Not exact matches
It is a Western writing, Hellenistic, probably Roman; obviously written in Greek, and not, I believe, the translation of a completed work in a Semitic tongue; and yet
resting back
upon traditions that were certainly far older than its own date, undoubtedly Palestinian in origin, and circulating originally in the Aramaic language spoken by the common people of Galilee and Judea in the days of our Lord.
He must either become more and more unreasonably dogmatic, affirming that on all these questions he has answers given him by his
tradition that are not subject to further adjudication, or else he must finally acknowledge that his theological work does
rest upon presuppositions that are subject to evaluation in the context of general reflection.
Yet the main plan of the gospel is simple and straightforward, and contains a number of consecutive historical developments which have a good claim to
rest upon a true
tradition.
The fact may be explained by saying that everything goes back to, or
rests upon, the Gospel of Mark; but I think we can not assume that this Gospel would have been accepted if
upon any major point its general outline had been found to be faulty or inaccurate by those who were in touch with the primitive
tradition handed down in the churches in Palestine.
What is therefore necessary, according to Cobb, is a Christian natural theology: a coherent statement about the nature of reality that recognizes its interpretation of the facts to be decisively conditioned by the Christian
tradition, yet remains content to
rest its case
upon purely philosophical criteria of truth.124 Cobb offers such a statement in his important book, A Christian Natural Theology.
It was written for the church's use, and it
rested back
upon the church's
tradition and faith.
Granted the need to recognise legitimate doctrinal development in the Church, along with the important contributions of Vatican II, the Church does provide the security of a
tradition that
rests upon unchanging, divinely revealed truths.
Our traditional dating of the years thus
rests upon quite late and unhistorical
traditions, and in no sense does it mark a supposed significant event with historical accuracy.
These artists are important to the continuance of a
tradition of gestural abstraction, a
tradition that McDonnell's work clearly
rests upon — but not easily.