Not exact matches
In the past, this form of
painting was only done on the outer walls of houses but Mahlangu is one of the first artists to transfer these
traditional designs to
canvas, shoes, sculptures, ceramics and other modern mediums, making her a pioneering Ndebele artist and showing that adapting to change is an essential skill in the art world.
Free morning At 13:45 pm A Guided Cusco City Tour, Excursion, visiting Koricancha «The Sun Temple» the golden Inca «s temple that impressed so much to the first spanish conquistadores when they arrived in 1534, Cusco main Cathedral with their exquisite
canvas from the Cuzqueña
Painting School, chapels, Virgins and Saints, Saqsayhuaman Inca Complex, where every year in June in the winter solstice in this hemisphere the young Cuzqueños perform the old and
traditional Feast of the Sun «IntiRaymi» in honor to the Sun, then we visit Tambo Machay, Qenqo and Puca - Pucara.
His
canvases during this decade thus fuse the harmonious composition of the
traditional landscape
painting with the dissolving surfaces and complex manipulation of colour that had emerged in art following impressionism.
Current art world phenom Wyatt Kahn, whose fragmented
canvases blur the line between
painting and sculpture, transcends
traditional roles once again as curator for Rachel Uffner Gallery's group show, «Proper Nouns.»
This 1990 oil on
canvas is also an acknowledgement of the importance and significance of
traditional painting.
Over the course of her young career, Erika Keck has been steadily minimizing
canvas (or other
traditional backing) in her
paintings, composing instead with long, sticky - shiny stripes of acrylic
paint, draped across stretcher bars or other structures.
Pollock studied under Thomas Hart Benton before leaving
traditional techniques to explore abstraction expressionism via his splatter and action pieces, which involved pouring
paint and other media directly onto
canvases.
Conceived as an adjunct to
painting in the earliest years of its development in the first decades of the 19th century, when many painters discovered how useful photographs could be in composing their
canvases, photography quickly assumed an artistic presence and legitimacy of its own (albeit one that often still took its cues from
traditional painterly modes of representation).
The grouping of objects will create an overall image by their dynamic arrangement within the space, an arrangement that mimics the way I would approach a more
traditional painting on
canvas.»
Without recourse to the
traditional means of brush,
canvas and illusion, he has «
painted» with fire and iron, creating a tight, balanced composition with all the compelling pictorial logic of a great abstract
painting.
Kaz Oshiro's sculptural
painting contorts the physical plane of the
canvas, playfully breaking the
traditional hard edges in a brilliant shade of hot pink.
Rather than assembling a group of artists who are concentrating on the demise of
traditional painting supports — torn, shredded or punctured canvasses, exposed stretcher bars,
paintings hung backwards, oddly shaped
canvases,
painting as sculpture, etc... this exhibition will focus on works that address time as a subject, or are time - sensitive.
He later invented his Texturologies — abstract
paintings which adapted the
traditional Tyrolean technique used by plasterers: Dubuffet covered his
canvas in layers of tiny droplets of
paint, and combined it with materials including collaged elements and sand.
After all the years of videos, rumpled beds and elephant dung, a truly shocking contemporary artist emerged last night as the bookie's favourite to win the # 20,000 Turner Prize - Michael Raedecker, who creates delicately beautiful, eerie landscapes in the
traditional materials of
paint and embroidery on
canvas.
A
painting may begin in a
traditional sense, with a few strokes on
canvas, then become whitewashed, sanded, thrown on the ground to collect spills from another project, whitewashed again, and so on, up to at most 15 times before a surface is built, and the work is deemed finished.
Two of Hirst's more recent
paintings in which the artist returned to the
traditional medium of oil on
canvas are included, as well as «Resurrection» (1998 - 2003)-- a unique sculpture featuring a skeleton bisected by two glass panels, in the position of the crucifixion.
Challenging the
traditional form and, with that, the definition of
painting, Sam Gilliam forgoes the practice of stretching his
canvases, instead allowing them to drape, and Angel Otero builds works from skins of dried
paint and shreds of
canvas.
Alfonso Ossorio, known primarily for his later compositions of found gewgaws and the ever - present evil eye, also has a
traditional oil on
canvas action
painting from 1955.
Through his investigational approach, Otero combines the
traditional act of
painting with his innovative creation of «oil skins,» produced by layering oil
paint on glass and then peeling it off in «sheets» before transferring it to
canvas.
Laurel Sparks works on
traditional canvas, but in addition to
painting she is using assemblage while letting the material fulfill its duties to communicate with the entire composition.
Many artists today are producing
paintings and sculptures that resemble or reference textiles, using
traditional materials like
paint,
canvas, wood, paper and glass.
There are no
traditional canvases in Gomes's work:
painting instead becomes sculpture, object, an act of mark making upon a surface, or an arrangement on a wall.
It's a common story of contemporary art for artists to describe abandoning the two - dimensional confines of
traditional painting on
canvas for the more immediate materiality of sculpture, installation, or performance.
Using
traditional tattoo iconography as well as a free hand drawing style, Dr Lakra brings energy to every page,
canvas, or object that he floods with
paint and ink.
While antithetical to
traditional landscape
painting, the square
canvas, with slight compositional variations of placement, scale, color, and architectural imagery, is appropriate to her modernist subject matter.
Artist Mark Bradford moves past a
traditional definition of
painting with his palimpsest - like
canvases comprising layers of collaged and
painted material that the artist sands, slices, and lacquers.
By the 2000s, though, his ability to make the
traditional medium of
painting feel exciting and relevant ensured that his
canvases were widely coveted.
Originally trained in
traditional Japanese Nihonga and Western - style Yoga
painting, by the time Shiraga joined Gutai he had begun to experiment with oils, spreading thick impasto across the
canvas using his fingers, hands and feet.
As we've found throughout in our ongoing coverage of Phaidon's new contemporary
painting compendium Vitamin P3, smearing pigment on
canvas is hardly a lost art — in fact, by all appearances, this most
traditional of art forms is still going strong.
In one of the new landscape
paintings,
traditional pictorial devices used to suggest depth or perspective are playfully challenged by the use of filmic text or explicit engagement with the flatness of the
canvas.
Often rendered on unusually shaped
canvases with
paint layered so thick it seems three - dimensional, Murray's decision to stick with
painting an a time when it had largely fallen out of favor with modern artists — along with her choice to ignore many of
painting's
traditional boundaries and labels — helped her to stand out.
Stingel is best known for his wall - to - wall installations, constructed of fabric or malleable Celotex sheets, as well as his seemingly more
traditional oil - on -
canvas paintings.
At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to
paint across a room - sized
canvas of
traditional Korean paper, spread across the gallery floor.
From
traditional and non-
traditional paintings on
canvas, to sculpture, video and photogram collages, this body of work transcends historical perceptions of abstraction and challenges the boundaries of the genre.
With a playful title just one letter away from describing a
traditional form of
painting, Acrylic in
Canvas reminds viewers how flexible borders between seemingly discrete categories can be.
As particular and individual in their use of colour as they are distinctive in composition, James» works interrogate
traditional approaches to
painting, often actively integrating the physicality of the
canvas and stretcher into the composition, as well as incorporating dust, glue or debris into the surface.
In his
paintings Moffett extends the
traditional two - dimensional frame in a number of ways, including converting the ordinariness of the flat plane into highly textured reliefs, making
paintings that are opened up and turned inside out, or presenting intricate illuminations through the use of video projections on the
canvas.
From iconic silkscreen graphics to black light
paintings, McGinness creates a hybrid of experience that move beyond the
traditional canvas.
Eschewing
traditional methods of
painting, in one of his critically acclaimed series Estep used an industrial kiln to sterilize soil before he sifted it in careful patterns through a metal screen onto the glue coated
canvases, smearing them when he removed the screen.
Hard - edge
painting, geometric abstraction, appropriation, hyperrealism, photorealism, expressionism, minimalism, lyrical abstraction, pop art, op art, abstract expressionism, color field
painting, monochrome
painting, neo-expressionism, collage, intermedia
painting, assemblage
painting, digital
painting, postmodern
painting, Neo-Dada
painting, shaped
canvas painting, environmental mural
painting,
traditional figure
painting, landscape
painting, portrait
painting, are a few continuing and current directions in
painting at the beginning of the 21st century.
In these works he had dispensed with the more formal
traditional technique of drawing and under -
painting in favor of working directly on the
canvas with a loaded brush.
There are also his more
traditional - seeming, good old oil - on -
canvas compositions, that range from photorealistic to blurred, positioning his
paintings as a repository of memory, unreliable in its nature, and indubitably mediated by the artist's subjectivity.
Honorable Mention awards in the
Traditional Art category were given to Julia Jenkins for her acrylic
painting, «Metamorphosis,» Shabana Kauser for her oil on
canvas, «Identity», Seon Young Kim for her oil on panel, «Jared» and Elzbieta Karnas for her oil on
canvas, «Sunshine.»
Contributed by Becky Huff Hunter / It's a common story of contemporary art for artists to describe abandoning the two - dimensional confines of
traditional painting on
canvas for the more immediate materiality of sculpture, installation, or performance.
Before conceptual art, art was made of
traditional materials,
paint,
canvas, bronze, marble, and more.
Thinking beyond the
traditional notion of
painting as
paint on
canvas, many of the artists in this exhibition also expand the possibilities of support.
Raised and educated in Sichuan, China, there is a clear influence of
traditional Asian
painting in the build - up of her markings on the
canvas.
From the»40s on, American Abstract Expressionism dominated the Western art landscape and returned many artists» attention to the evocative formal qualities of
paint on
canvas and
traditional sculptural materials — although the biggest figure associated with «Action
Painting», Jackson Pollock, also stuck detritus including cigarette butts, coins, buttons, and keys onto the surfaces of his
paintings.
Erik Parker is known for his precisely
painted and organized worlds of chaos that exist within his brightly coloured, intensely layered, highly saturated
canvases, that riff on the
traditional genres of portraiture and still - life.
With a range of
traditional and nontraditional materials, including acrylic and oil
paint, ceramic, paper,
canvas, carpet, and larvae, as well as varying techniques — from
painting, pouring, cutting to burning — the artists employ different degrees of chance, and some more than others.