Sentences with phrase «traditional exhibition spaces»

W / ---- Projects teams with Cyril Duval to create ILBASO, a site - specific work in MAD's lobby that subverts the focus of traditional exhibition spaces.

Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of galleries or museums, he makes fine use of traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.

In 1967 he began to work outside traditional exhibition spaces, with the first instances of that «creative collaboration» he developed over the following decades by bringing together artists from different disciplines and diverse sectors of society.

She has curated exhibitions at venues including Smack Mellon, Brooklyn; Nicole Klagsbrun Gallery, New York, the Center for Book Arts, New York, as well as numerous temporary, collaborative, and publication - based projects outside of traditional exhibition spaces.

The project avoids the use of exhibition and curation, as the spaces are not traditional exhibition spaces open to the public.

It focuses on how art and artistic practice manifest themselves and function in various public contexts outside the art institution's traditional exhibition space.

The Milton Resnick and Pat Passlof Foundation will be a largely traditional exhibition space upon its opening in February 2018.

Not exact matches

As an «open space documentary» Lunch Love Community can be shown on the big screen in a traditional venue, in an exhibition space, or on mobile platforms.

From the experimental to the traditional, use the calendar below to explore cultural events and exhibitions here on the Space Coast.

Situated in a prime location close to the downtown area, the exhibition centre and Yas Island, Rocco Forte Hotel Abu Dhabi offers 281 spacious, well - considered bedrooms and suites, as well as a dedicated executive floor and lounge, seven diverse and compelling options for dining and recreation, a generous spa, traditional Hammam and wellness centre and some of the UAE's most sophisticated meeting and events spaces.

We're also seeing exhibition and fan spaces liberated from traditional and expensive events like PAX or GDC [for example, we previously visited Lost Levels here at Offworld].

Art Sonje's institutional desire to keep alive, but not historicize its past is mirrored outside, where Jun Yang has renovated a hanok (a traditional Korean house) into a café and bookshop, freeing up their respective spaces on the art center's ground floor for the exhibitions.

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

Space One Eleven presents Multiple Methods: A Print Exhibition; From traditional printmaking processes to digitally derived art, this exhibition explores how artists are using the print process to produce tExhibition; From traditional printmaking processes to digitally derived art, this exhibition explores how artists are using the print process to produce texhibition explores how artists are using the print process to produce their work.

LIBRARY STREET COLLECTIVE Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.

Finally, young architects Gruppo A12 (Udo Noll, Peter Scupelli and Marco Bonelli) present Parole, an interactive and continuously mutating web - site as an experiment in breaking open the controlled systems of traditional archiving, thus moving outwards from the exhibition space through the web.

apparatus, architecture, booth, Dallas Contemporary, design, exhibition, Florence Ostende, gallery, Jérôme Poggi, pool, scenography, space, traditional, Wesley Meuris, zoo cage

In 2001, Sean Kelly gallery presented an exhibition that included works inspired by the indigenous architecture of the Caribbean Island of Nevis, traditional Japanese architecture and an imagined gallery space.

The exhibition will include works from 1999 to the present which are being shown in New York for the first time., Casebere's latest works are inspired by Thomas Jefferson's utopian Monticello, the indigenous architecture of the Caribbean island of Nevis, traditional Japanese architecture and an imagined gallery space.

21c erases the boundaries found in a traditional museum, with curated exhibitions installed in dedicated galleries, as well as works of art featured in unexpected spaces.

In addition to a long career of exhibition in traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the world.

Transforming the AGO's Signy Eaton Gallery into a series of snaking walkways and small rooms reminiscent of Beijing's traditional communal living spaces, the exhibition Song Dong's Communal Courtyard invites visitors to lose themselves inside a unique installation of 100 vintage Chinese wardrobe doors.

SPRING / BREAK Art Show is an internationally recognized exhibition platform using underused, atypical and historic New York City exhibition spaces to activate and challenge the traditional cultural landscape of the art market, typically but not exclusively during Armory Arts Week.

Founded in 2010 in partnership with Hunter College, The Artist's Institute is an exhibition space and research institute in New York City that dedicates seasons to artists twice a year, providing a platform for sustained inquiries outside the confines and rhythms of traditional galleries and exhibition spaces.

Situated on the fair's 250,000 square feet of exhibition space, Platform offers an opportunity for galleries to showcase artworks that extend beyond the traditional booth context.

The school's structure acknowledges that contemporary artists have to be trained at the intersection of several fields — an approach exemplified by the school's new pilot program, the Masters in Art and Public Space, a two year program starting in fall 2014 that focuses on art in spaces outside of the traditional museum or exhibition institution.

During the 1980s, members of the Fiber and Space Art Studio, such as Shi Hui, participating artist and one of the exhibition's three curators, experimented with structures and space through materials such as bamboo and paper, in addition to the traditional materials of wool, linen and coSpace Art Studio, such as Shi Hui, participating artist and one of the exhibition's three curators, experimented with structures and space through materials such as bamboo and paper, in addition to the traditional materials of wool, linen and cospace through materials such as bamboo and paper, in addition to the traditional materials of wool, linen and cotton.

Object for cutting through space and time, a headdress made for this exhibition, incorporates designs reminiscent of fish and traditional armor.

The exhibition spaces that radiate from this nucleus throughout the Museum's three floors have been installed typologically, as in a traditional natural history museum, or thematically, as in many museums of modern art.

Exploring «reality» and «virtual space,» the exhibition will present a group of works by artists who employ both traditional materials and / or digital media to create new, imaginary landscapes.

Condorelli has long engaged with the architecture and context of the exhibition space, building modular furniture and reflecting on the history of the institutions where she is showing, a fitting choice for this exhibition, then, which celebrates curatorial and artistic work as always related in ways that go beyond any traditional sense of curating as a practice of caring and selecting.

The exhibition draws a comparison between representation of space in western Renaissance «perspective,» which depicts a linear system with objects receding in space, and that of traditional Japanese compositions.

As you enter the exhibition space located in a beautiful brick building, you find yourself confronted with dark and delicate portraits mounted with a sense of architectural narrative that highlights the already clear references to traditional modern painting, specially Braque's cubism and Arcimboldo's surreal portraits of flowers and fruits.

A new exhibition at The London College of Fashion's Fashion Space Gallery, featuring the latest works by celebrated set - designer Simon Costin, questions the traditional structure of runway shows, offering an alternative to the dictatorship of minimalist sets and predictable fashion presentations.

The group exhibition «Diverge / Convene: Contemporary Mixed Media» highlights artists of all media working in the liminal spaces not easily defined by traditional collage or assemblage work.

The result is less like a traditional «let's show everything we got» fair and more like an extension of the galleries» own spaces as they mount temporary exhibitions, business as usual.

The layout of the galleries at Urban Arts Space is roughly circular, and sole traditional documentary offering, Gina Osterloh's film New Vision (2012) is encountered either at the beginning or the end, bracketing the exhibition and providing a straightforward counterweight to all of these dense, tightly wrapped works.

Made up mostly of small - scale objects and paintings, this group exhibition transforms the traditional gallery space into a room - sized Wunderkammern of nostalgia, memory, and rediscovery.

A reinterpretation of the traditional «white cube» gallery concept, the space includes a unique «sound corridor» designed for sound - based art, an outdoor roofless gallery and large main exhibition room.

Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.

In order to make the upcoming exhibition as immersive as possible, the museum space has been transformed into an environment inspired by the traditional architecture of Moroccan medinas, buildings which are typically walled and riddled with many narrow, maze - like streets.

The space is unified, there are no traditional exhibition halls or secluded treasure rooms, almost all parts of the museum can be perceived from every point inside it and the visitors always know where they are and where they are going.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Positioned between a traditional museum and an alternative space, the New Museum's stated mission was to be a catalyst for a broad dialogue between artists and the public by establishing «an exhibition, information, and documentation center for contemporary art made within a period of approximately ten years prior to the present.»

Although women historically had limited access to training and opportunity in the traditional fields of sculpture and painting, the title of the exhibition suggests «a space free from the rule of any sovereign power» where women artists are able to adapt and modify these mediums.

The exhibition will focus on paintings made in the 1950s and 1960s by Accardi and Fontana who both played a vital role in the Post-War avant - garde in Italy and whose groundbreaking exploration of the physicality of materials and the boundaries of space redefined traditional painting and sculpture.

He said that they were excited to invest more heavily in pop - up exhibitions like ones they recently organized in Berlin (at Galerie Neu) and in Tokyo, citing concepts like CONDO, in which young galleries in two cities trade spaces for an exhibition each year, as interesting alternatives to traditional art fairs if maybe not «the grand solution.»

CR: As well as 3 traditional gallery spaces in London, Shanghai and Hong Kong, the touring exhibition will also take place in a bookstore in Riga (Latvia), which is quite an non-traditional space for Digital Art.

Throughout the exhibition, Ai has placed everyday objects that recreate the feeling of the ancient space, such as a painted ladder, traditional dragon lanterns, a crystal chandelier inspired by the Han dynasty and a floor installation of antique teapot spouts from the Song to Qing dynasties.