Sentences with phrase «traditional documentary photography»

Colorado - raised and NYC - based, Peter Sutherland employs techniques of traditional documentary photography to capture the hidden beauty of ordinary objects and everyday situations.

Peter Sutherland's work employs some of the techniques of traditional documentary photography to capture the hidden beauty of ordinary objects and everyday situations.

Born in Colorado in 1976, his work employs some of the techniques of traditional documentary photography to capture the hidden beauty of ordinary objects and everyday situations.

Not exact matches

Jon Amiel's film is beautifully constructed and flawlessly integrates other techniques (documentary footage, time lapse photography, CGI effects) into what feels like a traditional period piece.

His use of color film in the early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

All of these elements - traditional figurative painting, cinema, Minimalism, Conceptual art, documentary photography - are consciously evoked and explored in Wall's work.

Weems's vibrant explorations of photography, video, and verse breathe new life into traditional narrative forms: social documentary, tableaux, self - portrait, and oral history.

Her photography career began in the silence of the darkroom, but later shifted under the influence of critical theory to combine the traditional practice of documentary photography with the impulsive reflections of ordinary experiences.

His use of color film in the late 1970s and early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

Among them are portraiture and the portrayal of gender; the transition from traditional photography to constructed landscapes and an examination of the manmade environment; and the conventions of documentary photography, street photography, and images manipulated for psychological effect.

The artists featured in the exhibition Family Pictures — LaToya Ruby Frazier, Deana Lawson, Carrie Mae Weems, John Edmonds, and Gordon Parks among them — work in a similar vein, pushing against traditional notions of documentary photography in radical and intimate depictions of domestic life.

This duality extends further through the use of the ethical guidelines of both traditional social documentary and staged photography.

This year, our esteemed jurors Sean McFarland and Corey Keller will review all forms of photography ranging from traditional to experimental, including portraiture, landscape, street photography, documentary, conceptual, and beyond.

With an interest in challenging notions of traditional journalism and documentary photography, she seeks to reframe physical sites, creating a poetics of the «unportrayable.»