Sentences with phrase «traditional distinction»

Her early work was initially in dialogue with minimalism but quickly spiraled out into ideas about hybridity and what has come to be known as the «post-medium» condition, a blurring of traditional distinctions between media such as painting, sculpture, and photography.
These shifts come at a time when traditional distinctions between energy producers and consumers are being blurred and a new group of major developing countries, led by India, moves towards centre stage.
The finely detailed, hand - painted miniature patterns in gouache add an unusual visual register to the transparent watercolors, layering silhouetted bodies in sinewy vines and other organic shapes, and confusing traditional distinctions between figure and ground.
Her work collapses traditional distinctions between image, dimensionality and content.
In Tauba Auerbach's work traditional distinctions between image, dimension and content collapse.
Even government figures are speaking out about the inequality, with Vera Baird, solicitor general, insisting the upcoming equality bill will wipe away traditional distinction between men and women's pay.
Adapted from author Jeff VanderMeer's «Southern Reach» trilogy, Annihilation exists at the vanguard of an emerging, radical eco-philosophy, one in which traditional distinctions between humans and non-humans are being deconstructed.
Modern - day opponents of the ERA argue that its passage would obliterate traditional distinctions between the sexes; would require women to register for the draft and serve in combat; would remove laws that protect women, such as labor laws in heavy industry; and would require the integration of all single - sex schools, sports teams, and even restrooms; and that the ERA is simply not necessary in light of other provisions of the Constitution that provide sufficient support for equality.
Upending traditional distinctions between fine, folk, and decorative arts, Grebenak subverts the readymade tendencies of the Pop - era to establish a cheeky - irreverence all her own.
The works of Martin Durazo pair perfectly with those of Ryan Perez, whose photographs of exacting studio constructions playfully confound traditional distinctions between artistic and industrial production.
Eliding and evading traditional distinctions between techniques and technologies, his pictures might most readily be associated with the expanded photographic output of artists such as Liz Deschenes, RH Quaytman, or Wolfgang Tillmans.
«Since Cooper Hewitt first acquired Joris's design school thesis project, the Heat Wave Radiator, we have keenly watched him build a body of work that abolishes traditional distinctions between the natural and machine - made, decorative and functional, and points toward an exciting new future for design,» said Cooper Hewitt Director Caroline Baumann.
These shifts come at a time when traditional distinctions between energy producers and consumers are being blurred and a new group of major developing countries, led by India, moves towards centre stage.
The finely detailed, hand - painted miniature patterns in gouache an unusual visual register to the transparent watercolors, layering silhouetted bodies in sinewy vines and other organic shapes, and confusing traditional distinctions between figure and ground.
And just to make matters worse, the still useful and traditional distinction between ordinary and extraordinary treatment has been corrupted, making it appear as if it is mere ordinary treatment to preserve the body of a PVS patient indefinitely.
This conclusion implies a reevaluation of the traditional distinction between the Christian religion, on the one hand, and the so - called «natural» religions and atheism, on the other.
Likewise, Swain advocates for the use of the traditional distinction between «divine processions» and «divine missions.»
Nevertheless, despite the continuing relevance of these traditional distinctions, they appear as secondary issues in the wider horizon of Christological discussion in the United States.
Congregations will keep leaning on the contemporary and traditional distinction, haphazardly adding services, hoping to serve the unformed subjectivity of worshipers who find their way through the door.
Soelle has suggested that the traditional distinction between God and the world is captured in a set of «godly» / «worldly» dualisms — Creator / Created, Lord / Servant, Maker / Made, Artist / Artifact, Will or form / Stuff or matter, Cause / Effect, Subject / Object.
If the traditional distinction between the masculine and the feminine is accepted for the moment, the masculine being defined as active and the feminine as passive, then linear power is quite thoroughly masculine in character.
Our research has found that this tends to blur the traditional distinctions of sex.
What we need to do first is to realize that our traditional distinctions between science and religion, nature and super-nature, are invalid and inadequate for a true understanding of the nature of theology and theological talk.
And he undermines the Church's view on the seriousness of mortal sin in the following comment: «Though the Church's traditional distinction between mortal and venial sin is justifiable, it is in the concrete just as difficult to tell the one from the other as to assign real guilt to a person.»
To resolve this problem, Whitehead distinguished between contingent and essential relationships, which, he said, correspond closely to the traditional distinction between external and internal relations.
The high resolution that is achieved by these techniques, particularly by microarray technologies such as array comparative genomic hybridization, is blurring the traditional distinction between cytogenetics and molecular biology.
Welles himself denies the traditional distinction between theatre and film acting, and says that both should be expressive.
The distinction here is more than the traditional distinction between «formative» and «summative» assessment, or between assessments of learning and assessments for learning.
For many of the visitors wandering into the area while out shopping in town, there were none of the traditional distinctions between high and low profile games, just a warm focus on the diversity of play.
Asura's Wrath loses the traditional distinction between gameplay and cutscenes through seamless player controlled narrative.
Pierre Huyghe (Paris, France) creates films, installations, and public events that blur the traditional distinction between fiction and reality, revealing the experience of fiction to be as palpable as anything in daily life.
Exploring the traditional distinctions between image and content, Auerbach's cerebral compositions challenge our perceptions.
As UCLA Professor Anthony Vidler writes «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».
By carefully manipulating space, Ronay collapses the traditional distinctions between the terrestrial and the celestial.
Since 1979, the Swiss artist duo have created an extraordinary breadth of work, often ignoring the traditional distinctions between high and low art.
Ignoring the traditional distinction between naturalistically depicted and abstracted figures, the sensuous color and bold, sinuous contours of these elusive and lyrical paintings play on the tension between figurative references and abstract forms.
Long before it was widely accepted to do so, Noguchi ignored the traditional distinction between «art» and «design.»
While blurring the traditional distinction between fiction and reality — and revealing the experience of fiction to be as palpable as anything in daily life — Huyghe's playful work often addresses complex social topics, such as the yearning for utopia, the lure of spectacle in mass media, and the impact of Modernism on contemporary values and belief systems.
This approach allowed her to layer washes of paint on top of one another, creating unusual combinations of colors and forms and blurring the traditional distinction between figure and ground.
It is typical of her vision that she ignored the traditional distinction between high art and photography, then considered a lesser artform.
At a time when the traditional distinctions between art and design are being widely debated and often blurred, this exhibition highlights the fundamental importance of both disciplines.
a b c d e f g h i j k l m n o p q r s t u v w x y z