What I liked and got most out of the interview was that now agents are paying attention to books that are now being published as e-books online rather than
traditional agent queries and rejections.
Not exact matches
Forums for authors with
traditional publishing aspirations have long been peppered with threads about the
query grind, the rejection letters and emails that pile up from
agents and publishers, and the desire to quit and give up on the hopes of ever making it as a writer.
I read about self - publishing a bit, but focused primarily on advice about
agent querying and the
traditional publishing world.
A
query letter is the only way to get a literary
agent to read your completed or partial manuscript (and get published by a
traditional publisher like Random House)-- 98 % of the time.
So when I wasn't at all looking for
traditional any more, when I was thrilled to death with life as an indie, I find myself in the middle of the best of both worlds, with possibly the world's most perfect
agent for me, falling right into my lap without ever writing a single
query letter.
Here you'll find articles on the
traditional route of publishing:
querying and landing a literary
agent, revising, editing, going on submission, and getting published.
The more
traditional route to reaching
agents is with a
query letter.
I For clients who seek
traditional publishing — the bulk of my clients — the normal
query letter - literary
agent route still seems best.
Anyone who has
queried a book to literary
agents knows firsthand that the
traditional publishing industry is slow - moving.
Traditional publishing points of interest: pros and cons regarding traditional publishing versus self - publishing or hybrid publishing, the process of querying, resources for formatting a query letter, difference between agents and publishing houses, why to pursue an agent or not depending on personal book goals, what book advances are (dispersing of them, royalties being paid out afterwards, etc.), what it means to «earn out» your advance or not, common publishing house marketing budgets, common requirements for social media presence
Traditional publishing points of interest: pros and cons regarding
traditional publishing versus self - publishing or hybrid publishing, the process of querying, resources for formatting a query letter, difference between agents and publishing houses, why to pursue an agent or not depending on personal book goals, what book advances are (dispersing of them, royalties being paid out afterwards, etc.), what it means to «earn out» your advance or not, common publishing house marketing budgets, common requirements for social media presence
traditional publishing versus self - publishing or hybrid publishing, the process of
querying, resources for formatting a
query letter, difference between
agents and publishing houses, why to pursue an
agent or not depending on personal book goals, what book advances are (dispersing of them, royalties being paid out afterwards, etc.), what it means to «earn out» your advance or not, common publishing house marketing budgets, common requirements for social media presence, and more.
Traditional publishing Many authors decide they want to go the traditional route, submitting queries to agents, hoping an agent will accept them, and then hoping the agent finds them a
Traditional publishing Many authors decide they want to go the
traditional route, submitting queries to agents, hoping an agent will accept them, and then hoping the agent finds them a
traditional route, submitting
queries to
agents, hoping an
agent will accept them, and then hoping the
agent finds them a publisher.
I originally tried to go
traditional with my work,
queried over one - hundred
agents, and received blanket rejections (including no replies).
At the time, I was thinking mostly about
traditional publishing, so my perspective was someone looking to pitch to
agents, including
queries and «elevator pitches» (a story pitch short enough to give during an elevator ride at a writers» conference).
You don't need to compose a
query letter, secure a literary
agent, or cut through miles of a
traditional publisher's red tape before the book is released to the world.
With
traditional publishing, I have to write a synopsis, write a
query letter, personalize the
query letter, spend copious amounts of time researching
agents and editors in order to personalize the
query letter, keep a spreadsheet of all the places I've submitted, hunt down editors and
agents at conferences in order to pitch to them... and that's all just BEFORE the damn book is even published.
The stigma of self - publishing has faded but many authors still diligently
query agents and publishers, hoping to get their books published by
traditional means.
I write and edit
agent and publisher
query letters, book proposals, and synopses, and consult on publishing options:
traditional, self - publishing, or hybrid.
While
querying is the
traditional method for finding an
agent, I found that meeting
agents and getting requests for my manuscript was much easier by attending conferences.
If you self - publish and your sales are bleak, or not what you expected, and then you go back to
querying agents in hope of still going the
traditional publishing route, you're crippled yourself with the self - publishing.
I knew I wanted to be a published author, but instead of following the
traditional route of
querying agents and submitting to publishers, I decided to self - publish.
While I didn't follow the
traditional query process, I did a LOT of research on
agents, agencies, publishing contracts, self - publishing — you name it.
This means
querying agents and going the
traditional route to break into print — while it may not be as lucrative as you imagined — can still be a good way to launch a career.
Query agents and / or editors of publishers to land an
traditional pub deal with big publishers like Random House or Harper Collins, or small or indie press or even e-publishers.
A
query letter is a vital document for writers seeking
traditional publishers or literary
agents, and one even good authors often get wrong.
In a profession with so many hurdles (completing a novel, crafting
query letters, self publishing books, seeking
agents, finding a
traditional publisher, marketing the novel, dealing with frequent rejection, persevering...) we must remember that our words and our stories help readers feel seen and heard.
If you're familiar with the
traditional publishing landscape, you'll know that it's really hard to land a book deal without an
agent, and it's impossible to get an
agent without sending dozens of
query letters... There are, however, a few ways to get to know
agents before you submit to them.
1... Finding a Publisher...
Traditional publishing writers spend a ton of time to try to find an
agent, find an editor, submit a book and get it rejected a ton of times, not counting the time it takes to learn how to do
query letters and so on.
We provide a variety of services to up - and - coming authors and seasoned novelists alike, ranging from developmental editing that examines the storyline as a whole to copyediting that refines sentence fluency and follows a specific style guide, and even to a final proofread before you decide to self - publish or
query agents for a
traditional publishing contract.
While you may have success going with a
traditional publishing house,
agent, or small press, you might also want to consider self - publishing if your
query responses start to get stagnant.
Traditional publishing is where you find an
agent in your selected book category and you send off a
query letter hoping to get a book contract.
Maybe you have already
queried many literary
agents in hopes of landing a
traditional publishing deal, but so far you haven't been successful.
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I have been debating for months now about whether or not to
query agents and take the
traditional approach versus self publishing.
For the novel, I still (as of this month; things change so quickly...) plan to go through
traditional publishing channels, anticipating
querying agents is my next step.
Submit a
query to an
agent (if you're seeking to parlay your self - publishing success into a
traditional publishing book deal).
Filed Under: Landing an Agent or
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Traditional Publisher,
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It has enabled me to have fun and to live the life of a writer in a small way without having to spend years
querying agents or waiting for my books to go through the
traditional publishing process.
Aspiring authors see this happening with increasing frequency and they're beginning to realise that a well received self published book can be a faster and easier way to get a publishers attention than that
traditional path of spending months or years
querying to get an
agent, and then more months or years trying to sell something through the
agent.
If you're serious about going down the
traditional publishing route, you will need to think about submitting a
query to a literary
agent — or perhaps directly to publishers.
But something else happened today, someone said I should be making videos or posting resources about how to write a
query, how to get an
agent, how to write a book summary or synopsis... and I was about to reply, «I don't recommend
traditional publishing so I don't know a lot about that.»
I wanted to go
traditional and after 120
queries, I found an awesome
agent in # 121 2 years ago.
August 18, 2015 Jami Gold Writing Stuff advice for writers,
agents, character archetypes, Ironclad Devotion, Jami Gold, Laurie Schnebly Campbell, Mythos Legacy, organized, paranormal author, pitching, premise, Pure Sacrifice,
queries, self - publishing, Self - Publishing Your Story, Selling Your Story, synopsis,
traditional publishing, Treasured Claim
Self - publishing also circumvents the long, grueling, and often unsuccessful
agent and
query letter process
traditional authors use to get discovered by a publishing house.
Writing topics: writing conferences, book fairs, book festivals: * Writing teen fiction (YA) * Writing successful series and sequels * Writing suspense / thrillers * Creating strong female protagonists * Creative Writing 101 * Writing Tough Topics in YA Publishing industry topics: writing conferences, book fairs, book festivals: * Being a hybrid author (
Traditional / indie) * Publishing Industry 101 * Working with an
Agent / Getting an
agent *
Querying an
agent * Indie Publishing Publishing industry topics: writing conferences, book fairs, book festivals: * Book Marketing - high level or in depth working sessions * Branding 101 * Social Media Management Topics for schools, libraries, childrens» book fairs, book clubs, literary events * «Make Your Mark» - motivational for teens * The publishing industry * A day in the life of an author * Creative writing 101 * Writing pageturners Topics for media center specialists, teachers, educational staff, librarians, literacy coordinators * Finding environmental themes in children's literature * How to teach writing to students (professional development) * Using technology to connect readers and authors virtually * Teaching using multi - genre / multi-modal writing (professional development) If you are interested in having S.R. Johannes visit, please email
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JG: Believe me, I tried the
traditional publishing route but when an
agent said my middle - age, savvy protagonist wasn't «sympathetic» and
query letters went nowhere, I decided to control destiny and self - publish.
After finishing the novel, hiring an independent editor sending out
queries to
agents and publishing houses, she learned about SparkPress, an independent publishing company (and imprint of Ingram Publisher Services) that specializes in merging the
traditional publishing model with new and innovative strategies.
Everyone assumes my novel was rejected by
traditional publishing when in fact I didn't
query a single
agent.
I wanted to get my book published the
traditional way, so I sent out numerous
query letters to literary
agents.
If you're aiming for a
traditional publishing career and you're submitting to
agents, the hashtag #MSWL can be a great short - cut to finding the right
agents to
query.