosystem.
Taking its title from French mystic, philosopher, and activist Simone Weil, Gravity & Grace examines how
objects can function as physical
traces and intangible links
between the visible and invisible.
In addition to a company website called Diligent Board Portals offering «paperless solutions» to corporate boardrooms, the defunct magazine provided images and text that Denny appropriated for works shown at Petzel — digital prints on canvas, videos, and found
objects tracing an arc in time
between the current recession and one that took place some 20 years ago.
Utilizing cross sections
between photography, painting, light, projection and sound, Asgary creates sculpted environments that are lit much like
objects to be photographed — leaving the mechanical
trace of the camera to the viewer's stance.
One of her primary fields of interest is that of
tracing the fidelity of meaning through the convoluted relationships
between objects and images, pinpointing the various ways mediation mutate information from things to representations and back again — how images subsume or discard their referents to become distinct
objects in their own right.
Tension arises in the dialogue
between the original form of
objects and the
traces left by the performative interventions, turning the body into the material and the medium of action.
Tracing the archaeology of the paintings in the sculptural formations that accrue on their edges creates a dynamic contrast
between the illusionistic interior spaces opened up within the compositions and the frank materiality of the gesso boards as
objects hanging on the wall.
In the publication, invited writers and curators respond to each work, completing a circle
between text and
object, to
trace the lines of literary affiliation and tease the productive tensions that arise
between a source material and its reinscription.
Featuring work from MoMA's permanent collection, «Take an
Object»
traces the trajectory from Neo-Dada, to Pop, to Fluxus, to proto - Minimalism, specifically as seen through the relationship
between everyday
objects and traditional art practices.