Sentences with phrase «traditional canvas as»

In creating these works, the artists used various techniques including altering the outline of the canvas, building up relief, cutting into the plane, and using materials alternate to traditional canvas as support... Shaped canvas works became popular in the 1960s as artists sought to emphasize the potential for paintings to be considered objects.

In creating these works, the artists used various techniques including altering the outline of the canvas, building up relief, cutting into the plane, and using materials alternate to traditional canvas as support.

Not exact matches

This traditional German version uses a light, spongy six - ingredient cake laced with lemon as the fruit's canvas.

In using white flour and refined sugar, traditional pastry chefs have a fairly neutral canvas on which to layer flavours such as chocolate, coffee, citrus and other fruits.

The stylish Mommy Bag, available for a limited time exclusively at drugstore.com with a purchase of $ 75 or more, is a roomy canvas pouch that Jenni created as a compact yet practical alternative to a more traditional diaper bag.

This bake is lighter than the traditional rich fruitcake and is a blank canvas to ice and decorate as you wish

Shape the shoulder with a free - floating canvas panel called a shield, made from traditional, nonfusible hair canvas or hymo, and secured only at the roll line with hand stitches, as shown, and machine - stitched at the armhole seam allowance when the sleeve header is attached.

Having set up a structured Span canvas, the two teachers were able to stand in front of the digital learning wall and watch, as during the Tuesday morning maths lesson, selected digital and traditional work was uploaded to the canvas from all classes.

Current art world phenom Wyatt Kahn, whose fragmented canvases blur the line between painting and sculpture, transcends traditional roles once again as curator for Rachel Uffner Gallery's group show, «Proper Nouns.»

He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.

Conceived as an adjunct to painting in the earliest years of its development in the first decades of the 19th century, when many painters discovered how useful photographs could be in composing their canvases, photography quickly assumed an artistic presence and legitimacy of its own (albeit one that often still took its cues from traditional painterly modes of representation).

Rather than assembling a group of artists who are concentrating on the demise of traditional painting supports — torn, shredded or punctured canvasses, exposed stretcher bars, paintings hung backwards, oddly shaped canvases, painting as sculpture, etc... this exhibition will focus on works that address time as a subject, or are time - sensitive.

After all the years of videos, rumpled beds and elephant dung, a truly shocking contemporary artist emerged last night as the bookie's favourite to win the # 20,000 Turner Prize - Michael Raedecker, who creates delicately beautiful, eerie landscapes in the traditional materials of paint and embroidery on canvas.

Two of Hirst's more recent paintings in which the artist returned to the traditional medium of oil on canvas are included, as well as «Resurrection» (1998 - 2003)-- a unique sculpture featuring a skeleton bisected by two glass panels, in the position of the crucifixion.

The whole thing is built as a traditional picture where all the elements are on one canvas (i.e., screen).»

This year we were thrilled to be able to show the work of Matt Hansel, whose subjects and compositions draw our attention to art history as a whole, and how we bring our own knowledge to the canvas, as he combine traditional Flemish imagery with digital manipulations and pop elements.»

Using traditional tattoo iconography as well as a free hand drawing style, Dr Lakra brings energy to every page, canvas, or object that he floods with paint and ink.

As we've found throughout in our ongoing coverage of Phaidon's new contemporary painting compendium Vitamin P3, smearing pigment on canvas is hardly a lost art — in fact, by all appearances, this most traditional of art forms is still going strong.

From his earliest days as an artist, Rauschenberg avidly explored and invented myriad ways of marking paper and canvas, using traditional tools such as paintbrushes, pencils, and woodcut blocks as well as highly unorthodox methods.

By favouring the aluminium surface as his canvas over more traditional means, Cánovas emphasises the tangible nature of each piece, highlighting its place outside that of the conventional printed paper photograph and emphasising its status as an art object in and of itself.

Stingel is best known for his wall - to - wall installations, constructed of fabric or malleable Celotex sheets, as well as his seemingly more traditional oil - on - canvas paintings.

As particular and individual in their use of colour as they are distinctive in composition, James» works interrogate traditional approaches to painting, often actively integrating the physicality of the canvas and stretcher into the composition, as well as incorporating dust, glue or debris into the surfacAs particular and individual in their use of colour as they are distinctive in composition, James» works interrogate traditional approaches to painting, often actively integrating the physicality of the canvas and stretcher into the composition, as well as incorporating dust, glue or debris into the surfacas they are distinctive in composition, James» works interrogate traditional approaches to painting, often actively integrating the physicality of the canvas and stretcher into the composition, as well as incorporating dust, glue or debris into the surfacas well as incorporating dust, glue or debris into the surfacas incorporating dust, glue or debris into the surface.

There are also his more traditional - seeming, good old oil - on - canvas compositions, that range from photorealistic to blurred, positioning his paintings as a repository of memory, unreliable in its nature, and indubitably mediated by the artist's subjectivity.

Thinking beyond the traditional notion of painting as paint on canvas, many of the artists in this exhibition also expand the possibilities of support.

Buren similarly found a way around the artist's traditional, heroic confrontation with the blank canvas, choosing readymade fabrics as his supports and developing rigorous conceptual systems to guide his practice.

With a range of traditional and nontraditional materials, including acrylic and oil paint, ceramic, paper, canvas, carpet, and larvae, as well as varying techniques — from painting, pouring, cutting to burning — the artists employ different degrees of chance, and some more than others.

«One of the goals behind Vitality and Verve is to spotlight artists who are stepping out of their studios to paint on a grand scale using outdoor walls as their canvas as well as urban artists who are beginning to work in a traditional studio setting.»

I paint on glass in a very traditional way, as if I were painting on a canvas with oil paint.

But to one side, the cacophony thinned into a conventional painting hang of stretched canvases, as though the imagery they supported demanded a more stable and traditional ground.

Mack refers to himself as a painter, yet his works rarely observe the medium's traditional canvas - to - stretcher format.

Text from Scott's recent exhibition at the Danforth Museum (MA) describes her work as «Influenced by the aesthetics of contemporary painting, as well as the thrifty and improvised nature of folk art, Susan Scott manipulates traditional painters» materials such as canvas, wood, staples and paint to create an elegant and quirky hybrid of painting and sculpture.»

He has made paintings on traditional, rectangular canvases, paintings on differently shaped canvases, murals, prints, three - dimensional relief paintings and paintings that many people would describe as sculptures.

Ericsson constructs his work using traditional art materials such as canvas, bronze, photography, and clay as well as video, found objects, and artifacts taken from his family archives.

Conforming to Greenberg's idea, Johns began to use the American flag and the map of the United States as subjects, while Rauschenberg made his canvas for «Bed» from a pieced quilt — a unique bit of traditional Americana.

Sam Gilliam's «After Micro W» 2» marks his departure from the standard, stretched canvas as he rids himself of the traditional confines of painting on a two - dimensional surface.

After settling in New York, Kuwayama eschewed both traditional Japanese painting and Abstract Expressionism, which dominated contemporary art, and instead experimented with highly reductive painting, producing canvases with brightly colored fields of paint in horizontal and vertical compositions, such as Untitled: red and blue (1961).

She beat competition from the other shortlisted artists: Dexter Dalwood, whose contemporary take on traditional history painting saw him an early bookies» favourite; Angela de la Cruz, whose mangled, dishevelled canvases place her somewhere between painter and sculptor; and the Otolith Group, whose work, often in film, encompasses curating as well as creating.

Taken together, the exhibitions illuminate the ways modern and contemporary artists have embraced creative processes and a variety of materials that move beyond traditional media — such as paint on canvas or charcoal or pencil on paper — to create their art.

Although Piper's early and student work made use of traditional fine art media such as paint and canvas (such as The Body Politic, 1983), [3] from the late 1980s he became primarily associated with technically innovative work that explored multi-media elements such as computer software, websites, tape / slide, sound and video within an installation - based practice.

By defying the traditional frame of a canvas, he is able to draw out of the grid with negative spaceas well as materials at hand: strips of bald canvas, packing materials, charcoal, powder, string, tape, gesso, among others.

Taking vast, remote landscapes and the ephemeral conditions of nature as their sculptural canvas, these and other artists staged their own protest by rejecting traditional sculptural forms and practices, rigid modernist theory and the commercial confines of the museum - and - gallery system to create frequently massive land art works that heightened awareness of our relationship with the earth and challenged accepted definitions of art.

James» works interrogate traditional approaches to painting, often actively integrating the physicality of the canvas and stretcher into the composition, as well as incorporating dust, glue or debris into the surface.

In addition to using the traditional framework of oil on canvas, Van Deventer works on stretched silk, a material she describes as «both a traditional painting surface and a fabric that is in between opaque and transparent, in between a fabric for the body and a smooth surface for painting.»

Most of these artists worked with traditional art materials like paint and canvas, but others were inspired by newer methods of art making, particularly an approach known as Process Art.

Daniel Sinsel's fidelity to traditional pictorial genres rendered in oil on canvas, as well as his employment of age - old craft techniques in the fabrication of his objects (including metalworking, ceramics and casting) seems intent on making us aware of the time and labor invested in them.

By refusing to adopt the «old values» of traditional art and asserting the flatness and objectivity of the canvas he was not rejecting completely the energetic brushstrokes of Abstract Expressionism, as is often suggested, but insisting on the development of the overall surface without relying on the illusionism that comes from the visual brushstrokes or the sense of depth that the inclusion of color might imply.

In the 1980s he used to paint works on traditional supports such as canvas or board, but he became sickened by the rampant and cynical commercialisation of much painting of the period and even gave up painting altogether for a time.

Traditional outreach such as door to door canvasing and television advertising still play a major role in gaining public support but these techniques will not appeal to the younger voter, and therefore will not be sustainable for much longer.

Although nothing can truly replace a traditional piece of paper or sheet of canvas, the iPad Pro comes incredibly close to bringing digital art up to the same level as analog art.