Sentences with phrase «traditional exhibitions with»

Not exact matches

Tu also received numerous awards nationally which include «Award for Progress in Anti-malarial Research Achieved by Project 523 Scientific Team» honored by China National Congress of Science and Technology (1978); «National Scientific Discovery Award» for Anti-malaria Drug - Qinghaosu by the China Ministry of Science and Technology (1979); «Invention Award» (as the first inventor) by China National Congress for Awards in Science and Technology (1982); «Award of Young and Middle - aged Experts with Outstanding Contribution» by the Chinese Government (1984); «The Top Honorary Award» by China Academy of Traditional Chinese Medicine (1992); «The Top Ten National Achievements for Progress in Science and Technology» by China National Committee of Science and Technology (1992); «First - Class Award of National Achievements in Science and Technology» by China National Award Committee for Advances in Science and Technology (1992); «National Model» by China State Council (1995); «Award for Outstanding Achievement in Traditional Chinese Medicine» by Guangzhou Zhongjing Award Foundation for Traditional Chinese Medicine (1995); «Outstanding Scientific Achievement Award» by Qiu Shi Science and Technologies Foundation of Hong Kong (1996); «Top Ten Health Achievements in New China» by China Ministry of Health (1997); «Female Inventor of the New Century» by China National Bureau of Intellectual Property (2002); «Golden Medal of the 14th National Invention Exhibition» by China National Bureau of Intellectual Property (2003); «Award for Development of Chinese Materia Medica» by Cyrus Chung Ying Tang Foundation, (2009).

The extensive programme planned for the competition arena will culminate in the traditional Scuderia Ferrari salute with an exhibition of the F10, the single - seater with which Ferrari competed in the 2010 Formula 1 season.

Come on a Tuesday evening, and you can join in the weekly Bon Bini Cultural Festival, which has stalls with local crafts and traditional food, as well as a steel band and exhibitions of Aruban music and dance.

There is the bustling promenade, lined with excellent restaurants full of traditional Corsican fare, and you can take the winding cobbled backstreets up to the citadel, which holds an art exhibition from June to September every year.

In addition, festival - goers were treated to an incredible surf art exhibition at the Lone Goat Gallery, live music at the iconic Beach Hotel, and the crowd - favourite Sunset Cinema, which began with a traditional Welcome to Country by the local Arakwal People.

Your last stop is the Bali Art Center, a traditional Balinese building with a permanent exhibition of modern paintings and woodcarvings.

Located in the heart of the Tianhe Business District our Guangzhou Hotel is connected to the Metro & adjacent to the Pearl River New City.We're just 5 minutes from the Guangzhou East Railway Station & 15 minutes from Guangzhou International Exhibition Centre, Hotel is right next to the Grandview Mall, where you'll delight in more than750 shops & restaurants.Guest rooms & suites feature luxurious bedding, individual climate controls & high - speed Internet access.Catch up with colleagues at our Man Ho restaurant serving the best of traditional Cantonese cuisine or relax in our lobby lounge.

The Maldives will kick - start ITB 2016 at the CityCube Berlin on the exhibition grounds, with an opening ceremony on the eve of the trade show, highlighting the country's cultural and historical wealth with Maldivian Boduberu dances and a fusion of traditional cuisine.

The festival highlights include a handicraft exhibition and an afternoon opening ceremony filled with a traditional Balinese marching band called Baleganjur and a towering fruit and flower offering or gebogan parade.

Curators Patricia Spergel and Shazzi Thomas selected artists for this exhibition who reference garden and landscape in their work in a variety of ways — traditional observational painting, works with subtle satirical and political commentary and paintings that lean towards abstraction.

Aboudia — Light & Dark, the third exhibition in the Light & Dark series, presents the vivid paintings and collages of Aboudia, which blend traditional African and modern Western art with graffiti - style mark making.

An all female exhibition showcases artists working with traditional craft media such as ceramics, yarn, clay or wood in current and contemporary ways.

From live, participatory readings of On Kawara's epic One Million Years in 2009, to the 2007 recreation of Rirkrit Tiravanija's functional kitchen installation Untitled 1992 (Free), which was paired with Gordon Matta - Clark's 1972 dumpster work Open House, to Jason Rhoades's sprawling 3,000 - square - foot Black Pussy installation, also in 2007, David Zwirner has embraced exhibitions that challenge expectations of a traditional gallery show.

Exhibition review: Roberta Smith, Zao Wou - Ki, an Abstract Fusion Master, The New York Times, Sept. 2016 Exhibition review: Lance Esplund, «No Limits: Zao Wou - Ki» Review: East and West Fused in Paint, The Wall Street Journal, Sept. 2016 Exhibition review: Charles Ruas, To The Limits and Back: How Chinese Ex-Pat Zao Wou - Ki's Experiments With Western Modernism Led Him Back To Traditional Chinese Aesthetics, ARTNEWS, Nov. 2016

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

Completely ignoring the traditional divisions in photography, he works seamlessly with various themes that he transforms into art, exhibitions and books.

Pratt Manhattan Gallery's 2014 - 2015 season will debut with Sleuthing the Mind, a cutting - edge exhibition that presents works of video, performance, human - computer interface, virtual reality, and more traditional artistic approaches that both highlight and unravel the mysteries of the mind.

For her section of the exhibition, Jongerius experiments with traditional paint recipes and industrially produced colour samples.

Pratt Manhattan Gallery's 2014 - 2015 season will debut with Sleuthing the Mind, a cutting - edge exhibition that presents works of video, performance, human - computer interface, virtual reality, and more traditional artistic approaches that both highlight and unravel the...

The exhibition is centered around the idea of renewing figurative painting by implementing traditional methodologies of classical painting with digital CGI software.

The art and soul of sculpture is explored in this exhibition, with compelling works ranging from traditional to contemporary.

The White Room aims to build strong ties with the local community through hosting a variety of receptions, exhibitions, and workshops, designed to showcase traditional arts, new trends, and more.

New chandeliers, included in the exhibition, combine black Murano glass with traditional metal and glass elements of Ottoman chandeliers, thus fusing two histories of craftsmanship and symbolizing the complex relationship between the Venetian and Ottoman Empires.

Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery setting.

LIBRARY STREET COLLECTIVE Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines.

Drawing from Hughes» remark on the assumption that «all of us had a sense of rhythm», this exhibition presents an original research into rhythmic sources in performative, material, and immaterial productions within African traditional and contemporary cultures, and extends this assertion to the field of contemporary art; opening up the «us», referring to black people, to a cross-cultural and multidisciplinary engagement with notions of rhythm.

The second exhibition drew tremendous attention, beginning with the AAA flag waving above the entrance to the gallery and ending with the realization by the critics of the fact that modern art was invading the very inner sanctum of the traditional art.

This exhibition introduces Hurtado Segovia's sculptural work with an emphasis on traditional woodworking techniques, continuing his explorations of pattern and textile influences.

Japanese artist Tetsuo Mizù, in his first solo exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more traditional depictions of the subject with paintings that focus on the storied practice of international maritime flags.

It's been 10 years since Rego's last major UK public exhibition and inspired by stories of the sea, her new work will tell the story of the Boy Who Loved the Sea, bringing to life the characters and narrative of this traditional tale, but with Rego's signature dark twist.

COUNTRY: The United States AWARDED BY: The DeVos Foundation WHAT IT IS: Numerous prizes ranging from $ 20,000 to $ 200,000, with the top honor awarded by public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen by the public and six winners chosen by a jury of art world professionals.

Commemorating one of the earliest documented moments of cross-cultural exchange between Japan and the West, this exhibition will unveil a new series by revered photographer Hiroshi Sugimoto while also juxtaposing his monumental black - and - white photographs of early modern European art and architecture with traditional Japanese artworks.

While portraiture is a traditional, time - honoured genre, this exhibition offers a new perspective by bringing together iconic portrait paintings by artists such as Max Beckmann, Lucian Freud and Frank Auerbach with more unconventional works by artists such as Lara Favaretto and John Bock.

The exhibition's inclusion of a range of materials and techniques, coupled with works made through traditional and unorthodox methods, help reveals the breath of Pollock's creativity and the emphasis Pollock placed on process and experimentation.

The beauty of the museum's exhibition concept is that it married traditional photography with painting and contemporary photography, and each show planted on its own individual floor was extensive, well represented and rather thorough in its samples.

In this exhibition Ahmadi returns to the traditional Persian manuscript illustration techniques and couples it with her own unique commentary.

This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques — often used alongside digital technologies — to the worldwide proliferation of self - published artist's books and ephemera.

The exhibitions offer unexpected encounters with art, breaking down the barriers found in a traditional art museum.

21c erases the boundaries found in a traditional museum, with curated exhibitions installed in dedicated galleries, as well as works of art featured in unexpected spaces.

With almost 100 works on display, this mammoth exhibition has been expertly curated in a manner that doesn't follow the traditional chronological route; «The works are grouped into key sequences, allowing connections and common themes to emerge and to promote a comprehensive understanding of Jones's wide - ranging artistic practice.»

For his first solo exhibition with Sean Kelly, McCloud has created eleven new, abstract works, mixing unconventional industrial materials — aluminum sheeting, silver aluminum butane paint, and black liquid tar — with traditional pigment and woodblock printing techniques.

Please take a look at our website for further details: http://www.momentaart.org/momenta-art-past-projects-2015.html Reviews of our exhibitions or events in a traditional sense are welcome, but we also encourage cross-disciplinary approaches that expand and engage with the themes explored by artists and other participants through our programs, possibly addressing broader socio - political phenomena of the year.

This is the first major exhibition exploring the historical legacy of African cultural astronomy and its intersection with traditional and contemporary African arts.

The exhibition includes a couple of my paintings alongside work by ten other artists who are engaged with conceptual content but dedicated to traditional materials — paint, stone, collage.

In addition to a long career of exhibition in traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the world.

In 2016, the name of mild climate was taken up, transforming into a collective with an interest in alternative programming as well as traditional gallery exhibitions.

The exhibition will include works by both artists that are consistent with longtime investigations in removing painting from traditional stretcher constructs and thrusting it into spatial conditions.

The Archive of Affect is a group exhibition with performances that focus on rewriting, challenging, or expanding traditional archives and histories.