18: «Alexander Archipenko: The Berlin Drawings»: Drawings and sculpture by an influential 20th - century Modernist who challenged
the traditional figurative form.
Not exact matches
Ignoring the
traditional distinction between naturalistically depicted and abstracted figures, the sensuous color and bold, sinuous contours of these elusive and lyrical paintings play on the tension between
figurative references and abstract
forms.
She creates a personal and contemporary fiction within her works, bringing to light issues of race and representation throughout the history of
traditional figurative painting: «My work is a
form of tribute, analysis and intervention: tribute out of sincere admiration for the
figurative tradition; analysis, by making something vast,» the role of race in the history of
figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of - color as primary picture - maker, in whose hands the
figurative tradition is refashioned.»
It's hard to characterize the art produced in Bushwick: there are endless studios of artists producing
forms of
traditional figurative painting while countless others are experimenting with digital images — some older talents but mostly younger ones.
If
traditional sculpture concentrates on the materialisation of an intangible idea in three - dimensional space, Morrison's eccentric, amorphous surfaces seem to reverse the process, becoming
figurative the moment his readymades take their final
forms.
Co-curated by Betti - Sue Hertz of Yerba Buena Center for the Arts, Ruijun Shen of GuangDong Times Museum in Guangzhou, China, and Xiaoyu Weng of Kadist Art Foundation, which has offices in Paris and San Francisco, the group exhibition is also a site to bring together three public art spaces and curators around a shared interest — though not in the
forms one might first associate with the concept:
traditional Chinese landscape and Bay Area
figurative painting.
Reflecting the surroundings and the viewer as part of the image breaks down
traditional notions of
figurative art in an ever changing spectacle, combining material
form, pictorial space and gesture.