Until that changes, I can see more and more would - be
traditional authors embracing the indie revolution.
You'll see many
traditional authors embrace indie publishing, because they realize they can undercut the publishers, make a 70 % royalty instead of 10 % or less, and own all rights to their work.
Not exact matches
The
traditional industry, while maybe not yet
embracing indie publishing, has certainly come a long way from the days in which a vanity press - produced title was the kiss of death for an
author's future publishing career; it's now becoming more and more common for publishers to seek out
authors whose titles that have a proven following thanks to self - publishing.
I still am not sure if I should I go a more
traditional route or fully
embrace the indie lifestyle and the powerful freedom to produce a work from start to finish, but having a weekend when
authors and writers are empowered and encouraged to create and share great stories was worth it all.
It's rare for a famous
author to bypass
traditional publishing and
embrace self publishing so enthusiastically.
By
embracing and utilizing the very technology that is changing the book publishing world,
traditional book publishers have the ability to offer
authors the same services provided by self - publishing platforms under the umbrella of a vast amount of knowledge, experience, and a long - standing history of success.
As more readers
embrace digital reading and as ebooks continue to fare well through Amazon's catalog, more
traditional and indie
authors can hope to achieve this level of success and fan following.
David, self - published
authors — being reliant on themselves for marketing — will no doubt
embrace the same methods that successful «
traditional»
authors employ... assuming they have a demonstrable sales effect.
The first breed of
authors to actively
embrace self - publishing and hybrid models for bringing their work to market, Romance
authors continue to pursue and support the
traditional route of publishing.
Because there's a higher risk of reader fatigue and sales degradation,
traditional publishing is not always eager to
embrace a book series by a new
author.
Now that the
traditional publishing industry is beginning to
embrace self - published
authors, seeing them as a talent pool of writers who come complete with their own firmly established followings and fan bases, it almost feels like the self - published
authors want nothing to do with the industry they once couldn't join.
This initiative makes Penguin the first of the Big Six
traditional publishers to not allow tolerate the need for digital publishing, but to actually
embrace it as a viable option that more and more
authors are exploring.
In internet - savvy circles [Amanda Hocking] has been
embraced as a figurehead of the digital publishing revolution that is seen as blowing up the
traditional book world — or «legacy publishing» as its detractors call it — and replacing it with the ebook, where direct contact between
author and reader, free of the mediation of agent and publishing house, is but a few clicks away.
I understand Joe Konrath's ire because he came from a foundation within
traditional publishing, did an about turn, and
embraced the changes and benefits for the
author as an individual business concern by self - publishing.
-LSB-...] Matthews explains why all ebook
authors should
embrace new technologies, while at the 2014 London Book Fair,
traditional publishers are urged to look beyond the -LSB-...]
I suspect that the
authors who have
embraced self - publishing as a way to take control of their rights back from
traditional publishers are not going to be too quick to hand them over to someone else.
As these sea changes evolve, the «self - published» label will cease to exist in any meaningful way except inasmuch as it means «smart,» and will be replaced a kinder, gentler sense of «indie
author» and «indie publisher» that is
embraced by readers, by
authors who previously had chosen
traditional publishing routes, and, of course, by the DIY renegades among us.
Many
authors are turning their backs on the hoop - jumping processes of
traditional publishing and are
embracing the collaborative process of partner publishing.
In 2014, I would like to see the
traditional publishers
embrace the indie
author for the valuable low - hanging fruit they offer.