Sentences with phrase «tradition of painting by»

I fuse the domestic with the painterly tradition of painting by staining, mopping, throwing, printing, spraying, dragging, imprinting, brushing, washing and bleaching pigments onto fabrics, drop cloths and canvases forming expressive abstract patterns.

In the same way that Gustave Courbet's work challenged the traditions of painting by depicting ordinary people on a heroic scale, Wheat seeks to reapply the idea of the large - scale tapestry, hung primarily behind royal thrones and used as symbols of authority during medieval times, by re-contextualizing their use and imagery.

Not exact matches

The artist, therefore, no longer was permitted to contribute to religious imagination by the creative work of painting and found himself limited to illustrating the «complete» statement of the religious traditions contained in confessions and in creeds.

Although I grew up in a secular state (Soviet Union), we always celebrated the tradition of Easter by painting eggs, baking kulich and paskha, and sharing it all with close ones.

The statue of Gladstone still stands, hands continually covered in red paint by persons unknown, but assumed to be carrying on the matchwomen's tradition.

Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds.

It is finished in its original two - tone Black and Tan that looks especially nice even three decades after it was applied by Tiffany Motor Coach but obviously there's much more to the coupe than just paint, cool cars like this that are built in the same tradition of the Excalibur and Zimmer add century - old class and distinction to more modern components, that's where you get the custom swoopy fenders, decorative exterior exhaust ports, 2 exterior spare tires, full - length running boards, and bright wire wheels and of course the classic - style trunk with leather straps but beyond the grandest of grand touring appearance are the fundamentals you want for example, the doors are unaltered from the original Mercury Cougar body, the same goes for much of the main glass and underlying components, so maintaining this one - of - a-kind appearance is much easier than it might first seem.

The Louvre Museum has a tradition of allowing artists to learn by painting the masterpieces.

This is the assertion that, as the catalogue essay by Dominique de Villepin observes, these «involuntary heirs of two traditions of landscape painting» found a way while living in exile — de Kooning the Dutchman in New York, Zao the Chinese in Paris — to soar free of the constraints of «stifling tradition.»»

I also believe that the traditions of abstract painting (such as those developed by the three artists I mention above) are particularly suited to the task.

According to the museum, her paintings «embrace many of the conventions of historical European portraiture, but expand on that tradition by engaging fictional subjects who often serve as protagonists of the artist's short stories as well.»

The selected group of artists manipulate fiber textiles by creating collages, sculptures, paintings, and installations that go far beyond tradition.

It shows an appreciation for the tradition of painting, beyond the simple quoting of history as carried out by many «post-modern» artists.

Hill's approach to painting — layering lines, shapes, and swathes of color — is informed by traditions of collage as well as digital artmaking tools.

From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived tradition of African - American abstract painting (which has historically had a primarily black audience) is intermingled with the tradition of so - called self - taught or outsider artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly black); the more recent wave of African - American conceptualism represented by Adrian Piper, Lorna Simpson, and others (whose work

The hot aesthetic in painting and sculpture is inspired by tradition, the realities of modern life and spiritual revelation.

Inspired by jazz and his family's quilting traditions, since the 1980s Al Loving has been broadening the definition of modern painting and drawing, experimenting with heavy paper and color to create three - dimensional collages.

Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?

James Prosek's practice is inspired by the long tradition in art history of depicting nature — starting with paintings of animals deep within the caves of Lascaux and Altamira to detailed drawings of animals by Albrecht Dürer.

by Matthew Girson The paintings of Zak Prekop, most recently on view at Shane Campbell Gallery, stake an odd claim on the tradition of gestural abstraction.

Marked a conflict with the art of painting and especially the expressive tradition, revolted against all Western Art, which was dominated by the School of Vision.

Wall has created a unique, seductive and complex pictorial universe by drawing upon philosophy, literature, nineteenth - century painting, Neo-Realist cinema and the traditions of both Conceptual art and documentary photography.

Yiadom - Boakye's lush oil paintings embrace many of the conventions of historical European portraiture, but expand on that tradition by engaging fictional subjects who often serve as protagonists of the artist's short stories as well.

The world's largest open submission contemporary art show will be continuing the tradition of showcasing work by both emerging and established artists in all media including painting, sculpture, photography, printmaking, architecture and film.

A half century of tradition has its roots in the original idea to build freestanding walls in front of the old schoolhouse — Ashawagh Hall — on which to hang paintings, and bring them in at night; those walls erected by none other than Athos Zacharias.

Yiadom - Boakye is one of the most renowned painters of her generation, her lush oil paintings embracing many of the conventions of historical European portraiture but expanding on that tradition by featuring purely fictional subjects.

More importantly — and more in Mr. Kim's» case than with many other artists overtly wrestling with multiple traditions — Mr. Kim's success lies in his assimilation of both eastern and western traditions, his acknowledgement of being influenced by and unavoidably immersed in several cultures, and his ability to forge his experience into successful paintings which are singularly his own.

It's easiest to say that Karen Kilimnik is a painter — it's what she's best known for by far, through canvases that blithely mix celebrity icons (Paris Hilton, most famously) with the tradition of classic European painting — but that only scratches the surface of her talents.

-LSB-...] This attainment of emotional symbolism through the use of color fields places Kudo in the tradition of expressionistic painting exemplified by Paul Gauguin and Edvard Munch.

Profoundly influenced by Chinese painting traditions and techniques — especially the marks of the eighth - and ninth - century Yi - pin «ink - splashing» (or «flung ink») painters — mentorships from John Cage and Agnes Martin, and the harmony between man and nature espoused by Taoist philosophy, Steir considers elemental forces active participants in her work, intentionally removing herself from the action and allowing gravity, time, and the environment to determine the work's result.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

Barbara Schwartz was one of several artists who sought to vitalize abstract painting by making it more dimensional and like Marilyn Lerner, tried to link it to non-Western traditions.

Following in a tradition of special displays of works by artists inspired by the Rijksmuseum's world famous collection of Dutch Masters, six paintings by Frank Auerbach will go -LSB-...]

2016 Nov. 18 — Wadsworth Atheneum Presents 43rd Annual Festival of Trees & Traditions Nov. 1 — John Trumbull Paintings Central to «Visualizing American Independence» at Wadsworth Atheneum Oct. 5 — First U.S. Exhibition by Artist Dulce Chacón Explores Human Feats and Failures in the Frontiers of Air and Space Sept. 23 — Grant S. Smith to Lead Development, Revitalize Fundraising Initiatives at Wadsworth Atheneum Sept. 9 — First Major Photography Survey in 27 Years to Open at Wadsworth Atheneum Museum of Art Aug. 16 — Francisco de Zurbarán's «Saint Serapion» Returns to Galleries at Wadsworth Atheneum May 23 — Exhibition to Highlight Diversity of Contemporary Artists, Artworks May 10 — Works by Salomon van Ruysdael and Kehinde Wiley Among Newest Acquisitions by Wadsworth Atheneum April 21 — «Vanessa German / MATRIX 174» to Confront Social Issues of Race and Violence Beginning June 9 March 25 — Wadsworth Atheneum Museum of Art Names Anne Butler Rice New Director of Education

With deliberate placement and the eye of a master colorist, she maps out a constructed world informed by numerous artistic traditions, including Abstract Expressionism, color field painting, installation, and Minimalism.

His paintings, drawings, collages and constructions convey a vision of harmonies informed simultaneously by contemporary urban symbology, indigenous traditions, personal narrative, and global perspective.

Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th - century European painting.

The work is part of Varejão's ongoing explorations into the traditions of azulejos, hand - painted tiles in Brazil that trace back to when the Portuguese imported Baroque tiles, which were inspired by the cobalt - blue ceramics that Europeans encountered in China.

Drawing on the classical tradition of bourgeois European painting, Yiadom - Boayke inverts this staid style by placing dark - skinned subjects on her canvases, though her loose, blurred brushstrokes negate any traces of racial distinction.

2017 Inventing Downtown: Artist - Run Galleries in New York City, 1952 - 1965, Grey Art Gallery, New York University, New York, NY; New York University, Abu Dhabi Art Gallery, United Arab Emirates Picturing Mississippi: Land of Plenty, Pain and Promise, Mississippi Museum of Art, Jackson, MS Soul of a Nation: Art in the Age of Black Power, Tate Modern, London, England Sputterances, Metro Pictures, New York, NY Expanding Tradition: Selections from the Larry D. and Brenda A. Thompson Collection, Georgia Museum of Art, Athens, GA Regarding the Figure, The Studio Museum in Harlem, New York, NY Visionary Painting: Curated by Alex Katz, Colby College Museum of Art, Waterville, ME Color People, Rental Gallery, East Hampton, NY Victors for Art: Michigan's Alumni Collectors, University of Michigan Museum of Art, Ann Arbor, MI Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY

Although Blayton employed techniques from Abstract Expressionism and Color Field painting, she noted that her work did not grow out of any particular artistic tradition, but rather the feelings generated by her own thoughts.

Chief among these is the megawatt debut of Leonard Lauder's Cubism collection at the Met, with his historic gift of art — 33 pieces by Picasso, 17 by his co-conspirator Braque, 14 by Léger, and 14 by Juan Gris (all valued at over $ 1 billion)-- telling the story of the still - mysterious aesthetic breakthrough that modernized the tradition of painting.

The painting is made with bleached paper that is scored and molded by hand to produce a sculptural surface, renewing the traditions of abstract and materialist painting for the 21st century.

150 Years of Swedish Art features forty - four paintings that provide an overview of the history of Swedish art since about 1862 until the present time, demonstrating the wonderful vitality of that tradition, including works by gallery artist Mamma Andersson.

In Paris, Abboud was influenced by the works of Pierre Bonnard, Roger Bissière and Nicolas de Staël, and began to shift from a Lebanese tradition of figurative and landscape painting to colourful abstraction.

The world's largest open submission contemporary art show, now in its 244th year, continues the tradition of showcasing work by both emerging and established artists in all media including painting, sculpture, photography, printmaking, architecture and film.

After passing paintings by the older postwar titans, Orozco's Blackboard Drawing works (1998) show that the traditions of «first generation» conceptual artists, themselves informed by Minimalist aesthetics, have not been forgotten.

A notable characteristic of modernism is self - consciousness and irony concerning literary and social traditions, which often led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, poem, building, etc. [4] Modernism explicitly rejected the ideology of realism [5][6][7] and makes use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody.

His is the zero sum total of the tradition begun by Albert Bierstaedt and Thomas Moran, who invented «the West» through paintings that incorporated idealized views realized in the studio.

My inspiration has been my conviction that modern painting is fueled by the combination of tradition and the realities of modern life.