It was one of my previously
trad published novels from my back list, so professionally edited by my publisher.
Although I got into the SF top * 5 * with one of
my trad published novels, and it sure didn't earn $ 18,000 that month.
Not exact matches
My first traditionally
published novel, Transgression, only sold about 6,000 copies in its
trad - pubbed edition.
I'm an indy - author since trying the
trad -
publishing route in 2005 - 06 with my first two books (historical
novels, which several agents looked at, and said regretfully that they were very good... but just not marketable.)
However, when I wrote The Experiencers (my first
novel) and consulted on the subject of
trad versus indie
publishing with a hybrid author who has been writing books since the 1970s, he made a good case for me to go indie.
I find it interesting that people make this into an either / or thing, I'm doing both, indie
publishing shorter works that there's no point offering a
trad publisher, while my
novel is in the hands of my agent.
As I close in on 50
novels published, I don't think I'm suffering from a lack of my work being available, so see no reason to kill myself on more than a
novel every quarter, which in
trad pub circles would be considered near miraculous, and for me would be a vacation.
While many authors have focused on indie
publishing the
novels that were originally
trad - pub bound, we're just beginning to move into the era where works are being created solely, from conception to completion, for publication as ebooks.
That's the other advantage of indie
publishing: you don't have to follow the guidelines (the ever - shifting guidelines, might I add) of the
trads, whether it is a demand for massive doorstopper fantasy
novels, or having to inject vampires / zombies / whatever the flavor of the month into your story, or even making sure the characters are «diverse enough.»
Pulp fiction was where authors started out because it paid less than «traditional» markets (they were mostly short stories), but with indie
novels, I think (some) authors are making more money than comparable traditional
publishing contracts (and I see some
trad - pub authors supplementing their income with self - pub, which is also similar to some of the pulp fiction writers of the past).
As a first time self - publisher of a
novel that was previously
trad published, I'm D1.
Given the realities of
trad publishing, I'd be lucky if my third
novel was out already.
In the best of all possibly worlds in
trad publishing, I'd be on
novel # 2, maybe # 3.
Don't think I'd want to be
trad published now for a main
novel.
Book typos and errors can be embarrassing and frustrating, but it shouldn't be (as long as you're having your work professionally edited and proofread) since a perfect, book typo / error - free
novel seems like an impossible feat to accomplish, no matter if you're self -
published,
trad -
published, or if you're a struggling writer or a bestselling writer, even the biggest names in fiction get dinged with errors and typos.