In this new body of work, Saban continues to use
the traditional elements of painting and sculpture to explore, expand and disrupt the properties of these media through alternative methods and processes.
Not exact matches
The restaurant highlights a dynamic mix
of traditional and modern design
elements with hand -
painted Mediterranean tile and solid wood, stained tabletops paired with sleek, contemporary white seating.
Luminous Viet Hotel is a three - star hotel with an unassuming exterior that offers 35 highly comfortable, modern rooms with
elements of traditional Hanoi design.Interior decor includes objects like Vietnamese gongs, oil
paintings, and smoothly polished hardwood floors.Rooms are ranging in price and size from deluxe, family, suite and superior.Balconies are available for some.Room amenities include welcome drinks
of tea, coffee, or water, air conditioning, in - room safes, Wi - Fi access, single, double, or twin beds, 32â $ flat - screen TVs with satellite channels, separate shower and bathtubs, refrigerators and mini-bars, writing desks and reading lamps, and hairdryers.
Again drawing on the more
traditional elements of design practice, sign
painting and hand lettering is still a highly coveted skill, especially in the hospitality industry.
Using a condensed and dramatic form mixing
elements of comic book art, Californian underground, and murals with the great European tradition, the large scale religious implementations
of the Baroque in particular, Danø works range from the
traditional painting to reliefs and singular objects.
Elements of traditional painting are fused with a sweetly anarchic streak.
Part
of the Mannerist art «game» was making
paintings based on other
paintings, but removing most
of the key
traditional elements - being «super cool» by removing the important bits.
Mixing the
traditional media
of painting, printmaking and sculpture with
elements of digital and interactive technologies, Keith Piper's large - scale multimedia and multi-screen installations are recognised by their «cut & paste,» multi-layered aesthetics.
He later invented his Texturologies — abstract
paintings which adapted the
traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers
of tiny droplets
of paint, and combined it with materials including collaged
elements and sand.
It is a sweeping, rhythmical abstraction in blue recalling the Italian Futurist
paintings of Giacomo Balla, combined with
elements of traditional Asian ink and wash
painting.
Collection (1954/1955) is the artist's first «Combine
painting,» an early type
of Combine that hangs on the wall like a
traditional painting but reaches into three dimensions with various
elements attached to the work's surface — such as the silk veil over the mirror attached just off - center and the found wood scraps along the top edge.
Intra-cultural synergies exist in a mix
of historical and
traditional elements and each
painting is conceived and imbued with a sense
of story — character, plot, situation, conflict, and resolution — more commonly associated with theatre, cinema, or literature.
The three vertical panels, in addition to referencing the
traditional triptych format, appear to be horizontally subdivided into three regions: a relatively quiet area along the top, bordered by a long squeeze
of red
paint that crosses the surface from left to right; a densely layered strip across the center, where the majority
of the collaged
elements are concentrated; and a band
of brightly colored stripes that fills the bottom.
Fresh from her New York gallery debut, the artist presents new
paintings that incorporate collage, found objects, and sculptural
elements in unexpected ways that push the work beyond
traditional notions
of painting.
The
paintings and drawings
of Los Angeles artist Mark Grotjahn (born 1968) collide abstract and figurative
elements into spider - webbed splinters that skew
traditional perspective and dazzle the eye.
His powerful epic narrative is the result
of elevation and transformation
of the medium
of drawing into the
painting through the use
of traditional methods
of processing light and dark as the primary
elements.
Formal yet liquid, amorphous yet figurative, the sculptures explore notions
of traditional architecture while encompassing
elements of painting, stagecraft, and suggestive, open - ended narratives.
Swansea's new
paintings, produced over the course
of the last year, allude to the artist's background in film and digital art, which has led her to continually introduce
elements normally associated with these technologies to otherwise
traditional painting techniques.
At first, I juxtaposed
traditional elements of miniatures into a new format, then I started
painting modern figures using the miniature technique.
While
painted in a
traditional style reminiscent
of Rembrandt and Titian, Kuo's works deviate from this history through his choice
of imagery, combining signifiers
of American culture with
elements appropriated from film and photography.
All
of these
elements -
traditional figurative
painting, cinema, Minimalism, Conceptual art, documentary photography - are consciously evoked and explored in Wall's work.
Whether he's
painting dreamlike vistas, isolated objects, or confined interiors, Cerletty creates new meaning by playfully combining the language
of traditional painting including
elements of landscape and still life.
In this exhibition at Sandra Gering Inc., the artist presents a body
of work that borrows
elements from the
traditional Chinese literati landscape
painting trope
of Eight Views
of Xiaoxiang.
Dropping the pictorial
element of the cartoons to focus on the punch line, the young Prince realized that to pair it with the
traditional medium and discipline
of painting transmuted these banal, slightly out - dated witticisms into a provocative subject matter.
During the late 1960s through the 1970s, Celmins completely abandoned
traditional painting in order to dedicate herself to graphite pencil, creating highly detailed photorealistic drawings based on photographs
of natural
elements.
Exhibiting at Art Basel Hong Kong for the first time, PPOW is presenting a two - person booth that features historical
paintings and drawings by the late Martin Wong, a self - taught Chinese - American painter and fabled figure
of the East Village art scene that died from an AIDS - related illness in 1999, and glass - and - bronze sculptures that evoke
elements of traditional Chinese landscape
paintings from the Vermont - based Australian artist Timothy Horn, who's a recent addition to the gallery's stable.
This example moves us quite far away from the understanding
of the
traditional idea
of line art but it showcases that any mark the artist makes is an
element of his art and that a line can be a grouping
of dots, strokes, or
paints.
F. Scott Hess creates oil
paintings that honour
traditional, compositional techniques with a bright, saturated palette and
elements of kitsch.
Because an installation usually allows the viewer to enter and move around the configured space and / or interact with some
of its
elements, it offers the viewer a very different experience from (say) a
traditional painting or sculpture which is normally seen from a single reference point.
Gilliam's red, blue, and green watercolor, Parade VII, employs color through staining; Thompson's humorous oil
painting, The Golden Ass, features a more
traditional application; McArthur Binion uses crayon and collage
elements in his 2016 brown abstraction, DNA: Sepia II; Nathaniel Mary Quinn's Mean Ol' Teacher uses color as a way to bridge abstraction and figuration in a collaged face made up
of many different harlequin features.
The scorched, mural - size gunpowder drawings that combine
elements of performance art, Abstract Expressionism and
traditional Chinese and Japanese
painting are the most believable.
In this exhibition at Sandra Gering Inc., the artist presents a body
of work that borrows
elements from the
traditional Chinese literati landscape
painting trope
of Eight Views
of Xiaoxiang... more
Although Piper's early and student work made use
of traditional fine art media such as
paint and canvas (such as The Body Politic, 1983), [3] from the late 1980s he became primarily associated with technically innovative work that explored multi-media
elements such as computer software, websites, tape / slide, sound and video within an installation - based practice.
The critic Juan Espinosa has described his art as providing «the
traditional visual
elements of drawing and
painting with scenic, kinetic and musical components.»
These artists employed
traditional elements to visualize and dialogue with some
of the most complex political and social issues
of their motherlands, employing a range
of mediums to do so: animation, video installation, projection mapping, photography, drawing,
painting, sculpture and book - making.
Lasker's positioning
of contradictory
elements (thick / thin, brushed / troweled, gestural / flat, unconscious / conscious) through his use
of three elementary essentials — figure, ground and line — challenge more
traditional readings
of nonrepresentational
painting.
His works «Le Dejeuner sur l'herbe» (1862 - 1863) and «Olympia» (1863) prominently featured nude women and riffed on previous
paintings, combining
elements of works by masters like Raphael and Titian with
traditional portrait, still life, and landscape styles.
Ahmed simultaneously pays tribute to the formal, and dynamically challenges its expressive possibilities, using
elements of traditional Ethiopian
painting — bold outlines, geometric shapes and a selective earthy palette — to construct rhythmically appealing compositions.
We love the use
of old mediums such as enamel and latex
paint mixed me more
traditional elements.
The artist's use
of spray enamel, metallic, and fluorescent
paints alongside
traditional oils is exceptional: a canvas dense with earthy greens or pale yellows is electrified with a single swipe
of neon pink; in another, metallic gold or silver plays against thickly applied, buttery, and colorful
elements, yielding a highly original eye popping effect.
Combining
traditional, folkloric, and contemporary
elements of Brazilian culture with graffiti, hip - hop, and international youth culture, the artists have created an expansive body
of work that includes murals,
paintings, sculpture, site - specific installations, and video.
The benefits
of polycarbonate are many: it is much more durable than
traditional plastic, handles the
elements better, and because the One X uses it, that white design isn't
paint, so if you chip the phone or scratch it (it's harder to scratch), the entire shell is white underneath — there's no
paint to scratch off.
This spray - on battery breaks down the
elements of a
traditional battery and incorporates them into a liquid that can be spray
painted in layers onto almost any surface.
Sand tray uses figurines, toys, miniatures, and natural
elements to
paint a picture
of what is going on that may be too difficult or unreachable through
traditional talk - therapy.
From the antiqued glass mirror to the
painted vanity unit and marble countertop, there are a lot
of traditional elements at play here.
The home features loads
of beautiful classical
elements including transom windows, white
painted wainscot with
traditional cove molding, and a gorgeous
traditional staircase.