Sentences with phrase «traditional korean»

Participants consisted of 190 preschool outpatients (104 boys, 86 girls) and their parents who visited traditional Korean pediatric clinics with minor physical symptoms as chief complaints.

About Blog Jerry Kim showcases traditional Korean cooking and introduces you to a variety of simple Korean recipes as well as more complicated, but classic, Korean dishes.

Some of the traditional Korean fabrics are not readily available in North America, so I have developed techniques to do pojagi - style patchwork with western materials.

About Blog Jerry Kim showcases traditional Korean cooking and introduces you to a variety of simple Korean recipes as well as more complicated, but classic, Korean dishes.

Paris Morning Bakery bakes fresh traditional Korean bread daily with recipes influenced by certain French pastries.

Precipitation records from modern rain gauges were used for 1908â $ «96 together with the traditional Korean rain gauge precipitations for 1777â $ «1907.

SOLO EXHIBITIONS 2015 Sohyun Bae at RH Contemporary Art, New York City 2011 Subliminal Icons: SoHyun Bae and Traditional Korean Art IN CONTEXT, Curated by Mario Diacono, Kang Contemporary, New York 2009 Adorned / Unadorned: SoHyun Bae / Fathi Hassan, Skoto Gallery, New York City (two - person) 2008 Persimmons and Birds: SoHyun Bae, Philip Kang Gallery, Seoul 2005 Wrapped Shards, Skoto Gallery, New York City 2004 An Ode to the Women of Josun Dynasty, Nikola Rukai Gallery, Toronto 2000 SoHyun Bae, Skoto Gallery, New York City 1998 Kore, Mario Diacono Gallery, Boston 1997 Painting as Prayer, Harvard University Center for World Religions, Cambridge 1997 An Ode to the Women of Josun Dynasty, Harvard University Yenching Institute, Cambridge 1994 SoHyun Bae, Harvard University Hilles Library Art Gallery, Cambridge AWARDS 2007 John Simon Guggenheim Memorial Fellowship in Fine Art 2002 New York Foundation for the Arts Fellowship in Painting 2000 Pollock - Krasner Foundation, Inc..

2015 Sohyun Bae at RH Contemporary Art, New York City 2011 Subliminal Icons: SoHyun Bae and Traditional Korean Art IN CONTEXT, Curated by Mario Diacono, Kang Collection, NYC 2009 Adorned / Unadorned: SoHyun Bae / Fathi Hassan, Skoto Gallery, New York City (two - person) 2008 Persimmons and Birds: SoHyun Bae, Philip Kang Gallery, Seoul 2005 Wrapped Shards, Skoto Gallery, New York City 2004 An Ode to the Women of Josun Dynasty, Nikola Rukai Gallery, Toronto 2000 SoHyun Bae, Skoto Gallery, New York City 1998 Kore, Mario Diacono Gallery, Boston 1997 Painting as Prayer, Harvard University Center for World Religions, Cambridge 1997 An Ode to the Women of Josun Dynasty, Harvard University Yenching Institute, Cambridge 1994 SoHyun Bae, Harvard University Hilles Library Art Gallery, Cambridge

The room - size piece consists of 40 television sets stacked like a ziggurat, with blurring images and a soundtrack of rock and traditional Korean music.

Musical Arts of Asia at the Newark Museum Curator Talk of the multi-media exhibition Musical Arts of Asia hosted by Arts of Asia Curator Katherine Anne Paul, Ph.D., featuring musical performances by traditional Korean instrumentalist and reception in the Trustees room.

Suh's full - scale «homes» of semitransparent cloth, including the traditional Korean house (hanok) of his childhood and his apartment in New York, explore basic human values and overarching themes of home, family, tradition and origination.

Kim has since lived and worked in Italy, France and, more recently, America but continues to employ the traditional Korean material of hanji in her work.

References to traditional Korean landscape painting are evident in the «Mountain» series (Mountain, 2008 / 2009/2011): monochromatic works composed of horizontal, undulating waves of black or red ink applied to hanji paper in varying densities and shades.

The traditional Korean influence often found in the work of Jiha Moon is apparent in Nahan's Forty Winks, which incorporates a color palette of blue, green, and purple set against chine - collé.

On view from 28 February - 7 April 2018, the exhibition features installations, sculptures and video works that reflect Kang's study of the traditional Korean musical notation system Jeongganbo (井間譜).

Traditional Korean landscape painters went up in the mountains and later painted the landscape from memory — the paintings are of real places but fictional at the same time.

The exhibition came as a result of a study trip a group of six Milwaukee artists made to South Korea last year to learn about hanji, the traditional Korean craft of making and manipulating paper.

Bridging Home - 2 (2012), the only collage in the show, offers sequential, schematic views of the Liverpool skyline in England, with a traditional Korean house (based on Suh's parents» home) parachuting into a tight spot between two larger buildings.

From South Korea, Shin Meekyoung plays on traditions of forgery by precisely replicating rare vases from soap, whereas Hong Sung Chul aims to inspire the traditional Korean sense of community by bringing viewers together to physically interact with his works, both artists reflecting a typically Korean technically - based aesthetic approach.

Another interactive presentation was The New (er) Middle East, 2007 by Oraib Toukan, a magnetic puzzle of a territorial map of the Middle East.Translated Vase series by Korean artist Yeesookyung inspired by the Japanese art of mending ceramics with gold (kintsugi) and traditional Korean white and celadon porcelain.OHWOW's booth at The Armory Show 2015Eleven Rivington Booth at the Armory Show 2015Marc Quinn's Emperor Penguins Hunting Ground Toylim neon Plexiglass installation by Berta Fischer

His subjects have extended from the Cold War to traditional Korean religious culture, from «media - oriented memory» to «regional utopian imaginations.»

Imagery of the sun and the moon anchor this positive - negative duality, and her overall compositions reflect the traditional Korean philosophy of five natural elements and five essential colors.

Featuring works by 134 artists from 31 different countries, along with a diverse collection of cultural artifacts that range from traditional Korean funerary dolls to an archive of 3,000 photographs of people with teddy bears, the exhibition is a sprawling, multifaceted investigation of the ties that bind people to images and images to people.

Central to her work is the «bottari,» a traditional Korean bed cover used to wrap and protect personal belongings, which Kimsooja transforms into a philosophical metaphor for structure and connection.

Her women appear strong and confident in their boldy colored robes, decorated with traditional Korean motifs.

He crafts his works using traditional Korean sewing techniques combined with 3 - D modeling and mapping technologies.

As colorfully - vibrant as Saekdong (traditional Korean attire), South Korean artist Tae - Jin Seong's carved wood painted panels depict satirical scenes of urban utopia.

MUNBANGSAU: FRIENDS OF THE SCHOLAR Apr 24 - May 26, 2018 Private view Wed May 23 6 pm - 8 pm «Munbangsau: Friends of the Scholar» exhibition is on view from 24 April to 26 May 2018, featuring performances, workshops and talks by numerous Korean master craftsmen, as well as display of various tools used by the scholars for calligraphy and painting, and a reconstruction of a traditional Korean scholar's room of the Choson period.

In her performance / installation, Choi substitutes chopped - off daeng» gi braids (a traditional Korean hairstyle worn by adolescent girls) for cabbage, and makes her own version of Kimchi.

When in 1995 a childhood memory returned to him of a visit to a doctor's surgery with ceilings hung with packages of medicine wrapped in mulberry paper, he began to use this traditional Korean material in his work.

a full - scale recreation of the residential building in providence, rhode island — the artist's first address in the united states — surrounds «seoul home,» a replica of a traditional korean style house, where he was raised as a child.

The Korean Cultural Center Washington, D.C. proudly presents The Sun, the Moon, and the Lotus, a new exhibition of contemporary works by Jeon Soo - min that reinterprets traditional Korean landscape and folk paintings to create a modern vision of oriental art.

Hyemin Lee creates objects we experience every day, but whose value we often forget: her miniature pillows represent dreams, and she embodies a sense hope by sewing together pieces of abandoned cloth, mainly traditional Korean garments that have been abandoned.

At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to paint across a room - sized canvas of traditional Korean paper, spread across the gallery floor.

Moon transforms a traditional Korean fashion accessory called «Norigae» into endearing quirky manifestations of various personalities, with such names as Gloria and Rachel whose hair is interwoven with eclectic items such as children's plastic barrettes or Native American beaded dolls.

They reveal both Chun's appreciation for both Abstract Expressionism, acquired during graduate school in Philadelphia, and for the traditional Korean art training he received as an undergraduate.

The KCC and the Korean American Cultural arts Foundation present a showcase of traditional Korean performance art and style sense at the Lisner Auditorium.

Thus when the viewer sees the red date and signature of one of Mr. Kim's recent paintings the first association may be with the chop signature of a traditional Korean ink drawing, but it may just as easily be considered as a formal addition to the painting much in the way that Robert Ryman has continued in his work of 1996 to incorporate the date into his own seemingly minimalist, abstract paintings.

In his art, Suh brings together traditional Korean styles with Western and especially European influences such as German Expressionism and Francis Bacon.

Art Sonje's institutional desire to keep alive, but not historicize its past is mirrored outside, where Jun Yang has renovated a hanok (a traditional Korean house) into a café and bookshop, freeing up their respective spaces on the art center's ground floor for the exhibitions.

In the late 1950s, South Korean artist Suh Se - ok, born in 1929, embarked on a painterly practice that borrowed from traditional Korean ink painting and modernist Western abstraction.

Seoul Cosmetics (AmorePacific) Contemporary Korean and international art; Traditional Korean art Top 200 appearance: 2015, 2016

From a sampling of traditional Japanese tempura, to California - style fried fish tacos and traditional Korean family recipes, the menu was carefully put together, and beautifully executed.

In this travel video we head back to Insadong to visit yet another traditional Korean tea house (찻집) that specializes in Korean Ginseng tea known locally as Insam (인삼).

About Blog Jerry Kim showcases traditional Korean cooking and introduces you to a variety of simple Korean recipes as well as more complicated, but classic, Korean dishes.

In this travel video we head back to Insadong to visit yet another traditional Korean tea house (찻집) that specializes in Korean Ginseng tea...

Chef Hooni Kim presides over this cozy spot where traditional Korean tastes and techniques meet contemporary preparation and creativity.

This is a hamlet featuring around 900 traditional Korean houses, many of which serve as guest houses or hostels today, due to the touristic attractiveness of the area.

A collection of 28 whimsical Sijo poems, accompanied by equally playful and often surprising illustrations, introduces readers and would - be poets to this traditional Korean form.

Romance blooms in the parallel stories of a young girl and her widowed mother in a traditional Korean society.