Sentences with phrase «traditional animation»

The animation is not done there: the film is chock full of gorgeous Asian landscapes, and the art style frequently shifts into traditional animation to deliver flashbacks.

Without a doubt, this is the best traditional animation has looked in a high definition release.

We expect the use of VR to be relatively niche over the next three to five years, with real - time 3D software gradually replacing the use of traditional animation in cases where it is currently used.

Directors Conrad Vernon («Monsters vs. Aliens») and Greg Tiernan (TV's «Thomas & Friends») have backgrounds in traditional animation aimed at children, but there's nothing traditional about this deranged dark comedy.

As most of you know, we went an uncommon route with the character animations for The Banner Saga, deciding not just to do 2D animation, but to use traditional animation techniques to really achieve the old Disney «Sleeping Beauty» effect we were going for with the game's art style.

In Me and My Shadow, which will be released on November 8, 2013, the studio will pioneer a groundbreaking combination of both CG and traditional animation techniques seamlessly together throughout the film.

I realized really quickly that working at traditional animation studios didn't give me the creative breathing room I enjoyed as an indie, and self - realized just how awesome it was to work on so many facets of design as a game developer.

Previously prophesized to be defeated by a warrior «of black and white,» Lord Shen (voice of Gary Oldman), an albino peacock, led a massacre of all the pandas in China (recalled in flashback in some stylish traditional animation like paper cutouts, which is the only effective use of the otherwise far - too dimming 3 - D).

Between The Tale of the Princess Kaguya and The Wind Rises, Studio Ghibli has continued to prove again and again that traditional animation still has a place in the modern animated feature landscape.

Even so, the two outfits have preserved traditional animation with loving translations of films from Japanese anime master Hayao Miyazaki («Spirited Away,» the 2002 Academy Award winner for feature animation).

Even more than in Mr. Fox, the mix of stop - motion, CGI, and traditional animation produces jaw - dropping effects that bear an artisan's touch.

In addition to proving how much Blu - ray really has to offer traditional animation, this transfer pays a huge compliment to Disney's animators, whose immaculate work can now be appreciated on a whole new level.

When Dreamworks teams up with another studio to work outside traditional animation, the results are far better.

In traditional animation there is a technique called a «smear.»

I was still really fixated on traditional animation and was interviewing with animation studios to see what came next in my career.

Inspired by the her research into the earliest forms of animation (like magical zoetropes and phenakistoscopes), Beveridge's aim was to, «see if it was possible to make the audience highly aware of the process behind animation as most traditional animation focuses solely on narrative.»

It is hard to believe nearly 25 years have passed since the theatrical release of Who Framed Roger Rabbit, Director Robert Zemeckis» irreverent, thoroughly entertaining mashup of traditional animation and classic Hollywood noir.

Unlike previous Sonic games where 3D animation was used, the entire opening sequence was done using traditional animation; similar to those Saturday morning cartoons featuring the blue hedgehog.

Check out those fields of flowers, all painstakingly hand - drawn in traditional animation.

Traditional animation?

Visually, this is an interesting movie that mixes CGI, traditional animation and anime influences to great effect.

Kung Fu Panda is the first feature film to convince me that computer - generated animation can come close to matching the quality of traditional animation.

The CGI Tinker Bell films show off some dazzling animation and some of the vistas are breathtaking in high definition, even if these landscapes generally lack realism or the authenticity of the traditional animation that birthed Disney's Peter Pan.

Meanwhile, traditional animation could rear its head with «The Princess and the Frog,» while Hayao Miyazaki might certainly find the respect of his colleagues once again with «Ponyo on the Cliff by the Sea.»

The tangled, darkly comic plotting might smack of an assortment of crime movies from around the world, but the visual style has a distinctive character, closer to the static panels, crisp lines, and muted colors of modern graphic novels than to traditional animation.

Traditional animation has long been a dying art, but this artist's still on fire.

Also, the CGI implementation does not always blend seamlessly with the traditional animation.

Add to that fact that there are a number of peripheral characters written purely to conform to the traditional animation stereotypes and you have a significant amount of poor characterisation.

One thing that can be said for the movie is that something exciting is constantly unfolding on the screen, amplified by beautifully animated scenery that fully realizes the potential of computer use in traditional animation (courtesy of the «deep canvas process» that was cultivated for this film).

While The Fantastic Voyages of Teo and Leonie is a TV series that's been designed from the ground up to be a transmedia product, combining both traditional animation and real - time rendering with Unreal Engine 4.

The decision to do this is intentional, of course; unlike excuses of a «Cinematic Experience», Guilty Gear's characters move at a frame rate that is more in keeping with that of traditional animation and anime in particular.

I was particularly surprised by how the traditional animation cutscenes looked absolutely lovely in 3D and how the new 3D - ish world exploring worked, so that you're peering around rooms and streets rather than just tapping everything in sight (apparently Ace Attorney 5 does a similar thing with its exploration sections).

Final Fantasy Brave Exvius is a free - to - play ode to old - school Final Fantasy games, featuring turn - based tactical combat, traditional animations, and an open world hub for characters to navigate.

The canvases move like the background of a traditional animation and suggest factory automation through their hardware and stripped down construction.

Matthias Brown (Traceloops) is an artist specializing in hand - drawn, black and white, traditional animation.

Rather than being drawn anew in each frame as in traditional animation, Laric's subjects are digitally plotted by the same stark, vectorized line, which moves continually between sequences.

His practice works across many disciplines and mediums, employing drawing, design, installation, CG, traditional animation, video, sound, performance, and cinema in attempts to subvert modern technologies in order to describe the ineffable.

Unlike the traditional animations, where the setting is consistent and the objects move in it, the artist has shifted the movement onto the background that flickers and rapidly changes.