Sentences with phrase «traditional approaches to paint»

As particular and individual in their use of colour as they are distinctive in composition, James» works interrogate traditional approaches to painting, often actively integrating the physicality of the canvas and stretcher into the composition, as well as incorporating dust, glue or debris into the surface.

Since then however, Turner Prize nominee George Shaw has been added, who's highly traditional approach to painting nevertheless frames an acute sensitivity to our gritty reality.

It is by processes such as this that Richter has consistently challenged traditional approaches to painting and that have made him one of the most important painters of the past 50 years.

James» works interrogate traditional approaches to painting, often actively integrating the physicality of the canvas and stretcher into the composition, as well as incorporating dust, glue or debris into the surface.

Not exact matches

The Blue Ether - painted MX - 5 Speedster is uncompromised in its approach to wind - in - the - hair driving, going so far as to eschew a traditional windshield for a lighter deflector.

As I approach Havana Bay, my anticipation of seeing the ocean grows, but I can not help to notice that as I get closer to the traditional heart of Habana Vieja, the amount of scaffolding and fresh coats of paint intensifies.

Ubud has been the cultural focus of Bali for decades and is the place to visit if you are searching for original carvings, sculptures, artifacts, and paintings from across the Indonesian archipelago as well as Bali itself.Villa Alamanda lies to the east of Ubud an approximate ten minutes away and as welcome guests approach the villas they pass through a traditional carving village known to most as Tengkulak.

While critical attention, market forces (not to mention political agendas) were concentrated on the newly emergent Abstract Expressionism, and Action Painting, a small group of figurative painters maintained their traditional approach to picture making.»

Using light as a conceptual manifestation of the physicality of paint itself, works such as Three Fluorescent Tubes (fluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculptural impulses.

This exhibition brings together paintings and works on paper by Jane Freilicher and Jane Wilson — two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing traditional definitions of landscape and still life painting.

Baselitz is also known for his distinctive approach to sculpture: his roughly hewn and boldly painted wooden figures fuse traditional woodcarving techniques with primitivist and folk art impulses.

Through his investigational approach, Otero combines the traditional act of painting with his innovative creation of «oil skins,» produced by layering oil paint on glass and then peeling it off in «sheets» before transferring it to canvas.

While much significant work in contemporary painting has taken an ironic approach to this traditional practice, Frecon's work proceeds with unabashed sincerity.

I wanted to create an experience for the viewer, removing myself as an artist from the traditional and orthodox approaches to landscape painting.

The resulting exhibition is an incisive snapshot of contemporary practice, spanning diverse media, processes, themes, influences and approaches — from moving image and performance to more traditional approaches to making work such as printmaking, painting and sculpture.

She trained under a traditional master, and went on to pioneer alternative approaches to miniature painting.

With Indo - Persian miniature painting forming the basis for all of her work — including her own approach to this traditional art form, as well as animation, video, photography, murals, and installation — Shahzia Sikander explores history, politics, and current events, as well as interpersonal themes.

Has this evolved out of a more traditional approach to landscape painting?

The contemporary art prize is named after Turner because while today he may be considered one of Britain's greatest traditional artists, in his time his approach to landscape painting was controversial, and often reviled, yet had a lasting impact on art.

Featuring painting, drawing, installation, video, sculpture, and performance, the exhibition highlights artists whose work both draws on and challenges traditional artistic approaches to the natural and built environments.

Fern Canyon features a selection of drawings and paintings that introduces Sherman's innovative approach to traditional genre, displaying her patent perspectives on contemporary landscape painting.

This watercolour painting, which is striking in its modernity, consistency, and expressive use of colours, may be contrasted, with his more usual traditional approach to nature resulting in studies such as The Crab (c. 1495, Rotterdam, B.V.B.), A Young Hare (1502, Albertina, Vienna) and Great Piece of Turf (1503, Albertina, Vienna).

Alea Hurst, a local artist, works to produce two - dimensional pieces, particularly drawings and paintings, which range from traditional to experimental and mixed media approaches.

The large format paintings showcase Martinez's bold brushstrokes and bold approach to traditional subject matter.

Both Dawe and Falsetta take alternate approaches in their respective work: paint vs. thread, 2D vs. 3D, installation vs. a traditional painting model with images mounted on the wall; but, included in this show together, the similarities by way of an intense approach to the use of line as a determining factor in the pieces brings them together.

Using experimental colours and an unmistakeable playful approach to the traditional method of painting, Paricio has always set out to solve conceptual problems, to pay homage to great artistic figures of the past and to examine and question the role of the artist through his bright and dynamic canvases, layered with meaning.

Paricio is known for his experimental use of colours and his playful, modern approach to the traditional method of painting.

Ranging from large - scale installations to intimate ceramic portraits, the multimedia exhibition showcases works in combinations of neon, video, glass, drawing, painting, and clay with innovative approaches to both new and traditional media.At the opening reception one artist will receive the $ 10,000 Arlene Schnitzer prize selected by the Museum's curatorial staff.

While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture - driven iconography to an array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels.

However, given the meltdown in the international contemporary art market, as well as the rise in popularity of traditional painting - as practised by many Eastern European schools - this conceptual / abstract approach may prove to be a long term weakness.

This showing also breaks the barriers and limitations of traditional painting with each artist's unique approach to paintings.

WATER MILL, NY 9/11/2015 — The Parrish Art Museum has organized Jane Freilicher and Jane Wilson: Seen and Unseen, an exhibition featuring two notable figures in American art who abandoned the Abstract Expressionism of the 1950s New York art scene to fundamentally reinvent traditional landscape and still - life painting based on highly individual approaches to representation.

His unique approach, using enamel paint, was in part inspired by the traditional Japanese technique of tarashikomi, in which layers of wet paint are allowed to pool irregularly.

Unlike Lord's earlier work — like the Angry Bird Paintings series or Documental exhibition at Dem Passwords — that painstakingly translates digital images to canvas, this new approach for Safeworld is «devoid of traditional painting methods; of perspective, vanishing point, colour and texture».

Pollock's unconventional methods — dripping, flinging and throwing paint onto an unstretched canvas on the floor — symbolized the degree to which artists could feel free to deviate from traditional approaches.

«In the traditional Chinese approach to landscape painting, seasons inspire unique emotions, such as happiness and elation in spring, peaceful contentment in summer, melancholy and solemnity in autumn and quiet contemplation in winter,» said Stephen Allee, research specialist in Chinese art at the Freer and Sackler galleries.

The exhibition introduces Sherman's innovative approach to a traditional genre, displaying her patent perspectives on contemporary landscape painting.

The resulting forms are at once minimal and dense, familiar and abstract, and what initially may have seemed simplistic and traditional instead reveals a complex and strategic approach to painting.

Not least, its survival is due to artists like Jill Nathanson, whose current show at Berry Campbell combines traditional approaches with new technologies to create paintings that could only have been made in the 21st century.

We survey a variety of ways that artists have sloughed off the traditional confines of painting to approach the canvas in surprising, often unorthodox ways.

Fern Canyon features a selection of drawings and paintings that introduces Sherman's innovative approach to traditional...

LG: The BU painting department is noted for its traditional approaches to drawing and painting in the undergraduate studies.

The Mimetic encompasses a range of traditional painting approaches — from portraiture and figure painting to still life and landscape.

Unlike his fellow peer Murillo that sticks more to the traditional approach of making art, Smalley's paintings are on the verge of being mistaken with a psychedelic computer screen saver.

In that sense, several trends converge to paint a picture of greater buyer control over the supply chain: the growing role of procurement in legal buy, the material shift of work away from firms to in - house, new approaches to disaggregation across traditional and alternative service providers, and increasing in - house oversight of budgeting, reporting, billing, and matter management.

Alongside these main «ingredients» think about just how traditional you want your kitchen to look: will it be full - on scrubbed rustic with no feature finishes and maybe a few vintage kitchen ideas, or might you prefer a more modern country approach with painted Shaker - style details and floral, striped fabrics or even bold kitchen tiles in navy or red to warm up proceedings a little.