Sentences with phrase «traditional artist representation»

The gallery offers yearly memberships as well as traditional artist representation.

Not exact matches

Featuring fifteen emerging Brazilian artists based across the US and Brazil, LAND+BODY = Escapesubverts traditional representations of Brazilian landscapes and bodies.

Academic drawing, representation, and other forms of traditional «craftsmanship» seemed inadequate for an advanced art, which artists in the twentieth century wanted to root in the realm of feelings, sensations, and human experience (which opened the doors to abstraction).

At IPCNY their prints confirm that while such American artists were adventurous and curious, they remained far more attached to traditional representation than their European peers.

Distinct from the traditional fair model that requires an artist have gallery representation, stARTup presents a new approach, only featuring the work of underrepresented artists.

Despite the perception that photography presented the most direct depiction of surface reality, or perhaps because of it, the medium presented an ideal arena for surrealist artists to explode the traditional bounds of visual representation in ways that continue to influence artists today.

Many artists have had the grim realization that the traditional notion of «success» — dedicated gallery representation, happy discovery by esteemed critics, eventual courtship by collectors and museums — is completely unattainable for the vast majority of art school grads.

Even those pieces that are not traditional paintings critically engage the legacy of postwar Abstract Expressionism, which eradicated figurative representation in favor of all - over gestural marks that were considered to be indexical references to the hands and psyches of the artists, who were becoming cultural icons in their own right.

Taking these artists» work as a starting point, the conversation explores the dynamic between the traditional and the contemporary, and the contrast of representation and abstraction.

Featuring fifteen emerging Brazilian artists based across the US and Brazil, LAND+BODY = Escape subverts traditional representations of Brazilian landscapes and bodies.

Polish artist Aleksandra Waliszewska (born 1976) rebels against traditional representations of victimhood.

As a contemporary artist who deliberately chooses to work within the parameters of a traditional genre and to employ a traditional mode of representation, my challenge is to create work that embraces tradition (which I'm convinced remains vital and relevant for our time) while simultaneously transcending the sense of nostalgia often attributed to it.

Using figurative representation and playful geometric abstraction, Brooklyn - based artist Ted Lawson is someone who loves to combine digital technology — such as 3D printing — with traditional art methods to create organic fine art as well as large - scale sculptures that explore humanity.

On Thursday at 12:30 Sharon Louden, Ed Winkleman, Peter Drake, William Carroll and I will be discussing how artists should be thinking beyond traditional gallery representation, so please stop in and say hello.

Her Body Art is imbued with political significance, undermining the traditional erotic representations of women by male artists, and often exposes the inner biological systems of females as a metaphor for hidden social issues.

In plain sight will bring together a group of artists using representation who embrace this idea, pushing back against traditional notions of how their paintings should typically function.

In these artists» hands, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond traditional linear representation in photographic, painterly, and sculptural work.»

Many avant - garde (progressive or experimental) artists rejected traditional ways of representation out of a belief that clearly identifiable and traditionally painted subjects were limited in their ability to express meaning.

Bringing together artists from the Americas, Africa, and Asia as well as Europe, whose practice is research - based, Personne et les autres challenges traditional notions of national representation at the Venice Biennale.

Artists sought to criticize traditional modes of representation, mainly government - commissioned religious and allegorical works, by blending elements of high and low culture and incorporating parts of newly modernized quotidien life in their works.

Considered the father of Russian Constructivism, Tatlin, among fellow artists such as El Lissitzky and Aleksandr Rodchenko, promoted the use of industrial - related materials and questioned the traditional representation of space in art.

A new generation of feminist artists are favoring a more accessible, democratic method of art sharing, rather than pursuing traditional methods of art - world success like gallery representation and museum shows.

It presents the works of artists engaged in explorations of different materials and processes, from traditional forms of representation such as line drawing, ink, and watercolor to alternative processes that challenge conventional notions of drawing such as collage, text, scorch, or perforations.

The artists included in this exhibition furthered this mission by abandoning traditional art - making practices in favor of new modes of representation.

In these artists» hands and through their bodies, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond conventional linear representation in photographic, painterly, and sculptural work.