Well aware of all the developments from Post-Impressionism through Cubism, Soutine absorbed their lessons but rejected the language of abstract signs, and chose to develop his art out of the sensually rich
tradition of nineteenth century naturalism: Corot, Courbet and their forerunners Rembrandt, Chardin and Goya.
This corresponds to the general principle, made popular in
the tradition of nineteenth century German idealism, that self - consciousness occurs in and through other - consciousness.
The varied sources of inspiration in Geleynse's work trace back to
the traditions of nineteenth century photography, the mechanical processes behind early discoveries in photography and his own childhood recollections of growing up.
Not exact matches
In the
nineteenth -
century movement for German unification, the inhabitants
of the left bank
of the Rhine tended to favor the so - called «Greater German Solution» that called for a de-centralized, subsidiary German nation, which would include Austria and Bohemia, and be under Habsburg leadership, thus continuing the
traditions of the Holy Roman Empire.
Thus, to invoke the Russian Church's
traditions of the
nineteenth and early twentieth
centuries requires us to engage in historical reconstruction rather than to nurture beliefs and practices that are ongoing.
It is very difficult to try to understand how an eighteenth -
century figure would have reacted to the later struggles
of the
nineteenth century and how the
tradition should be interpreted with integrity in a new age.
Beyond the considerable body
of research that has emerged in the past three decades which demonstrates that women played a far more generous role in the early Church than perhaps Neuhaus has imagined, my own Wesleyan holiness
tradition has apparently escaped his ecumenical vision as well for it was already ordaining women in the
nineteenth century.
Perhaps it is necessary to admit that the narrative, at least in the grand
nineteenth -
century tradition of Tolstoy, Austen, and Melville, is not the form for our time.
There has undoubtedly been a break in the twentieth
century with the
tradition of romantic love which arose in the later phase
of medieval culture, flourished in the «courts
of love» in the fifteenth
century, gave birth to the literature
of the romantic movement, reached conventional respectability and domestication in the
nineteenth century, and now seems out
of date.
The situation changed in the
nineteenth century, when Jews tossed God,
tradition, and halakhah into the dustbins
of history.
After Popes Gregory XVI, Pius IX, and Leo XIII corrected the Kantianism and Hegelianism
of some early -
nineteenth century Catholic intellectuals» namely Georg Hermes and Anton Günther» a
tradition - oriented ethos developed in which Catholic thinkers, by and large, resisted the temptations
of modernity and instead harvested the wisdom rooted in ancient and medieval sources.
McCoy suggests that Whitehead, too, may have been shaped by biblical ways
of thinking: «Indeed, it is highly probable that the process philosophies
of the
nineteenth and twentieth
centuries emerged from contexts influenced by the covenantal or federal
tradition and thus are in part intellectual progeny
of covenantal theology and ethics» (CCE 360).
I will use the generic term «sign» from the semiotic
tradition revived by Charles Peirce at the end
of the
nineteenth century to stand for any object
of interpretation.
In the late
nineteenth and early twentieth
centuries, several waves
of Orthodox immigration arrived nearly simultaneously in America, and they brought with them their own
traditions, customs and clergy.
Concerns in this vein have
of course appeared many times in our own nation's history, from Jefferson's idealized republic
of yeoman farmers to the
nineteenth and twentieth
centuries» southern agrarian
tradition.
Rather, her point is that the twentieth
century might have been more humane if the ideologues
of the
nineteenth century had their sledgehammer theories softened, perhaps even overturned, by the twisting, evasive, allusive verbal ambiance
of Yiddish, a folk
tradition of language that testifies to the uncertainties and fragilities
of life.
The magazines move from the strongly traditional viewpoint
of Moody Monthly (a viewpoint carrying on the social ethic
of late
nineteenth century American revivalism), through the moderately conservative stance
of Christianity Today (a stance that seeks perhaps unconsciously to revive the social activism
of American fundamentalism prior to the repeal
of Prohibition and the Scopes trail), to the socially liberal commitment
of The Reformed Journal (a position seeking to be contemporary, and yet faithful to Calvin's thought) and the socially radical perspective
of Sojourners (a perspective molded in the Anabaptist
tradition).
I believe the best starting point in the
tradition is Catholic thought
of the late
nineteenth century.
From time to time, poets have taken up this challenge; in the English
tradition one thinks especially
of the sixteenth -
century Sidney and the
nineteenth -
century Shelley.
In a well - told sketch
of our economic and political history, Levin outlines the ways in which our progressive
tradition responded to the fragmentation brought on by rapid industrialization and mass immigration in the late
nineteenth century.
Furthermore, Christian teaching in the
nineteenth and early twentieth
century, and especially among liberal Protestant theologians, accentuated the anthropocentric tendencies
of the Western
tradition.
Most Orthodox thinkers operating in a modern framework — a
tradition stretching from Samson Raphael Hirsch in the early
nineteenth century to David Hartman in the late twentieth
century — have engaged in one form or another
of cognitive bargaining.
The
nineteenth -
century Anglican bishop, J. J. Stewart Perowne, who knew this
tradition well, wrote about the importance
of the Psalter in the life and liturgy
of the church through the ages:
Nevertheless, the weight
of Christian
tradition remained strong through the
nineteenth century.
Although the United States by
tradition was prevailingly Protestant, at the beginning
of the
nineteenth century only a small proportion, said to have been about seven in a hundred, were members
of churches.
A review
of the revivalist
tradition in America, however, reveals the similarities
of modern television preachers and the earlier manifestations
of revivalist preaching during the
nineteenth and early twentieth
centuries.
Throughout the
nineteenth century, religiously the United States was prevailingly Protestant in ethos, and
of the British
tradition.
Such a concept is characteristic
of the academic
tradition of Western Europe; one might be bold enough to add, characteristic particularly
of nineteenth -
century Western Europe.
The
tradition of the scientific handbook as a concise, accessible source
of validated information emerged in the late
nineteenth century when the factual burden
of scientific and medical subjects began to overwhelm students.
Heritage Park's First Nations» Encampment is where visitors can learn about the culture and
traditions of the Plains First Nations during the last half
of the
nineteenth century.
Nor is that to say anything
of the Francophone or German republican
traditions through the eighteenth and
nineteenth century, in which theorists as different as Fichte and Tocqueville can be located, or
of the forms (anti--RRB- colonial republicanism took outside the eastern seaboard
of North America.
Morgan sees continuity between the reformed Liberal Party
of the late -
nineteenth century and Labour — the relationship between those two
traditions has been fruitful and supportive but also bitter and destructive, particularly in relation to politics and power.
Warsaw University
of Technology WUT is a technical research institution with
traditions in education dating back to the
nineteenth century.
In the
tradition of Cod by Mark Kurlansky, a remarkable book about a long - forgotten historical phenomenon that changed our world — the rise and fall
of the natural ice industry in
nineteenth -
century North America.
Wall has created a unique, seductive and complex pictorial universe by drawing upon philosophy, literature,
nineteenth -
century painting, Neo-Realist cinema and the
traditions of both Conceptual art and documentary photography.
The piece also reflects Bernhardt's interest in the history
of textiles and the American
tradition of quilt making, more specifically the quilts that have been produced in the African - American hamlet
of Gees Bend, Alabama, since the early
nineteenth century, and to which her work shares a formal and emotional affinity.
Banewl recalls the work
of seventeenth —
century Dutch painter Aelbert Cuyp, known for his moody, open scenes
of cows, as well as that
of John Constable and the eighteenth — and
nineteenth —
century British pastoral landscape
tradition.
The series
of prints Tales
of Genji I — VI (1998) was created in the
nineteenth -
century tradition of Japanese ukiyo - e (scenes
of the floating world), in which the artist creates the initial painting, and woodcarvers and printers make the final print.
Where an early generation
of artists had portrayed the romantic lure
of the American Southwest during the
nineteenth -
century using European Academic painting
traditions to represent the environment and inhabitants
of the region as exotic, Modern artists took a very different approach.
Taking on the artistic
traditions of Western
nineteenth century painting, Monkman's appropriations
of «New World» painting are meticulous recreations
of large - scale, sublime landscapes.
Conscious
of the
nineteenth -
century German
tradition of romantic landscape painting, Hütte depends upon compositional and structural devices, whilst refuting its
tradition of emotional excess and self - conscious pathos.
Recognized for restoring Carnival celebrations to the classical
traditions of the
nineteenth and early - twentieth
centuries, Schindler has received numerous awards and his work has been included in exhibitions on the history
of Mardi Gras.
Consciously locating her work in the
tradition of nineteenth -
century painters
of society and celebrity such as Manet, Peyton uses a loose, sensuous figuration to portray the young, the famous and the glamorous
of our times.
Kurland's work draws upon the
nineteenth -
century landscape
tradition of depicting a perfect place.
Susan Vecsey is an artist working in the
tradition of Color Field painting and
nineteenth -
century American Tonalism.
Phillips was also keenly interested in the continuous
tradition of documenting land use in the West, from the
nineteenth century to the present.
They reflect an interest in
nineteenth century romantic painting, in abstract expressionism, in Chinese landscape painting, and in the Chinese
tradition of so - called «flung ink painting.»
Katie Haw, director
of the Archives
of American Art, said in a statement how invaluable these artist talks are: «Artists Talk on Art continues a venerable
tradition, extending back to the
nineteenth century,
of artists gathering in studios and clubs to talk about issues
of common concern.»
Drawing from the lushness
of nineteenth -
century European painting
traditions and imbuing them with local specificity, ethereal qualities, and distinctly Iranian elements, these paintings reinvigorate representational art while simultaneously ushering beauty back into contemporary painting.
Saturday Lecture Series: Anarchists at the Beach: The Neo-Impressionists in Normandy 2:00 p.m., C3 Theater Join Dr. Heather MacDonald, The DMA Lillian and James H. Clark Associate Curator
of European Art, for a discussion
of the neo-impressionists» seascapes within the
tradition of coastal landscape painting in France during the
nineteenth century.