The second group, in
traditional easel - painting scale, presents both odd, alien - like creatures and certain depictions that resemble the artist herself.
«A shiny surface gives depth to the flatness at the same time as it emphasizes the flatness» he says, «But it is a kind of depth which is entirely the opposite of atmospheric depth of
traditional easel painting.
These artists took from Gauguin the challenge to
traditional easel painting, especially his notion that all art should be decorative.
Often characterized by contemporary critics as a sort of modern - day Jean Auguste Dominique Ingres, Tamara de Lempicka was the lone
traditional easel painter in the entirety of the Art Deco style.
Not exact matches
And you're clearly painting on a big surface that doesn't have all the connotations of, you know,
traditional window or
easel painting, just....
The paintings, mostly of a modest
easel size, will vary in mediums from the
traditional oil and acrylic to the exotic such as nail polish or gold leaf.
In her wall text, Zabel writes, «By exploding
traditional modes of
easel painting, Pop artists of the 1960s radically expanded the possibilities of how art is made and how it is viewed; thus they opened up multiple pathways for artists coming to maturity in later decades of the twentieth century.»
«It's easy to imagine that he's an artist from another time and that his work is
traditional in the sense that it occupies an
easel or is representational,» Mr. Rothkopf said.
They «broke free» from
traditional painting methods (like keeping the canvas on an
easel, or painting with
traditional tools like brushes).
Worked in a shared university setting at St. Olaf College, fired the largest wood fired kiln in the Northern Hemisphere at St. John's University in MN during a
traditional Japanese studio apprenticeship, studied ceramics with Japanese masters at Kansai Gaidai in Osaka, Japan, apprenticed under a Maine bookbinder on a summer whim resulting in her now 14 year residency in the state, run a restoration and fine bookbinding business in 3 State Theater studios, half a residential South Portland duplex and finally the basement of her house, shared broom sized apartment studio nooks, rented various studio's equipment and cubbies and moved her own office in with her
easel at RWS while she managed 3 apartment buildings on the East End.
By rejecting the use of an
easel and other more
traditional painting techniques, he carved out a unique niche for himself in post-war abstract expressionist painting.
When I explored options to capture this duality, I gravitated toward a design vocabulary that conveyed the mixed references: a three - legged painter
easel, a workshop sawhorse, a
traditional desk, an interactive kiosk.