The exhibition also connects thematically with the NYAA's mission to promote and preserve
the tradition of figurative art within the context of the contemporary art world.
The exhibition's theme is closely tied to the Academy's mission of promoting and preserving
the tradition of figurative art within the contemporary art world.
Mr. Gervits graduated from the National Academy of Fine Arts, Repin Institute, in St. Petersburg, Russia, where his mastery of art was honed by deep - rooted European
traditions of figurative art.
Join them in Washington, DC, April 19 - 22, 2018, at the Hyatt Regency Reston, to commemorate
the traditions of figurative art and portraiture with artists from around -LSB-...]
Not exact matches
DHC /
ART is delighted to present two concurrent solo exhibitions by acclaimed Belgian sculptor Berlinde De Bruyckere and American painter John Currin — two leading international
figurative artists working in a virtuosic, old masterly
tradition yet testing and expanding the parameters
of their respective disciplines.
DHC /
ART is delighted to present a solo exhibitions by acclaimed Belgian sculptor Berlinde De Bruyckere, a leading international
figurative artist working in a virtuosic, old masterly
tradition yet testing and expanding the parameters
of their discipline.
A meeting
of tradition and innovation, connoisseurship and humour, «Study from the Human Body» is a comprehensive exploration
of the impact
of Francis Bacon and Henry Moore on contemporary
figurative art.
Simultaneously classical and contemporary in scope, it contains roughly 300 images, how - to diagrams, and information about
figurative art movements
of the past as well as profiles
of some
of the greatest practitioners working today... featuring examples
of Zeller's own work and also some
of his best contemporary peers, who collectively bring the
figurative tradition forward into a new era.»
We tend to think
of the history
of art as a series
of exceptionally unique ideas, but in fact, the
figurative painting
tradition is deeply conventional, and artists have mined narrow spaces for invention.
America 1976 traveling exhibition United States Department
of the Interior Bicentennial Washington, D.C. American Prints: 1913 - 1963 travelling exhibition The Museum
of Modern
Art New York, NY New England Works on Paper Museum
of Fine
Arts Boston, MA 30 Years
of American Printmaking The Brooklyn Museum Brooklyn, NY The
Figurative Tradition: Nine Artists and Their Prints Williams College Museum
of Art Williamstown, MA
However, «Cowboys» can be seen not only as a cynical representation
of reality, but also, in the critical
tradition of Conceptual
art, as a piercing inquiry into the ethos
of the American vernacular, and even as the existential gesture
of a
figurative and realist artist.
Her work is a mixture
of abstract and
figurative in the Modernist
tradition, with influence from African and Mexican
art traditions.
Rarely do these commissions make any kind
of larger statement about American
art, but last fall, when Barack Obama selected Kehinde Wiley — a
figurative painter who deploys the techniques, poses and patterns
of the grand
tradition of Baroque European paintings to portray contemporary black and brown men he finds on the street — to paint his official portrait for the Smithsonian, it at least reflected the Obamas» well - developed connections to the world
of culture.
The
Figurative Tradition and the Whitney Museum
of American
Art: Paintings and Sculpture from the Permanent Collection, Whitney Museum
of Art, New York, NY
«People with too strong
of a love for
figurative art often can tend to be very conservative and overly respectful to the
traditions of realistic or academic approaches to image making.
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from
figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, L
figurative to abstract painting as the dominant style
of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors
of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War
Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, L
Figurative Painting Surveys those artists who defiantly continued to make
figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, L
figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development
of a rational, universal language
of art - the opposite
of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath
of Pollock's death: the early days
of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti
Tradition - Pop Painitng How painting survives against growth
of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high
art: Neo Expressionism and its Discontents The continuation
of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which
figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, L
figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind
of «pop
art» - primarily
figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, L
figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
His
art developed in the London
art scene beginning in the 1960s, when a dynamic generation
of young artists took painting into a new direction by exploring impulses from both the
figurative tradition and popular culture.
The exhibition is being described as a meeting
of tradition and innovation, connoisseurship and humour, offering a comprehensive exploration
of the impact
of Francis Bacon and Henry Moore on contemporary
figurative art.
«Germaine Richier» will explore the daring ways in which Richier's
art bridges the
tradition of classical
figurative sculpture with an idiosyncratic visual language born
of an anguished, searching, and, ultimately, spiritual post-World War psyche.
One
of the most significant Indian artists
of his generation, Harsha draws on a broad spectrum
of Indian artistic and
figurative painting
traditions and popular
arts as well as the western
art canon.
The Smart Museum's contemporary collection reflects the rich diversity
of these approaches while emphasizing several central threads in recent
art: the persistence
of figurative traditions, the emergence
of conceptual
art, and artwork that explores the pressing social issues
of our time.
An accomplished
figurative painter, Felice «strives, through her portraits
of women, to provide a counterpoint to the passive representations found in
art historical
tradition.
The shifting lines and layered brushwork
of these works most completely integrated the classical
figurative tradition he absorbed during his earliest
art studies and the instinctive painting processes
of Abstract Expressionism.
Her study and observation
of the
figurative and realistic
tradition in Western
art has resulted in her accumulating a body
of knowledge that she draws on directly in her artistic practice.
The grand special exhibition on occasion
of the inauguration
of the enlarged Kunstmuseum Basel will map the medium's extraordinarily dynamic evolution: the classical idea and form
of sculpture grows more flexible and abstract as some artists integrate the trivial stuff
of everyday life into their
art or blur its spatial and conceptual boundaries, even as others return to the
figurative tradition in an effort to set the genre on a new solid foundation.
«The
Figurative Tradition and the Whitney Museum
of American
Art,» Whitney Museum
of American
Art, New York, NY, 1980.
Fish, along with the painter William Bailey, are both important figures to come out
of Yale School
of Art having invigorated a long
figurative tradition.
However, by the second half
of the 17th century a
tradition of native American painting was developed by the practical artisan artists who gathered in the metropolitan centres
of New York and Boston - a
tradition based on portrait
art and
figurative compositions.
This list
of important artists associated with England (mainly London) during the 18th and 19th centuries, features the two major fine
arts traditions of English
Figurative Painting and English Landscape Painting.
The artist looks to the use
of geometry in Islamic
art as opposed to
figurative forms seen in other artistic
traditions.
Chief among them was the notion that Chicago was an isolated, provincial backwater unsupportive
of sophisticated
art practice, favoring only a
figurative, psychological
tradition.
But his work was also steeped in various
figurative and avant - garde
traditions of postwar European
art.
It demonstrates that today, following detours into abstract sculpture and object
art, there is no sculptor who is as exceptional as Thomas Schütte in picking up the extensive European
tradition of figurative sculpture, from the archaic right up to Rodin and Maillol.
Inspired by early American
figurative painting, Mequitta Ahuja's huge portraits critique and engage the
tradition of painting and the greater
art historical canon.
«Akunyili Crosby's paintings speak to a
figurative tradition in American painting that is a strength
of the Smithsonian American
Art Museum's collection,» said Joanna Marsh, The James Dicke Curator
of Contemporary
Art.
Similar twinned compulsions existed in Lanyon, even if his particular cultural situation meant his
art more actively staged the contradiction, and that, when speaking
of it, he emphasised its roots in the
figurative tradition.