I've been an indie publisher since 2005, and before that, I worked in
traditional book publishing since 1990.
I've been a developmental editor in
traditional book publishing since 1962, and have worked one - on - one with private writer clients for many years.
Not exact matches
Yes, you can get the attention of an agent and publisher with 60,000
book sales — especially
since the
traditional publishing averages LESS than 5,000.
I self -
publish, so I do pretty much everything myself; but I've heard several traditionally
published indie authors say they were surprised to find out that even with a
traditional publisher, they were expected to do a lot of the marketing for their own
books, particularly if the publisher is small,
since they were * not * a celebrity name that could sell itself.
Since the eBooks are self -
published, they do not have to abide by the
traditional one
book, one lend philosophy.
My tentative conclusions are these: 1) ebooks are «leveling» the playing field for female authors
since, for the first time in
publishing history, authors do not have to wait for the largesse or permission from publishers to get our
books into the hands of readers, and
traditional publishing has always favored males (to date).
Ironically, (I think it's irony),
since books take years to get
published, not one of the writing
books I read, even recent ones, really addressed the «maybe you should just e-publish» issue with more than a passing thought of the
traditional variety, that self -
publishing is sort of dirty and might tarnish you.
Ever
since I got the crazy, half - baked idea in my head that I wanted the «control, speed, and cost - effectiveness of self -
publishing» rather than the
traditional way to do it, I've been through the ringer with pretty much all of the well - known «indie» -
book creation shops.
Since the financial returns from self -
publishing per
book are so many times greater than the royalties paid by
traditional publishers, I could easily cut the marketing firm in on the returns.
3) Opening up backlist and some new products
published by writers for readers to find can only HELP
traditional publishing and their sales on the same author's
books,
since more readers can find the author.
How to Secure a
Traditional Book Deal by Self - Publishing (Jane Friedman at Writer Unboxed): «It's not any easier to interest an agent or publisher when you're self - published, and since new authors are more likely to put out a low - quality effort (they rush, they don't sufficiently invest, they don't know their audience), chances are even lower their book will get picked up.&ra
Book Deal by Self -
Publishing (Jane Friedman at Writer Unboxed): «It's not any easier to interest an agent or publisher when you're self -
published, and
since new authors are more likely to put out a low - quality effort (they rush, they don't sufficiently invest, they don't know their audience), chances are even lower their
book will get picked up.&ra
book will get picked up.»
As far as doing it, I've been
publishing books since the 1980s, worked in
traditional publishing, owned my own
publishing business, and every year help hundreds of authors get their
books to market.
I will be among the first to say that self -
published books can be just as amazing — or perhaps better,
since they don't have to be edited to a lowest - common - denominator committee — as any
traditional book lineup.
Today, indie authors have as much of a potential platform as authors using
traditional publishing houses,
since they are able to distribute their work through Amazon (arguably the single most important
book distirbution channel in the world today).
A good few indy - authors that I know of have
since gotten
traditional publishing deals based on their success with indy -
published books, but unless I were offered an insanely large advance, I don't think I would go for it.
Since traditional publishers were slow to consider this demographic, self -
published e-
books filled the void — and readers devoured the
books.
If your
book is under an exclusive contract, the prospect of republishing your
book could be of less interest to a
traditional publisher
since it could take legal action to wrest it away from the original
publishing group or service.
And
since traditional publishing is so competitive, and it can be especially hard to place certain «niche»
books with a
traditional publisher, self - pub is a terrific option.
It's only been a month
since I
published my
book, but from what I've seen so far, my most important tool is the ability to adjust my price for promotions — one area
traditional publishing probably will never loosen control.
While the term may be new to the
publishing industry
since it first created buzz at last month's Digital
Book World conference, news surrounding the so - called hybrid authors — those who work in some way in both self -
publishing and
traditional publishing — has cropped up throughout the digital
publishing sphere.
Uhh, any small publisher has the same shot as any
book out of
traditional publishers,
since a vast majority of traditionally
published books don't make B&N shelves.
I know some
traditional publishers might take a look, but
since I didn't have mega sales I'm much less likely to be picked up, even with a second
book that's not been
published.
But
since most eBook
publishing involves authors whose chances of landing
traditional media coverage is necessarily limited (for now, anyway), it's good to know that eBook promotion doesn't mean fewer
book publicity opportunities.
Step 5 — Selling your
book Since 2008 the number of self -
published books has surpassed those produced by
traditional publishers.
Oh, btw, I'm making that on
books I couldn't get a
traditional publisher to touch and I'm glad
since my royalty rates are more than double what I'd have gotten from them and the press I'm
published through doesn't rely on the hand - wavium of BookScan for reporting sales.
As Le Veque points out in the NYT piece, not everyone is in the same category as she is when it comes to adapting to this landscape:
since she has been writing fiction for more than 20 years without selling a single
book through the
traditional publishing industry, she has a backlog of material she can quickly produce and / or cut the price on.
POD
publishing has entirely revolutionised life for many authors,
since many who can not be
published in the
traditional way can now see their
book in print.
In contrast to
traditional publishing houses,
Book Country offers the author a much higher percentage
since Book Country is not incurring editorial, marketing or publicity costs.
Step 5 - Selling your
book Since 2008 the number of self -
published books has surpassed those produced by
traditional publishers.
Since then, I self -
published two other
books, and then I received my first two
traditional book contracts for my children's
books.
Since good editing, cover design, print / e-book design and layout, and even printing of physical (paper)
books are available outside of the
traditional publishing industry, one has to wonder just what
traditional publishing companies have to offer the aspiring writer.
On the opposite end of the
publishing spectrum, Wendy Higgins» post on money in
traditional publishing has
since been deleted, but included information on the advance she received, how it was split out, and the amount per
book sold she ended up receiving... and it was small.
I've been self
publishing novels
since 1999; I've been
publishing books with
traditional publishers
since 2000; I've been
publishing novels with literally dozens of publishers worldwide
since 2005.
Alas, BookSurge / CreateSpace has
since discontinued this program because
traditional publishers were upset that shoddy self -
published books were being featured on the same page as their
books.
Honestly,
since so many people use their computers and phones for everything nowadays, I think in time online
publishing, not necessarily self -
publishing, might overtake
traditional routes, giving people the chance to read awesome
books they would never be able to find on a store shelf.
Since the percentage of
books actually
published with a
traditional publishing house is less than 3 %, that makes it difficult for 97 % of authors to get their work
published unless they go the self -
published route.
Interestingly, Robert Ringer has
since then had several
books published by
traditional publishers.
About Blog
Since 2007, InkSpot features authors
published by Midnight Ink
Books, writing everything from cozies to hardcore,
traditional mystery to suspense.