Sentences with phrase «traditional art objects in»

In the late 60s NewJersey — born Peter Downsbrough dispensed with the production of traditional art objects in favor of a phenomenological exploration of space, through photography,...

Some of the most famous works of the Thai artist Rirkrit Tiravanija eschew traditional art objects in favor of social interventions, including cooking large meals in galleries and at events like Frieze Art Fair.

Not exact matches

This exciting project is a new slant on the traditional «identity» project used in many school art departments, except this version does not depend on the ability to draw a self portrait, but rather uses found objects and symbolism to create deep, meaningful pieces of art.

Although the activities of some photographers conform to the traditional notion of a fine art, the activity of exceptionally talented individuals producing discrete objects that have value in themselves, form the beginning photography has also lent itself to that notion of art which says that art is obsolete.

This Ubud Kintamani Tour will visit places of interest in Bali like watching traditional Barong and Keris Dance performance is balinese dance story about battle good and evil, then the tour continue to visit Celuk Village is traditional village for gold and silver handicraft, then tour will visit Batuan Village is a traditional balinese village with beautiful fine art, then tour continue to visit the Tirta Empul Temple or most known as a Holy Spring Temple, a myth described if this temple was build by God Indra for protect the village from the arrogant King Maya Denawa, then ubud and kintamani volcano tour will visit the Kintamani village to see the breathtaking view of mount batur volcano, is a mountain tourism object for see the view of mount batur and lake batur view, and you will having lunch in Kintamani, while having lunch you can admire the beauty of the mount batur volcano and the lake batur from the restaurant.

Using a condensed and dramatic form mixing elements of comic book art, Californian underground, and murals with the great European tradition, the large scale religious implementations of the Baroque in particular, Danø works range from the traditional painting to reliefs and singular objects.

Tino Sehgal creates works that are constructed situations which question the traditional subject - object relationship of visual art, and in which the interaction between the visitor and the work takes a central position.

In more traditional gallery spaces, Martin has blurred the distinction between the art object and the viewer, placing paintings on floors, ceilings, and displayed among household objects.»

In the back gallery, individual objects that are more like the artist's usual work, and much closer to traditional paintings, are hung alongside her grandmother's needlepoint exercises, coyly implying that there is no difference between so - called high art and the cliched.

The exhibition shows the range of materials and processes employed by artists today — appropriation, traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.

It was a movement in emphasis, from one dominant form of art that had existed for centuries to a new and challenging one; one in which the identity of the artist was offered as a simultaneous alternative to the traditional object, historically identified as «the subject» of a piece.

This resource explores the concept of identity in traditional African art and culture by focusing on twelve objects that speak t...

By favouring the aluminium surface as his canvas over more traditional means, Cánovas emphasises the tangible nature of each piece, highlighting its place outside that of the conventional printed paper photograph and emphasising its status as an art object in and of itself.

The Barnes collection is displayed in ensembles that integrate art and objects from across cultures and time periods, overturning traditional hierarchies and revealing universal elements of human expression.

As Ursula Meyer points out in her book Conceptual Art, (New York: E.P. Dutton, 1972), «In a certain sense the artist performing replaces the traditional object of art - that is to say that, in performance, artist and art object merge.&raquin her book Conceptual Art, (New York: E.P. Dutton, 1972), «In a certain sense the artist performing replaces the traditional object of art - that is to say that, in performance, artist and art object merge.&raqArt, (New York: E.P. Dutton, 1972), «In a certain sense the artist performing replaces the traditional object of art - that is to say that, in performance, artist and art object merge.&raquIn a certain sense the artist performing replaces the traditional object of art - that is to say that, in performance, artist and art object merge.&raqart - that is to say that, in performance, artist and art object merge.&raquin performance, artist and art object merge.&raqart object merge.»

And, while painting has certainly been subject to a reappraisal during the last few decades as postmodern theory, conceptual and time - based art practices have challenged the primacy of painting and increasingly advocated for the dematerialization of the traditional art object, the tenets and practice of painting far from disappearing or being weakened by this realignment, have indeed emerged revitalized and re-imagined in the hand of many a creative practioner.

In Traditional Object 11, other substances such as paper towel are buried beneath layers of neon yellow acrylic; the piece's primary subject (the Impressionist rectangle) is revealed to be a facade covering up techniques and materials native to textile arts or collage.

By infusing traditional art objects with qualities inherent to practices like performance and architecture, the artists are blurring the distinctions between all of these modes of creation in order to create new and dynamic possibilities.

[7] In one of his best - known series, begun with pad thai (1990) at the Paula Allen Gallery in New York, he rejected traditional art objects altogether and instead cooked and served food for exhibition visitorIn one of his best - known series, begun with pad thai (1990) at the Paula Allen Gallery in New York, he rejected traditional art objects altogether and instead cooked and served food for exhibition visitorin New York, he rejected traditional art objects altogether and instead cooked and served food for exhibition visitors.

Created on - site at the Addison's artist - in - residence studio, Liang's installation combines the Blanc de Chine (or Chinese White) porcelain native to Dehua, and jianzhi, the traditional Chinese art of cut paper, in works that examine the movement, appropriation, and transformation of cultural ideas, objects, and peoples.

Jillian Mayer: Slumpies a body of sculptures that function as utilitarian objects, presented on PAMM's outdoor terrace as well as in the Vattikuti Learning Theater on the museum's first floor Routes of Influence juxtaposes artworks in a manner that maps how aesthetic concepts move fluidly across traditional, national or cultural lines, how «influence» in art is understood today as multi-directional, rather than linear in character.

His work aims to complicate the viewer's relation to the traditional role of the art object, inviting you to turn aside from the work and become immersed in his theoretical and public projects.

Throughout the 20th - century, as part of the modernist revolt against the use of traditional materials in fine art and the consequent desire to demonstrate that «art» can be made out of anything, artists have been creating sculpture, assemblage, combined paintings / sculptures and installations from an ever - widening range of unusual objects and materials.

In pursuing this goal she has created immersive site - specific work comprised of both traditional and unusual art objects to facilitate public engagement.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

With Hidden Noise is an exploration of sound art that invites gallery and museum visitors to spend time listening with ears they may not know they have... Titled after Marcel Duchamp's readymade of a ball of string containing a mysterious sound - making object hidden in its folds, this Exhibition in a Box brings together evocative sounds, some recognizable from traditional instruments and field recordings, and others masked through electronic processes.

1999 The Inquisitive Object: A Biennial Review of NW Art & Craft, Hoffman Gallery, Oregon College of Art and Craft, Portland, OR (Received Award of Merit) Mail Art Exhibit in conjunction with Ray Johnson: Correspondences, Whitney Museum of Art, New York, NY South Sound Annual, Commencement Art Gallery, Tacoma, WA Beyond the Fold: Artist's Books from Traditional to Cutting Edge, The Gallery of South Orange, South Orange, NJ

In the late 1960s and early 1970s, Weiner investigated forms of display and distribution that challenge traditional assumptions about the nature of the art object.

In addition to the traditional galleries in the Main Section, the fair will also invite 19 galleries to present solo projects by artists under the age of 35 in New Proposals, 21 galleries presenting work that confronts social identity in the world in Zona MACO South, 6 galleries focusing on Modern Art, and 22 galleries that fuse art and design by presenting limited editions of utilitarian objectIn addition to the traditional galleries in the Main Section, the fair will also invite 19 galleries to present solo projects by artists under the age of 35 in New Proposals, 21 galleries presenting work that confronts social identity in the world in Zona MACO South, 6 galleries focusing on Modern Art, and 22 galleries that fuse art and design by presenting limited editions of utilitarian objectin the Main Section, the fair will also invite 19 galleries to present solo projects by artists under the age of 35 in New Proposals, 21 galleries presenting work that confronts social identity in the world in Zona MACO South, 6 galleries focusing on Modern Art, and 22 galleries that fuse art and design by presenting limited editions of utilitarian objectin New Proposals, 21 galleries presenting work that confronts social identity in the world in Zona MACO South, 6 galleries focusing on Modern Art, and 22 galleries that fuse art and design by presenting limited editions of utilitarian objectin the world in Zona MACO South, 6 galleries focusing on Modern Art, and 22 galleries that fuse art and design by presenting limited editions of utilitarian objectin Zona MACO South, 6 galleries focusing on Modern Art, and 22 galleries that fuse art and design by presenting limited editions of utilitarian objecArt, and 22 galleries that fuse art and design by presenting limited editions of utilitarian objecart and design by presenting limited editions of utilitarian objects.

Rossin is known as one of the pioneers of incorporating virtual reality technology into contemporary art, but this exhibition eschews VR in favor of more traditional studio - based objects.

Price worked amongst a group of innovative artists who emerged from the creative landscape in postwar Los Angeles in the 1950s, spearheading a shift in the traditional concept of ceramics from functional medium to art object.

«The objects assembled in this exhibition challenge the way African - Americans have historically been seen, creating alternate narratives to the traditional Western art accounts from ancient Egypt and classical Greece, to the birth of modern painting, to postwar abstraction and conceptual practice,» according to a news release.

Modern art paintings, in particular, shifted from traditional subjects and styles like portraiture, still lifes, and realism toward an existence as art for art's sake, without necessarily referring to objects in the real world.

As a conceptual artist, Buren was regarded as visually and spatially audacious, objecting to traditional ways of presenting art through the museum - gallery system while at the same time growing in hot demand to show via the same system.

Although most Cubist works were still derived from objects or scenes in the real world, and thus can not be considered to be wholly abstract, the movement's rejection of traditional perspective completely undermined natural - realism in art, and thus opened the door to pure abstraction.

In each case, the artist used nontraditional materials to create what appears to be a traditional art object.

Artists from that movement were taking a stance against the status quo and traditional art materials in favor of found objects, and «non-fine-art» things such as brick or scraps of industrial textiles.

The first half of the exhibition shows how artists in 1960s and 1970s, working in the context of Minimal and Conceptual art, were drawn to photography for its differences from traditional art media: it was low - tech, easily reproducible, and not considered a valuable art object.

When many local artists gave up their paints and brushes for trendy mixed - media and ready - made installation objects in the 90s, she persisted in making art with traditional tools and materials.

His use of traditional artistic processes, such as weaving or drawing and sculpting by hand, in conjunction with contemporary rendering techniques borrowed from digital and new media art, design and architecture give these objects a surprising new dynamism.

His early sculptures, performances, and collages were produced in reaction to the Viennese actionist movement and its desire to call into question object - based art practices and viewers» traditional engagement with art.

The jurors wrote in their decision, «Butterly's voluptuous ceramic objects explode traditional conceptions of earthenware art through careful manipulation of the medium, resulting in unconventional forms, colors and surfaces.

Born in New York in 1942, Lawrence Weiner played a pivotal role in the development of Conceptual art in the United States in the 1960s, questioning traditional notions of art and moving away from the art object in favor of a practice based in ideas and actions.

Like other Conceptual artists who gained international recognition in the late 1960s and early 1970s, Weiner has investigated new forms of display and distribution that challenge our traditional assumptions about the nature of the art object and its relationship with the viewers.

b) in the art publications edition, two tasks overlap — to provide access to documentation of the artistic practice of contemporary artists in the region as well as approaching the need for experimentation and innovation of the medium of «traditional» printed publications as two - or three - dimensional objects.

Several works featured in the solo exhibition called on traditional folk art forms to narrate the complexities of underground drug cultures infused with violence and shiny objects paid for with obscene amounts of ill - gotten gain.

Grosse's method has been compared to street art and graffiti, coating the objects and surfaces in her path with bright color, while moving away from the often figurative approach of traditional street art.