Sentences with phrase «trade exhibitions including»

Not exact matches

(winner of Best Marketing Campaign of the Year at the Association of Event Organisers Excellence Awards in 2012, and Best UK Trade Show Exhibition (under 2,000 sqm) in 2010 & 2011); Casual Dining (new for 2014); Ocean Business (including Offshore Survey Conference & Ocean Careers); MARELEC Marine Electromagnetics conference in Hamburg, Germany; camexpo; office *; SITS — The Service Desk & IT Support Show; SITS Europe in Berlin, Germany (new for 2014); Natural Products magazine; and the Natural Beauty Yearbook.

NMNA is a U.S. subsidiary of Germany - based NürnbergMesse GmbH, one of the 20 largest trade show companies in the world with a portfolio covering 120 national and international exhibitions and congresses, including Brau Beviale, which is this year's most important capital goods exhibition for the beverage industry worldwide.

Programmes from practising engineers, technologists and key industry speakers are streamed live and / or on demand and include: • Lectures and presentations from major IET events • Product demonstrations and showcases • Interviews with experts from industry and academia • Reports, news and commentary from exhibitions and trade shows • Research seminars from Universities and research Institutions • Training sessions for IET volunteers

As a world leader in trade shows across a number of different sectors - including art, children's publishing, cosmetics, construction and design - BolognaFiere has developed a cutting - edge portfolio of international exhibitions in key Russian, North America and Asia markets including China with 8 exhibitions already established.

The conference / trade show will also have several format changes and new features, including: • Petfood Innovation Workshop: Next Generation Treats, the one - day opener for the conference and exhibition, will have a new hands - on format.

ATM is a comprehensive four - day travel trade event, held from 2 - 5 May 2011, comprising an exhibition, conference and seminar programme, which this year is sponsored by new exhibitor, Mexico Tourism Board, along with specialist industry days including travel agents day, careers day and consumer day.

The hotel features a selection of conference rooms including a pillarless ballroom that can seat 400 delegates and can also be split into 4 sections and a large conference foyer also provides a great space for trade display and exhibition booths.

According to General Manager Samir Arora, the ATM is an unrivalled marketplace that attracts travel trade from across the globe: «With nearly 22,000 visitors last year, including more than 860 media professionals and 170 hosted buyers, the exhibition is the leading travel event in the region, and presents us with an ideal showcase to promote our new products, launch special offers and make contacts in emerging markets.»

His work has been include in the following selected exhibitions: Australian Perspecta, Art Gallery of New South Wales (1993); Fluxibelstructures, Kunsthaus Oerlikon, Zurich, Switzerland (1995); Preambles, Australian Perspecta, Museum of Contemporary Art, Sydney (1999); Art in the World, Pont Alexandre III, Paris, France (2000); Video - Salon, Week of Art and New Media, Brussels, Belgium (2000); 25th Bienale de Sao Paulo, Sao Paulo, Brazil (2002); Bitter Sweet, Art Gallery of New South Wales, Sydney (2002); Identity and Desire, Art Gallery of South Australia, Adelaide (2005); CRASH (and other worldly pleasures) Lawrence Wilson Art Gallery, University of Western Australia, Perth (2006); Bon Scott Project, Fremantle Arts Centre, Fremantle (2008) and Rough Trade, TANKS Art Centre, Cairns (1997) and Plimsoll Gallery, Hobart (1998).

Makers were nominated by a pool of more than 300 New York City - based cultural leaders and civic figures from a range of trades and disciplines, including museum curators, choreographers, academics, chefs, musicians, and journalists, with final participants selected by a jury led by Adamson and exhibition curator Jake Yuzna.

NYCxDESIGN celebrates many areas of design through a range of programming including exhibitions, installations, trade shows, talks, and open studios.

Group exhibitions include: Greater New York, P.S. 1, Long Island City, New York (2000); Post-POP, Post-PUNK, Museum of Contemporary Art, Washington, D.C. (2000); Protest and Survive, Whitechapel Art Gallery, London (2000); The Americans New Art, Barbican Gallery, London (2001); Shanghai Biennale, Shanghai Art Museum (2002); Trade, White Columns, New York (2005); Seeing Double, Andy Warhol Museum, Pittsburgh (2005); The Inside Game, Portland Art Center (2006); and The Station, Art Basel Miami (2008).

The Old Blind School (former Trade Union Centre), the Biennial's central location, features a group exhibition that includes work by Uri Aran (IL), Marc Bauer (CH), Bonnie Camplin (UK), Chris Evans (UK), Rana Hamadeh (LB / NL), Louise Hervé (FR) and Chloé Maillet (FR), Judith Hopf (DE), Aaron Flint Jamison (US), Norma Jeane (US), Nicola L. (FR), William Leavitt (US), Christina Ramberg (US), Michael Stevenson (NZ), STRAUTCHEREPNIN (AT / US), Peter Wächtler (DE) and Amelie von Wulffen (DE).

For more than 40 years, Holzer has presented her astringent ideas, arguments, and sorrows in public places and international exhibitions, including 7 World Trade Center, the Venice Biennale, the Guggenheim Museums in New York and Bilbao, the Whitney Museum of American Art, and the Louvre Abu Dhabi.

Composed of more than 20 events, presentations, and exhibitions, Pratt Shows includes fine art installations, film screenings, readings, and industry trade shows, setting Pratt's collaborative and interdisciplinary approach on display.

This has included developing a major multi-site exhibition programme, called We Face Forward, of art from West Africa, for the Cultural Olympiad; an exploration of the visual legacies of slavery with Trade and Empire, presented to coincide with the bi-centenary of the abolition of British slavery; and consistent attention to artists from South Asia, including a celebrated 65 - hour drawing and performance installation in 2013 by Indian artist Nikhil Chopra, the presentation of Subodh Gupta's work in the grounds of the Whitworth and video and textile work by Aisha Khalid.

Selected exhibitions include: World Trade, Foxy Production, New York (2017, solo exhibition); Curate — Extinct in the Wild, Fondazione Prada, Milan (2017, solo exhibition); Souvenirs: New New York Icons, Storefront for Art and Architecture, New York (2017); 99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, MI (2017); Parcours, Art Basel, Basel (2016); RIVALS, Andrea Rosen Gallery 2, New York (2014 - 15, solo exhibition); Monument to Cold War Victory, The Cooper Union, New York (2014); and As We Were Saying: Art and Identity in the Age of «Post», The Elizabeth Foundation, New York (2014).

For more than forty years Holzer has presented her astringent ideas, arguments, and sorrows in public places and international exhibitions, including 7 World Trade Center, the Venice Biennale, the Guggenheim Museums in New York and Bilbao, and the Whitney Museum of American Art.

Selected exhibitions include VOCA, (The Ueno Royal Museum, 2008), TOKYO WONDER WALL 2000 - 2009 (Museum Modern Art Tokyo, 2010), ART TAIPEI, (Taipei World Trade Center, Taipei, 2012), Yu Yasuda Solo Exhibition, (Roppongi Hills Club, Tokyo, 2011), «Between» solo Exhibition, (YUKA TSURUNO, Tokyo, 2014).

The exhibition also includes a specially commissioned sculpture by Polish artist Monika Sosnowska, installed in the vertical space of the museum's atrium, and the minimal paintings of the World Trade Center's Twin Towers by Robert Moskowitz are on display in the gallery for the first time since 9/11.

The opening exhibition includes work by internationally renowned artists, including Andreas Gursky, Wade Guyton, Damien Hirst, Sergej Jensen, Brice Marden, Gabriel Orozco, Sterling Ruby, Robert Ryman and Jeff Wall, amongst others, alongside Chinese scholar's rocks, which are revered in China as objects of both trade and contemplation.

He was commissioned in 2009 to create two paintings for the lobby of One World Trade Center in lower Manhattan, which are now on permanent exhibition; his works can also be found in major public and private collections, including the Minneapolis Institute of Arts, the Walker Art Center, and the Weisman Art Museum.

For more than thirty - five years, Jenny Holzer has presented her astringent ideas, arguments, and sorrows in public places and international exhibitions, including 7 World Trade Center, the Venice Biennale, the Guggenheim Museums in New York and Bilbao, the Whitney Museum of American Art and the Louvre Abu Dhabi.

Glaser's graphic and architectural commissions include the logo (which has been described as «the most frequently imitated logo design in human history»), commissioned by the state of New York in 1976; the design of a 600 - foot mural for the New Federal Office Building in Indianapolis in 1974; the complete graphic and decorative programs for the restaurants in the World Trade Center, New York, as well as the design of the Observation Deck and Permanent Exhibition for the Twin Towers of the World Trade Center in 1975.

Notable recent exhibitions include: «Untitled», J.A Sinclair Gallery, Edinburgh, Scotland, 2011; «To escape from the sun», Trade City / BMCA, Manchester, International Festival, Manchester, Deleadus Gallery, London, UK and Littlemissmicks, Berlin, Germany, 2008 - 2009.

Mike Mandel's solo exhibition «Good 70's» feature works from many of Mandel's cutting edge series including «Myself: Timed Exposures», «People in Cars», «The Baseball - Photographer Trading Cards», «Making Good Time» and «Evidence», one of the many collaborations done with artist Larry Sultan.

Group exhibition include Carriage Trade, NY, NY; Galerie Erna Hecey, Brussels, Belgium; Brooklyn Museum of Art, Brooklyn, NY; Munson Williams Proctor Arts Institute, NY; Vox Populi, Philadelphia, PA; Elizabeth Harris Gallery, NY, NY among many others.

She participated in many group and solo exhibitions in Boston and New York, including Verbena Gallery and The World Trade Center concourse in Manhattan.

The exhibition also includes a historical section curated by Qu Chang, which presents materials related to Hong Kong's early history as a major shipping port and its role in the opium trade.

In solo and included in group exhibitions the artist has exhibited in «Poltergeist», FORT, London, 2012, «Primo Anniversario», bubblebyte.org and The Sunday Painter, 2012, and «Trade Routes, Part I, PiArts», Istanbul, 2011.

Recent exhibitions include: 1612 DOTS, Oculus World Trade Center, New York (2017); Occupy Greenwich, The Brant Foundation, Greenwich (2016).

And, in case you missed it, we showcased a New Collector's Guide for Art Basel Week; we featured highlights from the permanent collection at Cooper Hewitt: Smithsonian Design Museum; we uncovered the trending booths, artists, and artworks at Art Basel, and trending designers, booths, and works at Design Miami / Basel; Hans Ulrich Obrist & Klaus Biesenbach shared insights on their «14 Rooms» exhibition; Art Basel curators Gianni Jetzer and Florence Derieux spoke to us about the sectors they spearheaded at this year's fair; and we highlighted booths and artists at Art Basel and Design Miami / Basel including Annely Juda Fine Art at Art Basel Booth, new Jeff Koons sculptures at Almine Rech's Art Basel booth, and designer Chris Schanck's new works at Johnson Trading Gallery at Design Miami / Basel.

The exhibition presented Etienne Szeemann's collections: objects accumulated over decades including furniture, memoirs, a stamp collection, monetary bills, and instruments of his beloved hairstyling trade, along with print advertisements for his services.

Published to accompany the group exhibition Trading Craft, by Khairuddin Hori and including Chumpon Apisuk, Thomas J Berghuis, Adeline Ooi, Mikke Susanto and Wong Hoy Cheong, at the ICA Singapore Essays by June Yap and Audrey Wong Statements by Chumpon Apisuk, Thomas J Berghuis, Adeline Ooi, Mikke Susanto and Wong Hoy Cheong Biographical information Bibliographical information Softback, 60 pages, 21 x 15 cm, 50 illus.

For 30 years, Jenny Holzer has presented her astringent ideas, arguments, and sorrows in public places and international exhibitions, including 7 World Trade Center, the Reichstag, the Venice Biennale, the Guggenheim Museums in New York and Bilbao, and the Whitney Museum of American Art.

Recent Exhibitions include Two Histories of the World at the Hyde Park Art Center, Chicago, IL; Trading Paper at Cara and Cabezas Contemporary, Kansas City, MO; What Remains at The Soap Factory, Minneapolis, MN; Centrifugal Force at Detroit Industrial Projects, Detroit, MI; and With What We Can Carry at the Annex Art Center, Toronto, Canada.

In addition, he co-curated the DMA exhibitions All the World's a Stage: Celebrating Performance in the Visual Arts (2009), There and Back Again: Selections from the Graham D. Williford Collection of American Art (2005), and Imperial Taste: Chinese Porcelain for the Western Trade (2005); curated Ten for Tea (2007) and Through the Needle's Eye: American Quilts from the Permanent Collection of the Dallas Museum of Art (2004); reinstalled the Museum's American decorative arts holdings, including the creation of galleries dedicated to 19th - century American silver and 20th - century design; and was responsible for numerous major acquisitions, including the Huntingdon Wine Cistern, a pair of Louis Comfort Tiffany «undersea» windows, a rare Gustav Stickley linen chest, Viktor Schreckengost's Jazz Bowl, and a variety of American silver works such as a «Viking» vase for the 1901 Buffalo Exposition, a Tiffany & Co..

You can read Steve's report about the tournament, including his exhibition bout with friend and colleague, Tim O'Conner, Esq., over here (see also photo above of Steve trading punches with Tim).

Operated all aspects of international high - end fine art gallery including management, administrative, marketing, public relations, merchandising, trade shows, and exhibitions.