Sentences with phrase «traditional drawing and painting»

His unique style integrates traditional drawing and painting techniques with large - format digital printing and computer graphics.

We had lectures on anatomy in the Mac lecture theatre using skeletons and life models, lectures about colour and pigment, materials, and art history, of course, and tutors who were familiar with traditional drawing and painting materials and technique.

The works merge traditional drawing and painting techniques with large - format digital printing and computer graphics.

Not exact matches

Parts of the statement read, «This exhibition will focus on the Visual arts specifically; the traditional fine arts such as drawing, painting, photography, sculpture; architectural, environmental, and industrial arts such as urban, interior, product, and landscape designs.

I have always loved making things, and have tried several mediums over the years; traditional painting and drawing, stained glass, digital work and most recently polymer clay.

According to Dr. Matthew Lynch, «Instead of treating the arts like a separate, distant relative to other classroom endeavors, (arts integration) programs integrate musical instruments, painting, dancing, drawing, singing and more into traditional subjects like science, math and language.»

We really enjoyed using ASUS Artist, a detailed drawing program that allowed us to sketch with several different kinds of brushes, including a spray paint can, a pen and a traditional paintbrush.

The 159 elegant rooms draw inspiration from the muted tones and refined aesthetic of traditional Chinese ink paintings, and embody the intrinsic charms of the Orient.

My background is in traditional media — you can see my drawings and paintings here — but if your readers have seen anything of mine, it's probably Vectorpark, a collection of interactive animations that I've gradually added to over the past 7 or 8 years.

Fan art can be split primarily into 2 types: traditional art; such as drawings and paintings or digital art; created through computer art programs such as Photoshop, Painter, etc...

I have some abstract and realistic paintings Also I have beautiful water colour paintings, and Traditional Kerala mural painting, pencil sketch / landscape Paintings and water colour, Abstract and excellent pencipaintings Also I have beautiful water colour paintings, and Traditional Kerala mural painting, pencil sketch / landscape Paintings and water colour, Abstract and excellent pencipaintings, and Traditional Kerala mural painting, pencil sketch / landscape Paintings and water colour, Abstract and excellent penciPaintings and water colour, Abstract and excellent pencil drawing

Again drawing on the more traditional elements of design practice, sign painting and hand lettering is still a highly coveted skill, especially in the hospitality industry.

My background in painting has allowed me to explore the material using techniques that derive more from the worlds of drawing and painting, engaging both traditional and innovative techniques in employing formal qualities with density, texture and pattern.

Defying easy categorization, Amy Sillman's works on paper incorporate silkscreened, painted and drawn elements with imagery that vacillates between abstraction, figuration, traditional painting and comic illustration.

A visit to the three spaces of the Paul Kasmin Gallery in Chelsea in New York City offers an enlivening education in the power of three of the backbones of traditional art - making: painting, drawing, and sculpture.

If you are a creative looking for nonstop access to prompts to jumpstart your making process or traditional painting and drawing techniques to bolster your set of skills...

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

If Steir's work, and her signature «waterfall» paintings in particular, draw from the New York School, it is also influenced by a longstanding study of Chinese traditional landscape painting.

Thus when the viewer sees the red date and signature of one of Mr. Kim's recent paintings the first association may be with the chop signature of a traditional Korean ink drawing, but it may just as easily be considered as a formal addition to the painting much in the way that Robert Ryman has continued in his work of 1996 to incorporate the date into his own seemingly minimalist, abstract paintings.

Painting, woodcuts, traditional Chinese ink and charcoal drawings are often combined to create the foundation of expressionistic, stop - motion animated films.

His paintings and drawings have a childlike simplicity that is reminiscent of traditional book illustration, but the works also have a restlessness and tension that is influenced, in part, by Naras love of punk rock.

Drawing inspiration from the rawness and decay of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.

Some of Lichenstein's greatest works evolved from imagery drawn from popular culture: advertising images, war - time comics, and pin - up portraits, as well as traditional painting genres such as landscapes, still lifes, and interiors.

Still Life paintings, sculptures, and drawings, produced from 1972 to the early 1980s, cover a wide range of motifs and themes, including the most traditional such as fruit, flowers, and vases.

Gert and Uwe Tobias» large woodcuts, gouache paintings, typewriter drawings and ceramic sculptures combine influences from traditional folk art and abstract art from...

In turn, New York - based Abstract Expressionists such as Kline, Motherwell, and Dzubas drew influence from traditional Chinese ink painting.

Drawing from his interest in the supernatural, Hernan Bas's Occult Contemporary responds to the recent proliferation of the occult in mass media with a presentation of new paintings depicting a representation of the devil based on traditional texts and folklore.

Using traditional tattoo iconography as well as a free hand drawing style, Dr Lakra brings energy to every page, canvas, or object that he floods with paint and ink.

Ye Linghan, age 27, attended the prestigious China Academy of Art in Hangzhou where he studied traditional mural painting and drawing, his academic training evident in the many works on paper included in the exhibition.

These include paintings, portraits and text - based works inspired by the Palm Island Riot and the stunning 3D installation of competition surfboards, adorned with traditional combat shield designs from North Cairns on the face and excerpts from a James Baldwin's article («Unnameable Objects, Unspeakable Crimes», 1966) on the obverse, through to two extraordinary and enormous drawings «Lynching I» and «Lynching II» which, placed either side of the large picture window, eloquently emphasise the dark side of Sydney's pre-eminence as the starting point of colonisation in this country.

The mediums of the artworks include traditional art forms like drawing, painting and sculpture, but also time - based mediums like video and artist books as well as participatory pieces.

The paintings and drawings of Los Angeles artist Mark Grotjahn (born 1968) collide abstract and figurative elements into spider - webbed splinters that skew traditional perspective and dazzle the eye.

His powerful epic narrative is the result of elevation and transformation of the medium of drawing into the painting through the use of traditional methods of processing light and dark as the primary elements.

From the visual representation of time (known by Latham as the «quantum - of - mark») in the early spray paintings and One - Second Drawings, to the book reliefs of the 1960s, the roller paintings of the 1970s and the late glass tower works which incorporated bits of all theorems, John Latham maintained a steadfast devotion to exploring the most complex cosmological ideas and questioning the traditional notions and structures of art, science and philosophy.

Employing his traditional painting and drawing talents, and pushing past their limitations, the artist fixes his subject matter so he can experiment within these restrictions to innovate.

It is in this collaboration that Gortner draws his boundaries, asking the viewer to suspend traditional expectations of art making (i.e. that each painting should be «original» and authored in its totality by one artist) and instead consider how this connectivity to the past and present expresses a new authenticity and content ownership.

Traditional calligraphy and symbols infuse the work of Qatari artist Yousef Ahmad, who distills Arabic letters into abstract shapes, while Syrian artist Khaled Al - Saa «i draws on Sufi philosophy, painting words into spacious landscapes.»

It is in this collaboration that Gortner draws his boundaries, asking the viewer to suspend traditional expectations of art making (that each painting should be original and authored in its totality by one artist) and instead consider how collaboration - whether blind or solicited - expresses a new authenticity and content ownership.

Donald Judd started out making traditional art — drawings and paintings of landscapes and people.

Utilizing drawings, paintings, collages, photography, sculpture and participatory installations, Darkeem's practice often incorporates a craftwork sensibility that combines traditional with contemporary aesthetics, while drawing upon cultural and historical memory.

His large - scale paintings, drawings, prints, and sculpture blended Native Northwest culture with images influenced by art around the world, in the process challenging traditional notions of what Native art could look like, probing how art intersected with colonization, trauma, and identity.

A true believer in technology's aesthetic potential, he is intent on reinventing traditional pictorial methods — specifically, painting and drawing — by using the computer's capabilities and limitations to turn ordinary, Pop - inspired objects (video games and their characters, computer cables, screens, Apple Quick - Take cameras, etc.) into motifs but also stylistic models, painting them as if seen on - screen.

Though they work independently, Tim Gardner (based in Victoria, British Columbia), Marcelino Gonçalves (based in Los Angeles), and Zak Smith (based in New York) share a common interest in combining and alternating among traditional art - making techniques such as painting, drawing, and photography.

All about Matt Diffee and his ONE MAN GROUP SHOW that includes not only the original drawings for his cartoons and illustrations, but also for the first time his more traditional artistic endeavors: realist landscapes, abstract paintings, and collages.

Polemical but symbolic, it combined drawing and painting as well as craft - based techniques like collage and printmaking seldom associated with traditional Western notions of high art and mastery.

The gallery states «drawing from his interest in the supernatural, Hernan Bas's Occult Contemporary responds to the recent proliferation of the occult in the mass media with a presentation of new paintings depicting a representation of the devil based on traditional texts and folklore.»

She works with both traditional and non-traditional materials in a contemplative painting and drawing practice that explores the surface, objecthood, color, language, spatial relationships, and the spirit of materiality.

One big decision the curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries for drawings and prints; paintings and sculpture; photographs; and film and video — in part because they felt that artists today think and produce across different media.

The process more closely resembles printmaking than traditional painting, and involves the artist drawing an image on one side of a sheet of paper, and coating the reverse in paint.

Robert Ryman (b. 1930, Nashville, Tennessee) has eluded traditional classifications throughout his career, instead referring to his practice as «realist» and in doing so, proposing new perspectives on painting and drawing.