Sentences with phrase «traditional deals offered»

Not exact matches

The deal will help Salesforce open a new front as it look to take away more market share from traditional software providers such as Oracle Corp. and SAP AG, both of which already offer cloud - based ecommerce services.

Grocery chain Albertsons announced plans Tuesday to acquire Rite Aid in a cash and stock deal, as the traditional grocery industry continues to look for growth by broadening offerings, not just store base.

Vice has said it wants to expand into offering more traditional types of programming in more than 80 countries this year, and has signed a number of deals with media companies and telecom providers in the Middle East and Asia for distribution.

One thing that separates the synthetic DRIP from the traditional DRIPs are most self directed / discount brokers I have dealt with can only provide a synthetic DRIP because they do not offer to buy fractional shares.

The company has bargained on and off for years to build the ability to offer programs outside traditional TV packages into its rights deals with sports leagues, and has renegotiated some contracts to make it work.

Regulators haven't quite figured out how to deal with the newfangled fundraising method, which blends elements of crowdfunding via cryptoassets and traditional initial public offerings.

Franklin Mutual funds also operates as a Roth IRA, as well as dealing with the traditional, better - known IRA and has well over five hundred twenty nine different offering mutual funds.

Our partners may offer free baby stuff, like buy one get one «bogo» deals, instead of more traditional discount promotions.

In fact, several of our EAP graduates have been offered traditional deals on subsequent books.

If Macmillan sees a Pronoun author getting great sales on Amazon, might they offer to «develop» them by offering a traditional publishing deal?

«My agent had gotten me an offer for a traditional deal, and they wanted two books.

Authors carve the creative control over their work, and they've come to realize that self - publishing affords them an almost equal chance for income potential as a traditional publishing deal, as evidenced largely by the fact that 24.8 % of those who responded said they'd published through a traditional publisher who offered a royalty split, but who did not pay them an advance.

6 min read Self - publishing has improved a great deal since 2002, when Lulu first broke the mold and began offer writers a means to publish without going the traditional route.

not my forte... I have had other publishers offering deals etc. but if i had money to begin with i would have gone to a traditional publishing house.

A traditional package deal, Groupees offers the following 19 digital comics, valued at over $ 42.00, for the low price of only $ 3.99 — a 90 % savings!

My method of publication: Writer wants a career in writing publishes books independently and hopes to attract enough sales or fans so a traditional publisher shows interest and offers a deal.

It is telling that even authors like Anthony Ryan and Michael J. Sullivan who did VERY well with Self Publishing took a Traditional deal once it was offered to them.

Some small presses, in addition to offering traditional book deals that work on a traditional model, also have a separate plan where authors have to pay.

A good few indy - authors that I know of have since gotten traditional publishing deals based on their success with indy - published books, but unless I were offered an insanely large advance, I don't think I would go for it.

And most significantly, if you can achieve a threshold of sales, say from 5 - 10K copies on your own, a traditional publisher may offer you a deal to take over the book for their list.

Agree particularly that traditional publishing ain't the whole deal these days and not to go with the first offer you receive.

The best hybrid publishers are those that conduct some level of gatekeeping or curation (i.e., not everyone who knocks on the door is accepted as an author), offer some value that authors would have a hard time securing on their own (such as brick - and - mortar distribution), and pay better royalties than a traditional publishing deal.

Since PW isn't offering that deal to traditional publishers, whose books are considered for review without a $ 149 fee, I'm somehow not excited about the book promotion opportunity that PW is offering self publishers.

A few publishers offer unsuspecting authors a «traditional publishing deal» — where the publisher pays publishing costs and industry - standard royalties on sales — paired with a «mandatory marketing and author training contract» that requires the author to pay the publisher (or an affiliated marketing agency) thousands of dollars for marketing and «author training» services.

To summarize: The best hybrid publishers conduct some level of gatekeeping, offer value that the author would have a hard time securing on her own, and should also pay better royalties than a traditional publishing deal.

Legitimate hybrid publishers are always up front about the nature of the arrangement and the fact that the author isn't being offered a «traditional deal.»

If you self - publish and start getting offers from traditional publishers or international deals or Hollywood, then consider getting an agent or an IP lawyer to help you with the contracts.

But I wouldn't take a job or a traditional publishing deal no matter what the offer was.

And yet, it's also a strong case for at least trying the traditional path first — she was willing to take the time to put a book out on submission and was therefore able to get a deal on the table and actually see the numbers they were offering (plus clauses and timeline) before turning it down.

With what I know now of the publishing industry (thanks to the great blogs mentioned above, as well as the fantastic explanations offered by The Passive Voice and Rusch on the minefield of rights» grabs that are traditional publishing contracts), I would be cautious if I were ever approached for a trad deal.

As I described in a recent post, Eisler said that what made the decision to go with Amazon easy was that the web giant promised to not only get his books to market faster — both in print and electronic form — but also offered to sell them at a lower price than the traditional publisher, and apparently (although the terms of his deal weren't released) gave him a bigger share in the proceeds to boot.

Indie publishing is not the new query, in spite of high - profile instances of indie bestsellers being offered traditional publishing deals.

If that illusive traditional publishing deal comes along off the back of your self publishing success, you have complete control to take or leave the offer, with no contracts or ties holding you back

If the right offer came along from a traditional publisher or an Amazon imprint, I wouldn't hesitate to ink a deal.

The ISBN identifies your book in distribution catalogues; buyers use it to order your book; online retailers use your ISBN to create product pages; and tracking services like Book Scan use your ISBN to track sales numbers and locations (If you hope to snag a traditional publishing deal, this is important: the house is likely to check previous sales before making an offer.)

A good number of indie authors have at some point been offered traditional book deals, but they decided to do their own publishing.

I've recently seen a number of «short - form contracts» that claim to offer authors a «better deal» than «old, traditional, complicated forms.»

* Note: some «hybrid» presses offer authors a cost - sharing arrangement under which the author has more control and receives a higher share of the profits; however, this is not a «traditional» deal — have an agent or lawyer review any hybrid contract before you sign.

In this contract, an unsuspecting author is offered a «traditional publishing deal» — meaning the publisher pays the publishing costs and offers industry - standard royalties on sales — but the contract contains a «mandatory marketing agreement» (or addendum) that requires the author to pay the publisher (or an affiliated marketing company) thousands of dollars to market and advertise the author's book.

The first model (traditional publishing) provides a decent offer, showering you with rewards and a professional team of experts to deal with your issues... for a price.

Still other successful indie authors have turned down traditional publishing offers after going indie and are scooping up international deals and optioning movie rights, all while not giving up their ebook rights.

However, while getting traditionally published offers a writer superb clout, by the time you've gone to the time, trouble and expense of self - publishing, you might not really care about a traditional publishing deal.

There is a vocal camp that have now sworn off traditional publishing forever but I think most indies are still interested in a publishing deal, if it offers something they can't do or don't want to do themselves.

authors switches to self - publishing, creating enough market pressure to motivate publishers to offer traditional deals that don't completely suck.

The only compelling argument I've read so far is that traditional publishers provide advances and bankroll the writing process, but that's typically only true after one has already sold some work: few are those who ever got offered great publishing deals on their first manuscript in the traditional system either.

Most indies are interested in a traditional deal, they want to be offered it even if they wouldn't accept it.

Last week, Barry turned down a $ 500,000 book deal with a major trade publisher for his next two books and declared his intention to self - publish, while Amanda accepted a $ 2,000,000 offer from a traditional publisher to publish four new novels.

New York Times bestselling indie authors Keeland and Ward went looking for a traditional deal for their coauthored novel, Cocky Bastard — but the offers they received weren't in the realm of what they felt they could make publishing it themselves.

Also, there was no indie publishing scene at the time, so there was never a thought of not taking the traditional deal when it was offered.

Those who've achieved success in self - publishing and only then were offered lucrative traditional publishing deals are probably the most well - known — Hugh Howey, for example, self - published his collection of short stories, entitled «Wool,» on Kindle Direct Publishing and sold thousands of copies before being approached with a traditional contract.