Not exact matches
To set El Faro apart, he created a plantation that blended
traditional farming methods with sustainable agriculture
techniques and a progressive
culture.
Traditional techniques for identifying microbes rely on growing them in Petri dishes, but gut bacteria are particularly tricky to
culture.
The study documented bacteria — and related genes — using cutting - edge metagenomic
techniques that allow the characterization of organisms that can not be detected using
traditional culture - based microbiology assays.
The research builds on the team's previous work with a
technique called three - dimensional
culture, which involves incubating stem cells in a floating ball - shaped aggregate, unlike
traditional cell
culture in which cells grow in a flat layer on the surface of a
culture dish.
Each chapter of the book provides well - researched information on the
traditional food in question, as well as recipes for these other ancient food
techniques, many of which have largely disappeared from our present food
cultures.
Designed by the award - winning French - Moroccan architect, Lotfi Sidirahal, from Atelier PoD, the resort was constructed using
traditional building
techniques and local building materials, including stone taken from the mountain, a true reflection of Omani history and
culture but with contemporary flair.
The treatments are based on the
traditional healing of Indonesia
culture, finest natural ingredients and essential oils combining with modern touches and
techniques.
Professional oils and
techniques are applied ensuring the utmost in relaxation and rejuvenation.There are also a collection of other facilities and services including the cozy Internet corner with cocktail facilities, the Reef amix beauty salon and Spa proving
traditional Balinese and Javanese treatments and the exclusive ability to be dressed up in
traditional Balinese ceremonial clothing with all make up and accessories in order to learn about the
culture and actually feel part of it.Altogether a very well positioned secluded tropical paradise hideaway close to Nusa Dua's Top - notch leisure, entertainment and eating.
Natalie Baxter employs sewing and quilting
techniques from her grandmother to create soft sculptures exploring Americana and the political zeitgeist; Paola Citterio creates pieces blending the
traditional craftwork she learned from the women in her childhood home (knitting, sewing, felting and baking) with found objects from city streets; and Leslie Tucker translates her passion for satire, consumer
culture, and decoding human nature into suggestive digital collages layered with meaning.
Her reappropriation of the
traditional Iranian
technique of mirror - mosaic has produced mirror balls that exude the glitz of the pop
culture the artist encountered in 1970s America.
She often uses
traditional techniques referencing both high and low
culture, often with everyday - life as the central subject matter.
She makes extensive use of Xerox transfer printing, a largely Western
technique, to incorporate found photography into the works: family photographs; images from Nigerian popular
culture; clippings from political, fashion, and society magazines; and ornamental patterns from
traditional textiles.
Jang abstractly transforms Korean
traditional ceramic
techniques such as Buncheong, which features inlaid crane patterns as a symbol of luck and longevity in Korean
culture, combining these with her own unique identity having grown up in both Korean and African - American communities.
She often uses
traditional techniques that hold references to both high
culture and low
culture, and she draws inspiration from traditions developed by feminist artists and avant - garde movements.
Incorporating explorations of
traditional woodcutting
technique, American skateboard
culture, storytelling, and anime, the show features just enough mirth and malice to kick off your Halloween weekend right.
Continuing the tradition of the previous exhibits (Roux at the Houston Museum of African American
Culture, Stir at Gallery M Squared, Mojo at Prairie View A&M University, and bās at Art League Houston), each artist used the word «sugar» to explore its historical, cultural and personal connotations while confronting the boundaries of experimental and
traditional printmaking
techniques.
The artist developed a style in her large - scale works that challenges a
traditional linear art history; these works were influenced by a wide range of images from different
cultures, including
techniques from Persian miniature painting, studies on the female body and subjectivities, and science fiction.
The resulting imagery adopts
traditional Japanese
technique and incorporates American pop
culture illustration.
In her films, sculptures and installations, Nevin Aladağ (b. 1972 in Van, Turkey) works both with
traditional materials and
techniques and with elements borrowed from pop and youth
culture.
The artists included in this program employ a variety of
techniques regarded as
traditional and domestic, such as embroidery and crochet, using craft materials to address cultural and gender issues in a complex intersection of artistic practices, popular
culture, and aesthetic splendor.
Luna Rienne features visual artists working in contemporary mediums who integrate elements of urban
culture with
traditional techniques.
While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass
culture - driven iconography to an array of materials and
techniques, from wooden boxes and window pallets to more
traditional canvas, prints, sculptures, stencils, installation, and prayer wheels.
In her work Jiha merges the
traditional techniques and materials of her native Korea, such as her use of handmade hanji paper, with references to global art and
culture.
In her work Jiha merges the
traditional techniques and materials of her native Korea, such as handmade hanji paper, with references to global art and
culture.
Half Choctaw and half Cherokee, he uses
techniques and materials that are
traditional to Native American
culture, and elaborates them through his profoundly personal process.
In its formal treatment, takes on the appearance of a futuristic color fields abstract expressionism where
traditional painting has been replaced by spray, which reminds us of the
technique used in painting street graffiti, positioning the workpiece between the high and low
culture.
Combining ancient
techniques, historical iconography and Daoist philosophy, these innovative artists explore the ways in which
traditional Chinese
culture lives -LSB-...]
Marc Andre Robinson (b. 1972) is a Brooklyn based artist recognized for sculpture, where he employs
traditional carpentry
techniques to formally and conceptually explore African - American
culture and history through a contemporary lens.
Some RISD design students took the fruits of their project, called Bridging
Cultures Through Design, to the New York Gift Fair, and it was great to see that students have interpreted the artisans»
techniques in different ways, giving the products a contemporary twist without abandoning the
traditional craft.
-- Employing at risk, impoverished women to improve their livelihood; — Eco-friendly practices in our sourcing of materials and our design processes; — Honouring
traditional artisan crafts and
techniques providing sustainable fair trade wages; — Creating exclusive, modern designs that reflect the beauty and
culture of the women who made them; — Donating back to their artisan communities for healthcare and educational needs.