Sentences with phrase «tracks like john»

Classical tracks like John Adams» «The Chairman Dances» follow the above trends even more drastically — the lower register strings and percussion lack the depth and roundness that a more substantial bass presence would bring to the equation.

Not exact matches

People like John Greathouse and Klaus Schauser in Santa Barbara have a great track record both in building companies themselves and also in helping the companies that they angel fund pull together great management teams, launch great technology products and importantly raise VC from top - notch VC's.

The first indication that Waymo was positioning itself as a competitor to players like Mobieleye and Delphi came in December, when CEO John Krafcik announced the company was going to build its own sensor technology, the proverbial eyes that self - driving vehicles need to track the road and any obstacles such as oncoming traffic or pedestrians.

His plans call for improvements at the MTA, an overhaul of Pennsylvania Station, a new LaGuardia Airport, a third track on the Long Island Rail Road, an expansion of the Jacob Javits Center, major upgrades to John F. Kennedy Airport as well as to air terminals in Long Island and the Hudson Valley — all on top of new roads and bridges across upstate «like we've never built before.»

Buy «Closet Storage Systems» products like John Louis Home Woodcrest Closet System in Espresso, John Louis Home Woodcrest 12» Closet System in Caramel, John Louis Home Woodcrest 12» Closet System in Espresso, Easy Track 5 - Foot Shelving Closet Kit in Truffle, John Louis Home Woodcrest 16 - Inch Closet System in Caramel

Over 200 tracks include the likes of Adele, Elton John and The Cure, and recorded interviews with notable collaborators such as Tom Odell, James Bay and Paloma Faith are also featured.

Speaking about the partnership, board member John H. Lewis said: «PEAK6 is bringing a comprehensive and transformative package to Spark Networks that includes access to significant operational resources and a new leadership team with an outstanding track record of success with both large, established brands like Microsoft, Orbitz, and FTD.com, and smaller entrepreneurial success stories like OptionsHouse.»

Phillips replaces this hilarious shock value with a much more traditional and quite frankly, boring, storyline that caters more to the likes of one Mr. Chow (Ken Jeong) after he escapes prison and is being tracked down by some very mean gangsters indeed (led by none other than John Goodman) when he steals $ 21 million in gold bricks.

And between the addition of guys like Dwayne Johnson and Bruce Willis and director John M. Chu's professed love for the property, «Retaliation» could be just what the franchise needs to get it back on track.

Though «Whiskey Tango Foxtrot» sounds like a slam dunk on paper — in addition to Tina Fey reteaming with frequent collaborator Robert Carlock, it boasts a talented cast and a pair of directors (Glenn Ficarra and John Requa) with a solid track record — the trailers aren't very encouraging.

This two - disc edition features the two previously available commentary tracks — a thoroughly entertaining track with director John Carpenter and Kurt Russell chatting away like old («By the way, both of our ex-wives are in the movie») and a second track by producer Debra Hill and production designer Joe Alves covering more technical material — plus a third newly - recorded commentary track with co-star Adrienne Barbeau and cinematographer Dean Cundey, looking back with over thirty years» hindsight.

John joins his brother Dan (James Badge Dale) and the rest of the Texas Rangers to track him down, only to be ambushed by Cavendish in the desert and slaughtered like cattle.

Thinking alike, and working with Contact Group, providers of best in class communication and data services, former assistant head and director of Sixth Domain, John Roberts has created a new solution that allows teachers to track events — like good news, bad news, sanctions, reports, comments — and to monitor and analyse the behaviour of individual students, classes, forms and even houses.

In episode # 32, John Davis and the MotorWeek gang talk about what it was like test driving the Chevrolet Volt, how Toyota is making the Sienna sportier, and the thrill of taking the Corvette Grand Sport for a few laps around the track.

The top ten combined print & e-book fiction and nonfiction authors are able self - marketers, including famous writers with big track records, like Lee Childs, Kathy Reichs, James Patterson, J.A. Jance, John Grisham, and Johanna Lindsey.

Just Dance ® 2016 will feature tracks from artists like Mark Ronson Ft. Bruno Mars, Jason Derulo, Meghan Trainor, Calvin Harris Ft. John Newman and Lady Gaga.

The featured artists range from classics like Elton John and Queen to contemporary singers like Drake and Gorillaz, with occasional classic orchestrated tracks popping up.

Two visionaries — one whose photos feel like John Cage tracks and one whose music sounds like Mark Rothko paintings — collaborated on a gallery show that feels like a light - and - space installation.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, deliver the lower register instrumentation with some added body and presence.

Classical tracks, like the opening scene in John Adams» «The Gospel According to the Other Mary,» receive far too much boosted bass to have a natural sound.

Orchestral tracks, like the opening scene from John Adams» The Gospel According to the Other Mary, sound quite sculpted — the higher register brass, strings, and vocals sound a little too bright and crisp.

Classical tracks, like the opening scene in John Adams» «The Gospel According to the Other Mary,» receive some added bass presence, to the point that the lower register strings occasionally sound unnatural.

For orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the higher register strings, brass, and vocals have the spotlight — things are crisp, edgy, and clear.

Orchestral tracks, like the opening scene from John Adams» The Gospel According to the Other Mary, get plenty of added bass depth, pushing the lower register instrumentation forward in the mix.

Classical tracks, like John Adams» «The Chairman Dances,» do sound a little thin on the MP260 — this is partially because they naturally have less boosted bass frequencies in their mix, and partially because they are also mixed with a wider dynamic range than most music genres, so the quiet parts are especially quiet on a speaker this small.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, benefit greatly from the rich bass and slightly dialed - back highs.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, receive quite a bit of added bass depth.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the higher register strings, brass, and vocals retain their higher frequency edge and own the spotlight, but the bass response nicely complements them, bringing certain aspects of the lower register instrumentation a bit more to the forefront.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, sound ideal with the bass dialed into the middle setting.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, sound phenomenal.

On orchestral tracks, like the opening scene from John Adams» The Gospel According to the Other Mary, the balance is ideal.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation is given some added push in the deepest lows, but nothing that seems over the top.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation gets some added presence — not to the point that things sound unnatural, but the lows do have a more vibrant presence than they would in a flat response scenario.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, get some added bass depth, but the higher register brass, strings, and vocals are in clear command of the spotlight.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, get a little more added bass depth than purists might want.

Classical tracks, like John Adams» «The Chairman Dances,» also sound pretty solid through the New Metropolitan.

On classical tracks, like John Adams» «The Chairman Dances,» the exaggerated lows can sometimes make the lower register strings and percussion sound a bit too boosted and almost amplified.

Classical tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, default to a bright, clear sound that puts the high register strings, brass, and vocals upfront, but of course, it is possible to add in more low frequency presence, enhancing the depth of the lower register instrumentation.

Orchestral tracks, like the opening scene from John Adams» The Gospel According to the Other Mary, sound a little bass heavy.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation gets ideal representation.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, tend to favor the higher register instruments naturally, and the UE 5 Pro does nothing to change this.

The SP1000 is not kind to poorly produced indie tracks, however, and distortion on songs like Father John Misty's Real Love is ramped up to near uncomfortable levels.

Classical tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, aren't delivered with accuracy in mind, but the boosted bass and tweaked highs can have an exciting effect that non-purists might enjoy.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, receive more bass boosting than purists will like, but the overall effect is at least balanced — the boosted highs are also prevalent, so while the lower register instrumentation is pushed forward in the mix, the higher register brass, strings, and vocals are still bright and in command of the spotlight.

On classical tracks, like John Adams» «The Chairman Dances», the balance remains.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, sound stunning through the AR - H1.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, likewise sounds equally crisp in both modes, but the lower register instrumentation is brought out of the mix a bit more and given more body in the bass - boosted mode.

Classical tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, can sound a bit overly bright on the FreeStyle; those tweaked high - mids finally meet their match with the brass hits and higher register strings on this track.

Classical tracks, like John Adams» «The Chairman Dances,» can sound a tad too tweaked and sculpted.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, possibly sound better than any other genre through the UE 18 + Pro.