Sentences with phrase «track by producer»

This two - disc edition features the two previously available commentary tracks — a thoroughly entertaining track with director John Carpenter and Kurt Russell chatting away like old («By the way, both of our ex-wives are in the movie») and a second track by producer Debra Hill and production designer Joe Alves covering more technical material — plus a third newly - recorded commentary track with co-star Adrienne Barbeau and cinematographer Dean Cundey, looking back with over thirty years» hindsight.

Retained from the 2006 45th anniversary edition DVD are a commentary track by producer Richard Shepherd; the featurettes «The Making of a Classic,» «It's So Audrey!

Not exact matches

LONDON, April 20 - Aluminium prices fell on Friday for a second day as a rally sparked by U.S. sanctions against Russia's Rusal, the world's second - biggest producer, appeared to stall, but the metal was still on track to end the week up 7.5 percent.

According to a tweet from Hudson Mohawke, the track was produced by Mohawke along with fellow G.O.O.D. Music producers 88 Keys, Kanye West, Mike Dean and Noah Goldstein.

Oil - by - rail is happening now because those tracks link producers to refineries.

Regardless of whether I share the same beliefs as the producers of any of the apps in their store, I refuse to have my content randomly, non-judiciously, and often biasedly filtered by Apple execs, whom have a clear track record of poor decision making regarding apps since the start of the app store.

Best New Product and People's Choice Award — Equipment for Origin C - sar Online Tools by Cropster GmbH, for their online database system that helps producers track, manage and improve quality; communicate and collaborate with partners and customers; and assists with certifications, accounting, and other logistics.

The handful of songs produced by the band themselves — «My Enemy,» the brooding new wave track «God's Plan,» and the gentle ballad «Really Gone» — stand out in their deviation from the glossy, monolithic tracks helmed by producer Greg Kurstin.

The Blu - ray debut features all the supplements of that release: three commentary tracks (one by director Terry Gilliam, one by stars Johnny Depp and Benicio Del Toro, and one by producer Laila Nabulsi and author Hunter S. Thompson), deleted scenes with commentary by Gilliam, the 1978 BBC «Omnibus» documentary «Fear and Loathing on the Road to Hollywood» (with Hunter S. Thompson and artist Ralph Steadman), the ten - minute featurette «Hunter Goes to Hollywood,» an audio documentary on the controversy over the screenplay credit, a survey of the marketing campaign, selections from the correspondence between Johnny Depp and Hunter S. Thompson (read on camera by Depp), an excerpt from the 1996 audio CD «Fear and Loathing» starring Maury Chaykin, Jim Jarmusch, Harry Dean Stanton, and Glenne Headly, background notes on Oscar Zeta Acosta (the real life activist and attorney who inspired the character of Dr. Gonzo), and galleries of storyboards, stills, and Ralph Steadman art.

Along for the ride are audio commentaries by director Roland Emerich, producer Dean Devlin and FX supervisors Volker Engel and Doug Smith, theatrical trailers, interactive games and a trivia track.

Blu - ray extras include audio commentary by producer Pancho Kohner, casting director John Crowther and film historian David Del Valle; and an isolated track of Robert O. Ragland's score.

Extras exceed the import DVD (save the sequel) and repeat the Original Theatrical Trailer and two feature length audio commentary tracks: one by Producer Jack H. Harris and Film Historian Bruce Eder, while the second is by Director Yeathworth and Actor Robert Fields.

In his yak - track with producer Matthew Vaughn, Ritchie ducks the negative attention he and his wife received inasmuch as one can, although he confides that he thought Swept Away would go down well with Madonna in the lead — especially with her detractors, as a dislike of the pop chanteuse is sanctioned by the picture's first half.

With Lorne Michaels as a producer and a screenplay by three young TV - seasoned up and comers, various in - demand comedy stars gladly signed up to work with the Utah - based Mormon filmmaker despite his spotty track record.

This one has three commentary tracks: one by Michael Winner, one by writer / producer Jeffrey Konvitch, and one by actress Cristina Raines, plus an interview with assistant director Ralph S. Singleton.

Accordingly, while Nichols is joined by a knowledgeable, respectful Steven Soderbergh on an anecdote - filled commentary track recorded for this release (it's nigh indispensable, truth be told, especially for Nichols's reflections on out - of - touch producer / screenwriter Lehman), Wexler gets a second, instantly - classic yakker all to himself.

Select Commentary Tracks by Lena Dunham, Producer Jenni Konner, Executive Producer Judd Apatow

Don't be deceived by the seemingly strong list of bonus material featured on the Blu - ray release of «Margin Call,» because with the exception of the audio commentary track by director J.C. Chandor and producer Neal Dodson (which is actually quite informative), they're not worth your time.

It comes with three commentary tracks: the first by Scorsese and editor Thelma Schoonmaker, the second by cast & crew (producer Irwin Winkler, composer Robbie Robertson, actor John Turturro (who was an extra in the film), cinematographer Michael Chapman and others) and the third by the «storytellers» (Paul Schrader, Mardik Martin, Jason Lustig and Jake La Motta).

«Rose» (1.1) includes a merry yak - track by Davies, producer Phil Collinson, and executive producer Julie Gardner that devotes a lot of time to the relative affordability of CGI as if they were expounding to a roomful of monkeys on quantum mechanics.

Actor Jason O'Mara is joined by co-executive producer Michael Katleman and executive producer Scott Rosenberg on the track for «Things to Do in New York When You Think You're Dead.»

Six months later, he's tracked down by producer Freddie Shapp (Dylan Baker) with an opportunity to return to NYC as part of the first - ever 24 - hour news channel, GNN.

Writer / executive producer / showrunner Jack Kenny is joined by actresses Joanne Kelly, Allison Scagliotti and CCH Pounder and others on the rest of the tracks (including the finale).

The Blu - ray Audio disc contains the 12 tracks from the original album as newly mixed in glorious 96kHz 24 - bit 5.1 surround sound from the original multi-tracks by legendary producer Elliot Scheiner (Steely Dan, Eagles), plus 5 bonus tracks mixed in 5.1 surround sound by both Scheiner and Frank Filipetti (Billy Joel, Elton John).

Landau introduces the track by doing Lugosi introducing the principals in toto as well as before each of them speaks; it's something that seems like common sense to have a narrator / moderator for large, piecemeal commentaries, but not too many DVD producers have embraced the practice.

There's a pretty interesting audio commentary by Katrina Holden Bronson (writer and director), Danielle Renfrew (producer) and, of course, Quentin Tarantino (executive producer) together on one track.

Presented in a widescreen video transfer and Dolby Digital 5.1 audio soundtrack, the «Man on Fire» DVD includes two full - length audio commentary tracks (the first by director Tony Scott, and the other with producer Lucas Foster, screenwriter Brian Helgeland and star Dakota Fanning), as well as deleted scenes and an alternate ending (also featuring optional director commentary).

Isolated track of Jerry Goldsmith's score with sound effects on standard theatrical cut (Disc 1), with commentary by music producer Nick Redman, film music historian Jon Burlingame, screenwriter / film historian Lem Dobbs between cues.

• Limited Edition collection of the complete Blood Bath • High Definition Blu - ray (1080p) presentation of four versions of the film: Operation Titian, Portrait in Terror, Blood Bath and Track of the Vampire • Brand new 2K restorations of Portrait in Terror, Blood Bath and Track of the Vampire from original film materials • Brand new reconstruction of Operation Titian using original film materials and standard definition inserts • Optional English subtitles for the deaf and hard of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the film and its cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman

Moderated by Rob Galluzzo, director / co-writer Wesley and producer Cami Winikoff record the first of two commentary tracks, which hums with anecdotes and good humour, especially where it concerns a harrowing anecdote about how the pair were scheduled for a plane they missed that subsequently crashed.

The track is moderated by independent producer Perry Martin, who lobs praise and easy questions.

It comes chock full of meaty extras, including several audio commentary tracks by Writer Producer Gordon T. Dawson, Film Historian Nick Redman, documentaries» Passion & Poetry: Sam's Favorite Film which includes interviews with Kris Kristofferson and Isela Vega; A Writer's Journey, an interview with Peckinpah biographer Garner Simmons, theatrical and television trailers, a well - written forward by essayist Julie Kirgo and more.

Features two new commentary tracks: one by director Lewis Teague and actor Robert Forster, the other by producer Julie Corman and screenwriter John Sayles.

The Wrath of Khan's collection begins with an audio commentary track by director Nicholas Meyer and «Star Trek: Enterprise» writer and producer Manny Coto.

The Blu - ray releaed includes a feature commentary by director / producer Ridley Scott and co-screenwriter Jeffrey Caine, as well as nine deleted and extended scenes, and the Exodus Historical Guide, which offers a feature - lenth trivia track, so that you, too can win the next Bible Trivia Night at your local pub.

DVD special features are ample, anchored by a feature - length audio commentary track with director Alvart and producer Jeremy Bolt, in which the pair discuss Alvart's late - in - the - game, pre-production idea of depicting the effects of years of hyper - sleep via sloughing skin, as well as the special challenges involved for Foster in crafting a performance out of reacting to Quaid's disembodied voice, since more than half of his material was prerecorded, before the younger actor's scenes.

Blu - ray extras include audio commentary by producer Lawrence Turman and film historians Lem Dobbs and Nick Redman; separate audio commentary by film historians David Del Valle and Steven Peros; theatrical trailers; and an isolated score track.

For those who do, this two disc DVD set comes with two audio commentary tracks, one by Minghella and one by Minghella with producer Saul Zaentz and original author Michael Ondaatje.

Watch pianist Robert Glasper demonstrate how three samples from jazz tracks by Ahmad Jamal and Herbie Hancock served as source material for famed hip - hop producers J Dilla and Pete Rock.

Mario Bava's first credited feature film as director has appeared in various complicated guises since its release 47 years ago in Italy — the original Director's Cut in Italian, the Director's Cut with an English dub track prepared by the Italian producers and released only in Europe, and the AIP re-edit, which had the U.S. distributor cutting it down for faster pacing, re-dubbing the dialogue with its own stable of voice actors, and replacing Roberto Nicolosi's original score with a more punchy, aggressive version by AIP's all - in - one music department, Les Baxter.

Extra features on this non-SE include: a comprehensive commentary by director Hoblit and co-screenwriter Billy Ray, with the occasional comment from Bruce Willis sandwiched in; another yak - track from producer David Foster, who concentrates on the film's background in WWII history; ten deleted scenes (in 16x9) that reveal that an even more structurally and politically complex film lies on the cutting room floor, with elective commentary from Ray and Hoblit — they're especially sorry to see go, as am I, a bit in which the American soldiers entertain their German captors by donning blackface; a 4 - part photo gallery — see Bruce make serious expressions for «The Poster Shoot»; and trailers for Hart's War, Windtalkers, and the TV shows «Jeremiah» and «Stargate SG - 1».

EXTRAS: In addition to a pair of audio commentaries (a 2007 track featuring directors Mike Nichols and Steven Soderbergh, and a 1987 track featuring film scholar Howard Suber), there are new interviews with actor Dustin Hoffman, producer Lawrence Turman and writer Buck Henry, a 1992 featurette about making the film, a 2007 short documentary on the film's influence, an essay by journalist Frank Rich and more.

A feature - length commentary track not only gives us Lasse Hallstrom to drone on, we also get tidbits provided by no fewer than three producers (I'd settle for, hmmmm, none).

But wait, there is still more... there is an audio commentary track from 2002 created from material produced by Martin Lewis and features actors John Junkin, David Janson, and Jeremy Lloyd; cinematographer Gilbert Taylor; associate producer Denis O'Dell; second assistant director Barrie Melrose; assistant editors Pamela Tomling and Roy Benson; and others.

The new DVD comes with an audio commentary track by director Waters, writer Fey and producer Lorne Michaels.

The Blob contains two commentary tracks, one by director Yeaworth (along with actor Robert Fields) and a second one by producer Jack H. Harris (along with film historial Bruce Eder), as well as dozens of stills.

Extras include two commentary tracks: one by director Guillermo Del Toro and producer Peter Frankfurt, and the other by writer David Goyer and Wesley Snipes.

The disc comes with producer Darryl Zanuck's theatrical release cut as well as Ford's preferred version, plus a documentary that explains the difference between the two, and a commentary track by Earp's grandson!

In 2011, Lionsgate released a Blu - Ray edition, which has all the extras of the old Miramax DVD, starting with a commentary track by director Danny Boyle, star Ewan McGregor, screenwriter John Hodge, and producer Andrew Macdonald.

Part of a highly ambitious project by former movie producer Jim Glickenhaus, it's designed to be a supercar for both the road and track.