Bonsai reflects the Japanese
traditional aesthetic sense of expressing the magnificence of nature in a small potted plant.
Not exact matches
Mucha does not have a signature style in the
traditional sense; rich in sometimes playful detail, his pieces nonetheless exude the austere charm of industrial manufacture, perhaps an echo of the artist's early study of the technical
aesthetic of minimalist sculpture.
As power is something that is experienced, it has no
aesthetic value in the
traditional sense; it is, however, integral to what Jacques Ranciere calls «the distribution of the sensible».
From South Korea, Shin Meekyoung plays on traditions of forgery by precisely replicating rare vases from soap, whereas Hong Sung Chul aims to inspire the
traditional Korean
sense of community by bringing viewers together to physically interact with his works, both artists reflecting a typically Korean technically - based
aesthetic approach.